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From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them. Today the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albei…
Touching homebuilt compositions from celebrated American novelist, playwright and poet Ishmael Reed, channelling a long life immersed in jazz culture. A joint in-house production from ANF and NYC-based label Reading Group.
You’re never too old to learn something new. Reed credits bebop with keeping him and his friends out of reform school because they were too busy listening to records at each other’s houses to get into trouble. Finding fame as a distinguished writer, he found his way back to…
World Countdown was an enigmatic music newspaper that appeared fortnightly in California between August 1966 and July 1969. It offers the most vivid window possible onto the rapid evolution of the Californian music scene in those fabled days – but original copies are very rare and expensive.
For the first time ever, Lansdowne Books is delighted to be able to preserve and share its wondrous contents in this huge volume, created with the blessing of founding editor Charles Royal’s family and inclu…
Temporary special price. The 1991 Mute/Grey Area CD of the second Throbbing Gristle album (1978), one of the fundaments of Industrial music, with two bonus tracks.
With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.
‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music.
The album was conceived after a trip to Latin America and marks a clear break from previous production.
**2018 repress. Reissue on heavyweight vinyl in textured sleeve** With even more of the Fairport Convention crew helping him out -- including bassist Dave Pegg and drummer Dave Mattacks along with, again, a bit of help from Richard Thompson -- as well as John Cale and a variety of others, Drake tackled another excellent selection of songs on his second album. Demonstrating the abilities shown on Five Leaves Left didn't consist of a fluke, Bryter Layter featured another set of exquisitely arrange…
In Spacemen 3 Vinyl – Extended Edition, Danny Passarella assembles the definitive visual chronicle of Sonic Boom and J Spaceman’s recorded universe: a lavish, full‑colour archive of global pressings, ephemera and new interviews that turns their vinyl trail into a tactile, time‑spanning narrative.
Debut album by Abenaki bassist, singer and composer Mali Obomsawin, built on songs and stories of her family, with Savannah Harris, Miriam Elhajli, Allison Burik, Noah Campbell and Taylor Ho Bynum.
*Edition of 100* On Quiet Panic, Mark Schaub sculpts a slow‑burn tension where stillness never quite settles, his compositions hovering between ambience and unease, finely honed and given extra dimensional depth by Andrea Marutti’s mastering.
Originally released by CRI in 1974 and now reissued on vinyl for the first time by Death Is Not The End, Music by Earle Brown is a concise overview of the composer's landmark early experiments with graphic notation, open form structures and magnetic tape.
"Röntgen" is Ø's (aka Mika Vainio) subliminal, minimal techno classic, and was featured on the first Sähkö Recordings release in 1993. Spatial, silvery-sharp, and reduced yet frenetic, it's a blueprint of drum machine and synth work that helped redefine an era in techno. This special-edition 12" also features a full-side cut of a previously unreleased Ø track from 1995. The untitled B-side carries the same approach as the title track—minimal TR-808 and acidic synthesis—but in contrast to the har…
Composed between 1968 and 1970 and originally issued by Deutsche Grammophon in 1972, there are arguably few works within the canon of 20th Century experimental music as beloved and sought after as the Argentine composer Mauricio Kagel’s Acustica. Created for “experimental sound-producers and loudspeakers”, comprising electroacoustic material assembled on 4-track tape in 1969 at Westdeutscher Rundfunk (WDR) in Cologne, and acoustic material for 2 to 5 musicians, scored over roughly 200 filing-ca…
Tip! After two decades in the experimental music scenes of New York and Western Massachusetts, Wednesday Knudsen might be known equally as a sought-after improv collaborator and the vocalist and guitarist for the beloved long-running psych band Pigeons, as a member of the New England folk rock ensemble Stella Kola, or the psych kraut supergroup Weeping Bong Band. Atrium, is Knudsen’s fifth solo album, marking her rich recording history with a stunning masterwork. Channeling the “atmosphere of pr…
Trost Records is pleased to release Live at Kafé Hærverk, the latest transmission from one of the most exciƟng figures in European jazz, the Oslo-based Danish saxophonist and composer Amalie Dahl. Since dropping the debut album with her stellar quintet Dafnie in 2022, Dahl has enjoyed a meteoric rise, both in terms of acclaim and ambition. This new live album, taped at one of Oslo’s most beloved venues in March of 2025, arrives on the heels of the duly lauded Dafnie Extended—Live at Molde Jazz, …
Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the point where literal sense gives way. Davachi turns that idea on the study of instruments and timbre, disciplines she sees as long governed by empirical, neuro-cognitive and modernist assumptions. Her objection is not that measurement is wrong but that it…
On Nouvelles Ethnologiques de l’Obscur Museum, NEO Museum forge a fierce, finely cut collision of free jazz, radical rock and European avant-garde composition. Born in mid-80s Vandœuvre-lès-Nancy, the trio turns saxophone, guitar and drums into a compact laboratory of fractured forms, bristling improvisation and volatile collective invention.