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Hospital Productions present a very necessary vinyl edition for one of the most effective industrial/ambient collections in their catalog, and one of the label's most sought-after. Over the course of three cassettes (limited to just 99 copies) issued in 2012, Lussuria ("Lust" in Italian) drip-fed these eight tracks of opiated, phantasmic SM atmospheres into the musical bloodstream, duly hailed by many as one of the most crucial set of tracks released in 2012. Reflecting the ritualistic a…
RESTOCK! Limited to 500 copies with a numbered postcard insert, this a beautiful LP by the C. Heeman duo project with Af Ursin's Timo Van Luyck was started in 2004 and has produced two albums so far, the self titled first album (Some fine legacy) and Open Air (Robot), presenting yet another facet of Heemann's ideas of textural electroacustica, this time with a focus on improvisation.
“Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O’Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo’Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London’s improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years …
LP version. Avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening 'echo rock', in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of 'Jamboree', Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms,…
one of the most surprising, varied and knockout albums of the year, ranging from widescreen soundscapes to intimate drone transmissions, hip hop variations and miniature bleepy interludes - an absolute mustBetween 1992 and the early 2000's, former folksinger turned lo-fi avant-garde minstrel Bugskull (aka Sean Byrne) released a string of highly acclaimed compositions for a selection of Portland, Oregon's finest independent imprints. Since then his name has circulated in hushed tones among those …
Last copies of this 2012 release. The music on this LP was originally composed by Maggi Payne from 1984-1987 for the performance group Technological Feets. Formed by video artist Ed Tennenbaum in the San Francisco Bay Area in 1981, the group combines dance, live video processing and music. This is the first time these recordings have ever been released on vinyl, and aside from the track "Ahh-Ahh (Ver 2.1)," the first time any of it has ever been officially released. Composed on an Apple II …
This review for Wet Hair’s excellent debut full-length is dedicated to the late Barry Goldwater, five-term U.S. Senator. In 1984, Senator Goldwater wrote the Cable Franchise Policy and Communications Act, allowing local governments to require public, educational, and government access channels on television sets in their area. This act also wiped said local government’s hands clean of whatever content these channels would feature. Because of this act, because of Barry Goldwater, many a ni…
In January 2011 Mark was invited by Erik Wiegand (aka Errorsmith) to make some presets for his new software synthesizer which he was building for Native Instruments. After developing about 40 sounds*, Mark decided to rework his UL8 project by extending the pattern generating systems used in its construction, which he then connected to the sounds produced in Erik's synthesizer. The result is this double 12" single, featuring 9 tracks and a remix from Mark's friend and colleague Mat Steel. …
“Those who expect Tim Presley’s White Fence project to be an extension of Darker My Love are in for a lysergic surprise. Sure, listen to Is Growing Faith, and you’ll hear the same ’60s love that’s in Presley’s day-job band. But replace the boogie bass with The Velvet Underground and Nico guitars, ramp up the weirdness—you’ll start to feel all the brown acid in your brain melting into your pineal gland just in time for the bad trip lyrics to kick in. That and the laughter, and the reverb, and the…
TERRIFIC!!! Housed in custom printed outer-pvc with a design aesthetic worthy of the music contained within** After owning our ears with the Keith Fullerton Whitman album last week, Pan Records present a compelling trio of important recordings from visionary sound art composer, Trevor Wishart - available on vinyl for the first time. Since the mid '70s Trevor has conducted "systematic research into various vocal-speech figures and the possibilities for their noting, giving special emphasis …
NNCK LP soundtrack for the upcoming NNCK movie of the same name, directed by Adam Egypt Mortimer. This album presents recordings from the first NNCK rehearsal space at 195 Chrystie St. NYC in the years 1995-97. Two pieces were recorded for Harmony Korine's Gummo soundtrack but never released. Others are quintessential NNCK moments, including the first session joined by Butoh princess Michiko Takahachi, who instantly became a permanent member. The closing of the 195 Chrystie St. studio in 1997 ma…
Subtitled: First A-Chronology 1921-2001. At last, the Sub Rosa label re-issues the highly-acclaimed Anthology Of Noise & Electronic Music collection. Containing early and contemporary classics as well as pieces that had never been heard before. Volume 1 begins in the 1920s with the Russolo brothers, and examines each decade in turn -- Varèse, Cage, Schaeffer, Xenakis, the great pioneers crafting the first traces of a music that was markedly revolutionary: electronic music, created from no…
Early archival recordings: brand new release of never-before-heard material from the heyday of Ya Ho Wha 13, featuring the legendary Father Yod and his sons playing improvisational, psychedelic spirit music recorded in the wee hours of morning meditation. Father was a wealthy man, with a rich inner life, a family of disciples that loved him, many, many women and seemingly unlimited power. So why at the height of his success, did he choose to spend his time playing rock and roll? Having a band in…
Work of this quality tends to be the product of a self-contained and selfconcsious tradition, even if a hermetic one. And in this case I fancy I can hear the flowering of a Northern/Midlands sensibilty that setms orignally from the A Band, Youngs and Wickham-Smith, and Ashtray Navigations. It is informed by ecstatic jazz but its roots are in pragmatic sonic experimentalism of a determindedly autochthonous kind. You can almost smell the witch trials in this, and I urge you all to catch a h…
MY CAT IS AN ALIEN is the improv duo formed by the brothers MAURIZIO and ROBERTO OPALIO from Torino, Italy, in late 1997. They both primarily play electric and acoustic guitars, various toy-instruments and voice toy-microphones, percussions.
restocked: BW hosted a group of medieval miniature manuscript painters who were amongst the experts in the recording of the history of science and who circulated knowledge around the world and across cultures. Greek texts on Euclidean geometry were translated into Arabic, and medieval Arabic manuscripts on optics and geometry migrated to Western Europe, where, translated into Latin, they contributed to the development of perspective in Renaissance Italy.Hand in hand with scholarly interests were…
restocked - AA krauty, rhythmic throb & a sort of gutterized/behead the prophet stance that once seemed to have run up & down the west coast. Both of these things are filtered through post-Spacemen sensibilities & fueled w/ violin, bass & drums
With the music of Milwaukee-native Jon Mueller, patience is the key. His radical snare workouts are meditative master-classes in drumming, but require a distinct offering of time and attention to truly enjoy the dense clouds of sound his music creates. After crafting 2010's critically-acclaimed The Whole, Mueller decided to put together a live set that, while not reflecting the over-dubbed nature of the album itself, reflected the philosophy held within. The result was "I Almost Expect To…
This is the debut full-length from Julian Lynch, who to date is probably best known for a split 7" with Matthew Mondanile of Real Estate, Ducktails and Predator Vision fame. The two are childhood pals and frequent collaborators, but here Lynch steps out of the shadows and into the lo-fi limelight. The album stitches together fourtrack recordings and various fragmentary, cross-cultural elements into a fluid tapestry of psychedelic doodles and hazy songs driven by keyboards and guitar. L…