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** 2023 Stock ** All the Way is a collection of radical re-workings of traditional and jazz standards such as “All the Way”, “You Don't Know What Love Is”, and “The Thrill Is Gone” (made famous by Chet Baker). It also includes a solo piano interpretation of Thelonious Monk's “Round Midnight”, and live voice and piano interpretations of the American traditional “O Death” and the country song, “Pardon Me I've Got Someone to Kill”. The album includes both electric live performances (recorded in Par…
Tip! Employing a vast array of advanced vocal and instrumental techniques, Broken Gargoyles is arguably Diamanda Galás' most intellectually, sonically and viscerally formidable work to date. The album finds the visionary artist deftly probing the weaving, warping transformation on the nervous systems of her post-traumatic soldiers and dying diseased. The album's first part, "Mutilatus," contains the Georg Heym poems "Das Fieberspital" and "Die Dämonen der Stadt," and concerns the suffering of th…
Live at St. Thomas the Apostle documents Diamanda Galás’ volcanic May 2016 performance at St. Thomas the Apostle church in Harlem NY, described by the New York Times as "guttural and operatic, baleful and inconsolable, spiritual and earthy, polyglot and wordless, nuanced and unhinged." The concert, produced by Intravenal Sound Operations and Red Bull Music Academy, was composed exclusively of what Galás calls “death songs”.
Dutch drumming legend Han Bennink teams up with Treader mainstays John Coxon and Ashley Wales for an amplified onslaught of ferocious freeform jazz. For this session Coxon kits himself out with an electric guitar while Wales mans electronics and samples. Between the two of them there's a barrage of flurried sonic ideas ranging from discordant string ensembles and abstract soundscapes to jagged wah-wah abuse. Throughout all this, Bennink's drumming comes across as boundlessly inventive, constantl…
First solo recording by Mark Sanders, one of the world's great improvisors. Recorded from the drummer's perspective, a beautiful virtuoso performance in 9 parts.
The extraordinary improvising duo of John Edwards and Mark Sanders have recorded together in countless groups, but only once as a duo [Nisus Duets Emanem 2002]. For this recording, Mark uses an unorthodox kit setup with horizontal orchestral bass drum. John's huge bass sound is captured in full by the old RCA ribbon microphone used in this recording. Constantly imaginative, thrilling playing.
A five part suite evoking the memory of Jimmy Guiffre and Giancinto Scelsi. Alex's brilliant clarinet playing perfecty complements Coxon's musical experiments in which the listener's spatial perspectives are constantly being challenged-extremely vivid recordings of guitars, kalimbas, 78rpm recordings,pebbles, metal objects and handbells form surreal landscapes as he takes the listener on an extended musical journey.
2023 Stock. The very latest release on the beautifully presented Treader label comes Hot Chip frontman/vocalist and possible Gerry Anderson marionette Alexis Taylor, who threads together a series of instrumentals and pop songs with a little help from Garageband. There are some beautiful synth outings here: from opener 'Fireworks' straight into the creamy, organ-driven 'Plastic Man' which sounds uncannily like the intro to The Killers' 'All These Things That I Have Done' mixed in with a bit of Ca…
These quartet recordings feature the improvisational skills of trumpeter Ishmael Wadada Leo Smith, guitarist John Coxon, keyboard player Pat Thomas and drummer Mark Sanders - an ensemble that convened at Abbey Road Studios last year to commit these five pieces to tape. Wadada takes the lead, perhaps most staunchly reminding you that this is, at heart, a jazz album thanks to his florid, lyrical phrasing. The relationships formed between the instruments are an immediate source of intrigue, forming…
Excellent as the two quartet discs are, the trilogy saves its ace to the end, thus bringing it to a fitting climax. (Despite that, it is worth stressing that this trilogy should best be heard altogether, rather than one of its discs being cherry-picked.) The pairing of Pat Thomas's piano and Steve Noble's percussion—credited as "The Both"—is an ideal match. The two had recorded together before, on And (Rectangle, 1997) with Derek Bailey, but with Noble on turntables not drums—an encounter that g…
Acoustic trio with John Coxon [acoustic guitars] Ashley Wales [found percussion etc.] and AMM's Eddie Prevost. A slowly evolving and spacious piece originating from reading eddie's book 'minute particulars'. "I have a National Trojan guitar from the 1930s that i bought in a little shop in new orleans. I used this for the ‘acoustic trio’ recording with Ashley Wales and Eddie Prevost [amongst many other recordings]. I remember Eddie saying ‘the perfect instrument’ because it has both a membrane an…
Breaking form from the more overtly free jazz-oriented agenda the Treader label has based itself upon, this release finds Jason Pierce of Spiritualized and Spacemen 3 tackling a lengthy piece of music assembled from electronically treated guitar loops (as you no doubt guessed from the title) and a bit of lo-fi percussion. The resultant thirty five minutes of music is an enormously dynamic, often rather difficult venture into the avant-garde, far-removed from the trance-inducing pop Pierce built …
Recorded February 2008, this album captures a specially organised Treader concert at St Giles-in-the-Fields church in London's West End. A series of duos played at the event, each improvising over the course of a twenty-five minute set. First up, the excellent John Butcher (on tenor and soprano saxophones) pairs with drummer Mark Sanders for 'Tooth Pivot', an incredible opener that stumbles into life through the reverberant performance space, with Butcher at first sounding measured and contempla…
A new group comprising Hot Chip's Alexis Taylor, This Heat's Charles Hayward and Treader label regulars John Coxon and Pat Thomas, this quartet are an explosive improvisational outfit, with Hayward leading from the backline via some stunningly powerful drumming. The remainder of the musicians take up predominantly electronic instruments - mostly synthesizers and samplers, but within Taylor's musical menagerie you'll hear a spot of electric guitar, percussion and shruti box. This record is more o…
** Jeanne Lee's-Conspiracy in CD, housed in reverse board printed gatefold card sleeve. Initial copies come with complimentery poster designed by Shabaka Hutchings ** Jeanne Lee (1939-2000) was an African-American vocalist, poet, composer, improvisor, activist and educator. In her 40 year career she performed with Archie Shep, Marion Brown, Gunter Hampel, Frank Lowe, William Parker, Andrew Cyrille, Anthony Braxton, Ran Blake, Billy Bang, Cecil Taylor, John Cage, Rashsaan Roland Kirk, Pauline Oli…
This CD is markable reissue of very rare first LP of Somei Satoh. Like several other composers of his generation, Somei Satoh has an affinity for mysticism and meditation, and he attempts to convey stillness and timelessness in his extremely slow music. His works may be described as ambient, but their minor key harmonies and step-wise melodies seem more conventional than the blurred, unearthly sonorities usually found in that atmospheric genre. ALM Records issued some important LPs of Satoh's ta…
The cover story is a multi-part Prince feature with reprints of rare writings by the great writers Ann Powers, Michael A. Gonzales, and Greil Marcus. Plus, also too: Mary Lattimore -- the great LA-based harpist interviewed by RJ Smith. Audrey Golden's Thought I Heard You Speak book on the role of women in Factory Records is celebrated with an interview by Jessica Beard. Negativland -- amazing huge very very in-depth feature on the whole 'Helter Stupid' debacle -- strap on in for this one, by Cor…
*Limited edition of 200* Cheval Rodéo by Trombe, Thomas Beaudelin (sax) and Erwan Cornic (drums), a really jazz-like energy album, with low dynamic sensibility and great interaction between the two musicians.
Bottle Clear Vinyl Edition. Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis, and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Co…
Cover boy Harry Smith shines thanks to a cheeky, never-before published photo by Allen Ginsberg. We celebrate the life and work of the self-described 'ethnopharmacologist' just in time for the release of John Szwed's illuminating biography and Smith's first one-person art exhibition, at the Whitney, with three killer, well-illustrated features (on his Anthology of American Folk Music, an interview by Marc Masters with Szwed, and a terrific dive into Smith's relationship with fellow visual artist…