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Spirit Cry Flutes And Bamboo Jews Harps From Papua New Guinea : Eastern Highlands And Madang
Double LP version, Gatefold sleeve, 8pp booklet. The third part of Ideologic Organ Music’s trilogy of field recordings of sacred flute music from Papua New Guinea, recorded by Ragnar Johnson and Jessica Mayer in the 1970s. A book titled »A Papua New Guinea Journey« consisting of Ragnar Johnson’s account of the circumstances behind the recordings will be published simultaneously with this music release.
»The recording of a male initiation ceremony with sacred flutes, bullroarers and ‘crying bab…
Uzi
** 2022 repress, with poster ** Muslimgauze's gem from the late 80s. Cinematic, minimal, noisy, hypnotic, and gloomy. Probably not so overtly Middle Eastern as his later works, though definitely bearing an influence. Backed by electric drones percussion forms a living, breathing atmosphere of impending menace. For a strange reason, this album was missed in VOD's Chasing The Shadow Of Bryn Jones 10xLP Box-set. Now you have a chance to complete your Muslimgauze discography! All Tracks Written and …
Copia
People Like Us returns with "Copia", Vicki Bennett’s first new album since 2018. Exploring the abundance of collage and sampling, it reflects on timeless connectivity and the fluidity of past, present, and future. "Copia" reshapes sound into a rich, playful, and thought-provoking sonic tapestry.
Je Ne Connais Pas Cet Homme
Following their groundbreaking collaboration with the Art Ensemble of Chicago, Comme à la Radio, Areski and Brigitte Fontaine began recording almost exclusively together as a duo. Originally released in 1973, Je Ne Connais Pas Cet Homme is their first record billed under both names. Deeply rooted in North African and European folk traditions, the album features evocative vignettes with breezy vocals and minimal accompaniment of classical guitar, strings, and woodwinds. As always, there is a m…
Home of the Demo
Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual mainstream, just moments before it beg…
Werther
1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements. The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo C…
Zeuhl Jazz
**250 copies, 2020 stock** Sonata Islands is a cultural association, born from an idea of Emilio Galante, that promotes and performs new music and jazz. They organized many concerts and festivals in Italy. After Sonata Islands goes RIO (dedicated to the music of Univers Zero, Fred Frith and Thinking Plague) and Nippon Eldorado Kabarett (with the same musicians, dedicated to Japanese RIO music of the '80s with pieces by After Dinner, Wha Ha Ha, Kiyohiko Semba and Haniwa All Stars), here they pay …
Avec Des Coussins Bleus
*300 copies limited edition* "After Klanggalerie coaxed a sleeping dog out of the hut with "Extra Weapons / Double Dog Dare, Summer '84" by The Lo Yo Yo, ADN throws me the next sweet bone with the re-release of Look de Bouk's avec des coussins bleus (AD9 012, LP). Look De Bouk were even split partners with Alig Pearce, Mick Hobbs, Joey Stack & Caroline Brooks on AYAA's "Double Dog Dare" cassette and were also linked together again on the "Bad Alchemy Nr 17" live @ AKW compilation. Here slinging …
Live in Rhein Main
Live in Rhein-Main by Gestalt et Jive documents the group’s most audacious mutations through two pivotal live sets, revealing an intricate interplay of improvisation and postmodern eclecticism. The album’s raw edges and unpredictable transitions expose the band’s commitment to redefining avant-rock’s boundaries, blending kinetic jazz idioms, punk dissonance, and European experimental traditions into a deeply engaging experience.
L'eil au centre de L'oeil
L'oeil au centre de l'oeil by La STPO distills decades of avant-garde experimentation into a collection where tumultuous rhythms, surrealist poetry, and unrestrained instrumentation converge. The album’s elliptical structures mirror the disjointed vividness of dreams, mapping an abstract and ever-changing sonic landscape that refuses conventional boundaries and draws listeners into a whirlwind of meticulously orchestrated chaos.
Un Giorno in una Piazza del Mediterraneo
In the late 70’s the Italian music scene recorded a renewed interest in a sound research involved to a stimulating fusion of popular elements, jazz improvisation and suggestions of the middle-oriental classical heritage. Starting from the experience of Aktuala the idea of a common "Mediterranean air", that could compare and harmonize rhythms and timbres of various regions, enlivened a large number of musicians.
In this context, it also placed the short history of Zeit and of his main mem…
The Oracle
Big tip! *300 copies limited edition, includes download card* Acclaimed New York-based composer Lea Bertucci offers The Oracle, a striking, vocal-focused collection of music that spans six tracks of adventurous sounds steeped in mysticism and imagination, over three years in the making. Her first purely solo endeavor since 2021’s much lauded A Visible Length of Light (Cibachrome Editions), The Oracle breaks new ground within the scope of Bertucci’s singular voice as an artist.
The Oracle is an al…
It’s All Breaking Apart
The six compositions on Soundwalk Collective’s new album, It’s All Breaking Apart, are based on field recordings from Berlin clubs, particularly Berghain, blended with additional sounds processed through modular synthesizers, ambient noise, fragments of conversations, and new vocal performances, both sung and spoken. The album features collaborations with Anika, Gudrun Gut, Elvin Brandhi, and Nina Kraviz. The opening track, The Crowd, is a collaboration between Soundwalk Collective and legendary…
Terp Interrupted
This audio recording is a new experiment, and simultaneously recalls a line of inquiry from the early practice of Christine Sun Kim. By inviting her to make a record, the curators proposed a return to her work with audio—to a series of artworks that were characterized by the sensorial vibrations and bodily experience of sound, for which she often employed voice. “I can feel [my voice] inside of my body, and in this way it is accessible to me.” Alongside an embodied connection to Deaf culture, th…
Written in Blood
Repress of a noise classic! Written in Blood by Slogun!
Few records capture the feeling of the wind coming off the water on the edge of lower manhattan, the dead zones by chinatown, the piers, the highway and under the bridges. the solitary parts of the city where men can truly feel alone surrounded by the machinery, concrete and elements called gotham. in a catalog of originality written in blood stands, cutting, biting and tearing into your mind with confrontational voices that truly make you …
Music For 18 Musicians
With Steve Reich’s Music for 18 Musicians, the French ensemble Links presents a classic of the 20th century: Written in 1978, it was Reich’s first work for a larger ensemble. From today’s perspective, it is an icon of American post-minimalism which has not lost any of its fascination.
Rhythmic precision, a large dynamic spectrum and a unique range of colors guarantee for an unforgettable listening experience.
For Samuel Beckett
1999 release - For fifty-five minutes the great American composer Morton Feldman weaves his tapestry of sounds, a pattern always the same and yet never the same, an iridescent, thick fabric, full of details, although these never distract the listener's attention. Feldman met Beckett only once in his life (though Beckett later sent him a postcard on which the composer discovered the text for his opera Neither). He created music of a beguiling tonality and beauty, inspired more by painting and lit…
Rispecchiato in Quarzo
Rispecchiato in quarzo, Dal nero immenso, lèvita, and Traspare assente albore unfold as structured sequences of transformation—transparent, hypnotic, fairy. Each solo instrument (piano, contrabass clarinet, bass flute) interacts with multi-layered electroacoustic textures built entirely from acoustic sources. These “electronics” remain sensitive and natural, shaped through breath, resonance, and subtle manipulations. An 1876 Steinway, spectral clarinet multiphonics, and whispered flute tones for…
A Dog Is a Machine for Loving
Hall’s debut merges field recordings, piano, spoken word, and spectral analysis to craft vivid soundscapes exploring kinship, intimacy, and trauma.
Tönendes licht
In tönendes licht., Klaus Lang imagines the Gothic cathedral as a resonating body shaped by the architectural principles of hierarchy and proportion. Performed by Wolfgang Kogert and the Wiener Symphoniker conducted by Peter Rundel, the work creates a unique interplay between the physical structure of the cathedral and the ephemeral presence of the music, evoking the medieval understanding of light and sound as pathways to the divine. Inspired by the ideals of Gothic art, Lang explores the conce…