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Joona Toivanen Trio makes their We Jazz Records debut with their new album "Both Only", out 25 Feb 2022. A landmark work for the long standing group, the album showcases a new sound for the band, trekking deep into new ideas for an acoustic jazz piano trio. Since their formation as teenagers in mid-1990's, the trio of pianist Joona Toivanen, bassist Tapani Toivanen and drummer Olavi Louhivuori (of Superposition, Ilmiliekki Quartet and Linda Fredriksson "Juniper") has developed their remarkably c…
Gatefold packaging. Nobuo "Hara," whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the…
Second album from the japanese psych-prog band that started out as Far Out in 1973. The record is basically a concept: "The Cave" is arriving onto our planet, and the group is generally celebrating the beauties of nature. Heavily influenced by Floyd (Atom Heart Mother era), the group lays down some very credible ambiances that even Waters & Co. could've pulled off. This album will draw Klaus Schulze's attention and he will collaborate with FEFB on their next one.
*2024 stock* "‘Don’t Look Now’ a film that is now considered a key work in the horror genre of cinema and has caused some critics to reappraise it some thirty years after it’s original release. A guarded Pauline Kael writing in 1973 for The New Yorker wrote “the fanciest, most carefully assembled enigma yet put on screen.” Jay Cocks for Time wrote more enthusiastically “Don’t Look Now is a rich, complex and subtle experience that demands more than one viewing.” The film’s director Nicholas Roeg …
Wewantsounds is delighted to announce the release of BAG's first album since 1973, "For Peace and Liberty", recorded in Paris in Dec. 1972 when the musicians had recently arrived from St Louis. BAG only released one album during their existence. This long-lost performance, recorded at Maison de l'ORTF in optimal conditions just a few months previously, was thought lost until recently unearthed from the vaults of INA (Institut National de l'Audiovisuel). Here the group unleashes an incandescent 3…
Softcover, 24 pages, 21 x 29,7 cm. The compositions by Massimo Bartolini, Caterina Barbieri, Gavin and Yuri Bryars and Kali Malone featured in the score, published by SZ Sugar and designed by Studio Folder, were initially conceived to occupy the spaces of the Italian Pavilion at the 2024 Art Biennale in Venice and contribute to Massimo Bartolini's own artistic project as an integral part of the works Pensive Bodhisattva on A Flat, Due qui and A veces ya no puedo moverme. The exhibition project D…
In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in their discography and still a landmark…
Back in the mid 80's, Paul Motian, one of the greatest jazz drummers of all times, assembled one of the most inventive groups of the decade. Motian invited four highly individual players such as Joe Lovano and Jim Pepper on tenor sax, Bill Frisell on electric guitar and Ed Schuller on bass, and the result was a unique sound in perfect balance between post-Ornette free-bop and a new and spacier form of interplay. First released in 1987 "Misterioso" stands as a stunning example of modern jazz!
** 2022 remastered **
- Brilliantly remastered LP/CD with new stunning artwork!- Unique tribal dub-trance music influenced by arabic culture with a touch of post-industrial.- Hypnotic rhythms mixed with with eastern vibes.- Muslimgauze at it's best!- released as picture LP in gimmix cover limited to 500 copies- also available as black vinyl and CD
A1 taken from VA - 110 Below - No Sleeve Notes Required (110 Below, 1995)A2 taken from VA - Assemblage Volume Two (Extreme, 1996)A3 taken from Nonpla…
**200 copies** Roberto Crippa is an italian sound-artist based in London and here is his third album. The refined work of "Ascent" is a deep dive into a dense and gloomy mixture of boulder rhytms, distressing atmospheres and sinister clangors. Although it could be easily ascribed to the industrial genre as well to more sleepy, nebulous and crumpled drifts of (post)techno realms, there’s something strongly personal and idiosyncratic that flows as decisive detail through the grooves of this record…
Originally released on CD in 2006 on Sedimental 'The Suncrows Fall And Tree' pushed Stefano Pilia to the forefront of the European experimental avant garde scene showcasing his incredible knack for creating beautiful soundscapes, blissful ambience and electroacoustic compositions that speak to the heart. His sound can aptly be defined ‘ecstatic', in the purest sense of the term, as a result of the exploration of these points of focus, through multi-instrumental practice and investigations into t…
"Between 1968 and 1970, the P.E. Hewitt Jazz Ensemble recorded three LPs. Self-released at the time in small runs (50 to 100) by teenaged bandleader, composer, pianist, and vibraphonist Phil Hewitt, they documented an enthralling and energetic — and somewhat outsider — vision rooted in post-bop modal jazz. Based in the San Francisco Bay Area, Hewitt was 16 when he made the first record. He was already a pilot and was also pursuing studies in the field of music as a healing agent. All of this pro…
Jennifer Allum, violin. Ute Kanngiesser, cello. Two musicians coming from the impro workshop run by Eddie Prévost in London. Recorded at St Augustine's Bell Tower on May the 29th 2012.
Originally released on Roulette Records in 1960, this is a unique and yet often overlooked document in the form of a split album featuring early, little known works by John Coltrane and Lee Morgan. Coltrane, already in full modal flight, is featured with an unusual quartet that includes McCoy Tyner on piano, Steven Davis on bass and the great Billy Higgins on drums.
Lee Morgan's straight ahead hard bop set sees the young trumpet genius leading a hard swinging group that includes a fabulous Wayne…
Taken from the Original Soundtrack Recording Black Splatter on Red 7”. Taken from the original soundtrack album, this 7” single has the film’s Main Title as its A Side, and The Bank Robbery on the B Side. John Carpenter's Escape From New York was released in 1981 and 40 years on the film remains a firm cult favourite with sci-fi fans worldwide. Originally released on the 31st of July 2015, the vinyl LP edition of John Carpenter’s classic thriller mirrored the expanded CD release from 2000, with …
*2024 stock* John Carpenter’s 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their homes. The multi-talented filmmaker’s atmospheric synthesiser score has long been a soundtrack favourite and this double album features a 20 track LP of the entire score, drawn from the original tapes, remastered by long-time Carpenter collaborator Alan Howarth on the A/B sides and the original album which featured 20 min…
LP version. On Buck Curran's second solo album, Morning Haikus, Afternoon Ragas, the emphasis switches to acoustic guitar, as compared to his first solo album, Immortal Light
(ESPDISK 5014CD/LP, 2016). Side A, all solo acoustic instrumentals,
seems to have fallen out of a wormhole emanating from Takoma Records in
the 1970s. There's some of that on side B as well, but there are also
vocals and other instruments, sometimes overdubbed, and the dedication
of "Taurus" to Peter Green, guitarist e…
Awesome set with a sense of suspended time that marks out their musical world. Combined with the quality of attention and the virtuosic command that is evident in each stroke, it is almost hallucinatory in effect - Keith Rowe, John Tilbury, Eddie Prévost. Concert in Houston, Texas. 1996. "A stupendous continuation of the 90's AMM sound, ala previous documents such as Newfoundland, Live In Allentown and From A Strange Place. Shifting patterns consistently emerge; via Prévost's bowed percussion; v…
Tropical is Jorge Ben's fifteenth album, a “muscular” mix of previously unreleased material and rearranged covers such as “Taj Mahal” and “País tropical”. The openness to more Pop, more Western arrangements, foreshadows his future work oriented towards the stereotypical World-Dance of the 1980s. Tropical was originally intended for the market outside Brazil, and was not distributed there until 1977. A very fine confirming his immense talent and ability to adapt to the zeitgeist by intelligently …