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** 2026 Stock ** Rotorelief inaugurates its Silver Collection with this deluxe expanded reissue of Nurse With Wound's 1986 masterpiece Spiral Insana. Two-CD version includes 30-page metallic hardcover book (15 x 20 x 2 cm) containing color and black-and-white art by Babs Santini (Steven Stapleton). One of Nurse With Wound's most deep and mysterious recordings, Spiral Insana is more ambient and user-friendly than many other NWW outings, without losing any of its surreal edge. Stapleton and guests…
2026 Stock 700 copies in black vinyl. The enigmatic sound architects of Nurse With Wound return with Backside, a haunting new studio album that bridges four decades of underground sonic archaeology. Released through Rotorelief in an exquisite limited edition pressing, this latest opus represents Steven Stapleton and Andrew Liles at their most revelatory, breathing new life into fragments of the long-lost Bladder Flask sessions from circa 1980. The paths of Nurse With Wound and Richard Rupenus's…
Score to The Runner, the short horror film written and directed by Boy Harsher: eerie instrumentals, drones and piano sketches born in lockdown, with dark pop in fragments and two guest songs (Mariana Saldaña of BOAN, Lucy).
Second volume in the Keyboard Suite series by MARV, the duo of Geoff Schilling and Nathan Taylor: six pieces where dulcet keyboard melodies are saturated by tape, broken by bursts of electronics and set against field recordings, with Dan Partridge's bowed saw on one track. Co-released by enmossed and Softer Recordings on coloured vinyl, with a text by Marta Nunez Pouzols; all proceeds to the Carolina Abortion Fund.
Five works for six or four percussionists in surround sound: Xenakis's Persephassa, Mâche's Aera, Zihua Tan's Sorites and two pieces by Alcides Lanza, played by the Music in Motion Ensemble directed by Aiyun Huang.
Overview of Lou Harrison's work from 1939 to 2000, with first recordings including the original septet version of Marriage at the Eiffel Tower, Mass to St. Anthony, Easter Cantata, arias from Young Caesar and Music for Remy.
The complete Imaginary Landscapes 1-5 and Credo in US by John Cage, with radios, phonograph records and percussion, played by Percussion Group Cincinnati in the first volume of the Mode Cage percussion works.
Italian Surf Academy, led by guitarist Marco Cappelli, reworks the 1968 film soundtrack of Barbarella by Bob Crewe and Charles Fox, recorded in Paris in 2013, post-produced by JD Foster and mastered by Brian Brandt and Paul Howells.
The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.
Neuma presents Drumming in the Dark by Steven Schick. Engineer, Josef Kucera. Production assistance: Roger Reynolds and Terry Longshore. "In 1938 when John Cage formulated his famous dictum, "Percussion is revolution," I doubt that he had my mother in mind..." - Steven Schick
a Snare is a Bell is a solo piece for snare drum, voice and the room in which it is played.Inspired by some close encounters I had with African shamanic/trance musicians and my personal experiences with meditation and music, it also relates to a known-to-many-of-us acoustical wonder of sitting on the toilet and picking up the tone of that little room (often by accident while coughing or talking out loud to oneself) and enjoying to sing that tone and let the toilet become filled with an eno…
Recognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing medita…
Berlin trio improvisation recorded in June 2015 by Liz Allbee on trumpet and seashell, Annette Krebs on electric guitar and electronics and Sven-Åke Johansson on percussion, with notes by Thomas Millroth.
Alexander von Schlippenbach on piano and Sven-Åke Johansson on voice, accordion and drums, live at Onkel Pö in Hamburg in March 1978: a free improvised take on the German Lied, recorded by NDR.
Percussionists Burkhard Beins and Sven-Åke Johansson with harpist Rhodri Davies, recorded at Sowieso in Berlin in 2013 and 2015: acoustic sounds that come close to electronics, plus a harp solo by Davies.
Available for distribution for the first time! The new album by drummer producer Teppo "Teddy Rok" Mäkynen continues where his trio 3TM was last spotted: "Atonal Drums", out on Helsinki's We Jazz Records, lives someplace in & around the new spots where acoustic jazz and electronic music spill into each other in ways previosuly unheard.
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.
Guitarist Marc Ducret reworks Tim Berne's compositions, recorded mostly at home in 2021 with horns, flute, cello and a wide range of guitars, basses, daxophone and percussion, favouring colour and texture over soloing.
One of the most innovative and ambitious albums ever made, Genioh Yamashirogumi’s Ecophony Rinne is a sonic masterpiece featuring over 200 musicians that expanded the limits of what music and sound could do.
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.