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Brilliant second album from Nate Wooley's Seven Storey Mountain project. David Grubbs and Paul Lytton have been replaced by Chris Corsano and C. Spencer Yeh (Burning Star Core, New Monuments).
"This second recording of Seven Storey Mountain is what I hoped the series would be, a chance to try to find different ways of creating something over the same basic ideas (tape manipulation, long forms with simple written musical directions, an attempt to reach some sort of musical ecstaticism) with diffe…
2024 restock. The world premiere of the infinitary computer animation NUR, and the accompanying infinitary computer sound composition SOLITON(E) STAR were given at Diapason Gallery (NYC) for the celebration of La Monte Young's 70th birthday in 2005. Catherine Christer Hennix has now extended this installation in the venerable tradition of the pentatonic blues for a live ensemble for voice, brass, computer and live electronics in the mixed-media environment. Blues Dhikr Al-Salam (Blues Al Maqam) …
The two major focal points in the creation of composer Duane Pitre's Feel Free, his new work for a unique sextet combination, were rhythm and melody. An open yet orderly system intended to produce potentially infinite variations of self-generating rhythm and melody was carefully created for this piece, allowing the sextet musicians to approach these factors in a freer manner. This 'musical system,' combined with the fixed elements of the composition, in turn, spawned a rich foundation of harmony…
Son Of A Bitches Brew is a true electric jazz record from the Acid Mothers Temple & The Melting Paraiso UFO. Rooted in the sound of Miles Davis' electric era this record melds jazz, funk and psych with AMT's synth swoops, space whispers and cosmic acid vibe. Tsuyama Atsushi replaces Wayne Shorter on soprano saxophone. Cotton Casino rejoins & AMT goes all in. The only joke here are the titles. Recorded at the Acid Mothers Temple between December 2011 through 2012.
*2024 stock* Arne Nordheim is among Norway’s most important post-war composers, particularly among those working within the field of avant-garde electronic music. Nordheim studied studied Musique concrète in Paris during the mid 1950’s, expanding his practice in Holland toward electronics and synthesis during the end of that decade. Upon returning home, he embarked on a stunning body of work, stretching over the coming decades. The composer’s works in these fields are a marvel - standing with th…
Split release between Kevin Doria's Total Life (Growing) and Deceh (Eleh/Srines), pressed in an edition of 500 copies and housed in deluxe 2 color screen printed, heavy duty jackets. Kevin Doria's work as Total Life precedes his work done as half of the group Growing, and is continuously evolving; this contributed track, Fader, is no exception. Deceh's contribution is an extended harmonic magnification of a shruti box, Hammond organ, upright double bass & modular synthesizer.
Full length collaboration from Duane Pitre & ELEH. Pitreleh use high resolution analog and digital tools to create music utilizing natural vibrations and harmonics as rhythm and melody. Inspiration is drawn directly from vibrational waves (sound, gravity, water). The electronics, of which both pieces are constructed, are tuned using Pure Intonation which utilizes the prime numbers: 1-3-5-7.
Recorded during two days of extreme weather, Eleh's Snoweight conveys the mesmerizing force of a winter storm with sonic realism and romanticism. These two new compositions evoke both warm security and wild, blanketing intensity in ways that are both emotionally arresting and time stopping.
"Ambient Loop for Vancouver (2004) is a single, full length track (53'43"), with contributions from Alan Licht on guitar, Christian Marclay on turntables, and William Hooker on drums. It was originally assembled as the 'tape bed' for a performance in Vancouver, Canada of DRIFT, my collaborative film and music presentation with partner Leah Singer, in April 2004. This slowly changing, low volume ambience has since been used in various performance, reading and installation situations over the y…
Central Palace Music, performed by Catherine Christer Hennix's just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Imprec. This previously unheard piece was taken from an eight day festival organized in the Spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe and Hans Isgren on sheng.Central Palace Mu…
Home Age Sonambients: The Sound Sculpture Of Harry Bertoia is a deluxe CD/DVD package containing historic recordings made in Harry Bertoia's Sonambient barn. The DVD, a film titled Sonambients: The Sound Sculpture of Harry Bertoia, by Jeffrey and Miriam Eger, was shot in 1971 and follows Harry Bertoia in performance and interview throughout his Sonambient barn deep in the Pennsylvania woods. This film offers a rare opportunity to follow the artist in practice, listening carefully as he moves con…
David First likes to use the phrase "the virtuosity of slowness" to describe his musical philosophy. In The Consummation of Right and Wrong, he and his eight-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while creating music that is simply ravishing to listen to. This is "drone music" as dynamic organism, moving from compac…
*20th anniversary reissue!* Merzbow's Merzbeat is one the most unique and legendary titles in the artist's vast archive. This 20th anniversary reissue is being issued at the same time as CD reissue of his 1983 album Material Action 2 and a brand new collaboration with Arcane Device, all on Important Records. Originally released in 2002, Merzbeat contains over 50 minutes of aggressive, psychedelic, organic, analog beat oriented Merzbow compositions. Drummed rhythms, massive looping samples, a pun…
"With Eleh having cemented themself as perhaps the modern minimalist, their collaborations have become a fascinating journey into the genre old guard such as Pauline Oliveros and Ellen Fullman as well as platforms for newer artists like Sun Circle, and in this case, Duane Pitre. As usual, Eleh hardcore analogue drones are well matched by Pitre feather-light just intonation harmonics. Both sides reflect different aspects of minimalism past without being pale shadows of those earlier pioneers. In …
*2024 stock* In 2006 Natasha Barrett was awarded the prestigious Nordic Council Music Prize for her work …fetters… released by Aurora. Her new album consists of one work only: “Trade Winds” is a fantastic voyage down to the mythical and physical depths of the wide oceans.
The piece is inspired by the vast expanse of sea – unleashing the musical potential of recordings from the 100-year-old sailing ship Dyrafjeld, from above and within harbour, shore and open oceans around the world, and the spok…
"One Arm Bandits is an hour-long piece in four parts, scored for four cellists. The cellists play only open strings, thus using only their right arms, never fingering the strings with the left hand. Recorded in Alvin Lucier's dining room, this work features cellists Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann. Lucier oversaw and produced the recording, and approved the final takes. One Arm Bandits was an important project for Alvin Lucier. The idea for the piece goes back to…
"Mono Fluido' collects two major compositions from Christina Kubisch which, until now, have been unreleased. Extensive liner notes and & photographs detail the origins of the work. Heavy drones and deep emotions run through these newly discovered pieces." In 1980, the deeply fascinating sound artist Christina Kubisch made some professional recordings in an Italian studio for the soundtrack of Fabrizio Plessi's 'Liquid Movie'. She returned to the sounds in '81, mostly field recordings of swinging…
If 577 Records had a house-band, this would be it—a group of longtime friends, collaborators and established jazz musicians who are mainstays of the 577 Records’ catalog, here playing together. The Telepathic Band named themselves after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature, boundary-pushing music between friends. Now, with their fifth album, Daniel Carter (Saxophone, Clarinet, Trumpet), Patrick Holmes (Clarinet…
'Amiri Baraka (LeRoi Jones) spoke the truth (and the truth under his tongue was sometimes a hammer, sometimes an anvil, sometimes a sickle, sometimes just a breath or a blast). Baraka had no tongue in cheek. Sometimes he drew his language (his thought) and in the barrel of his language (his thought), there was the cartridge of criticism, the cartridge of ranting, the cartridge of analysis, the cartridge of sedition, the cartridge of poetry, the cartridge of music. Heroes Are Gang Leaders have th…