Music from Australia

IKSRE (I Keep Seeing Rainbows Everywhere / Phoebe Dubar) presents "in all her forms (sound meditations vol. 2)", a deeply immersive one-hour sound bath album where water functions as both physical element and guiding metaphor for transformation.Across the work, water is understood as constant change within continuity. It moves through states of solid, liquid, and gas, yet always returns to itself as H₂O. This cycle becomes the conceptual foundation of the album, reflecting on how we as humans mi…

Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.

Holding Pattern by Melbourne composer and cellist Abby Sundborn: a single piece for cello and voice performed live to a small audience in August 2025, fragile music with a deceptive intensity. Cassette on A Colourful Storm.

On either side of the globe, two seminal experimental artists collaborate for the first time: UK composer Richard Skelton and Australian artist Lawrence English meet for Noon, a devastating study of greyscale landscapes, deep sonics, and long-distance unity. “When we first started speaking together, back in 2021, it was a moment of contemplation,” writes Brisbane-based Lawrence English. “The world had quietened, the throws of a pandemic had hushed the ambient noise floor and in doing so had some…

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.

*Warehouse find!* Little we know about this long lost gem coming from the outskirts of the Commonwealth. But as far as we know, beautiness lies inside. That is the case of the sole album of mysterious australian band Extradition. Released in a small run on local independent label Sweet Peach in 1971, the self titled album stands as one of the most accurate acid folk rendition outside the UK realm. Formerly a three piece Extradition struggle on their personal behavior forging a rural set up that …

*2026 stock* "The latest out on from Australian Tom Hall, an a/v artist living in Los Angeles. Spectra took two years to record (2015-17) and is released (CD, Cassette, Digital) on June 5th. If you like the Stranger Things theme song, this is in that sci-fi synth soundtrack universe with a twist of late 70’s b-movie. The high tones on Vail 1123581321 are thematic, like a rover has been sent from the central ship to capture images of signs of life. Hall also shot the cover image which could be a …

On Cooked, Oren Ambarchi folds his all‑star studio jam aesthetic into something gloriously unhinged. Two side‑long epics twist piano ripples, synthetic “voices,” mutant trumpet tones, electric Miles haze and digital pyrotechnics into a foot‑tapping, brain‑scrambling, joyously cuckoo ride that still feels meticulously shaped.

*2026 stock. 300 copies limited edition* In the shadows of the contemporary consciousness, lies a web of 'Obscure Power'. This album is an aural excavation of the hidden structures and energies that underpin reality. From the gleam of corporate crystals to the whispers of ethereal plazas, join in the exploration of the unseen force that shapes our landscapes and resonates within our souls. "Building upon the sonic blueprint of 'Sword and Circuitry', 'Obscure Power' expands the Quest Master unive…

After the wild Afro-jazz fusion of Trancedance (reissued as BT118) and the meditative solo Christer Bothén Donso n’goni (BT133), legendary Swedish multi-instrumentalist Christer Bothén returns to Black Truffle as part of a dream quartet completed by the three members of Ghosted: Oren Ambarchi (guitar), Johan Berthling (bass) and Andreas Werliin (drums). Recorded at a rustic studio built by Werliin and Hans Fredriksson in the sylvan surrounds of Hamburgsund, Sweden across a few days in September …

Severed Heads are an Australian electronic music group founded in 1979 as Mr. and Mrs. No Smoking Sign. The original members were Richard Fielding and Andrew Wright, who were soon joined by Tom Ellard. Fielding and Wright had both left the band by mid-1981 with Ellard remaining the sole consistent member for the rest of the band's existence. In 1984 the band released Dead Eyes Opened as a single, which was remixed in 1994 and re-released, reaching No. 16 on the ARIA Singles Chart. Two of their s…

An unceremonious release of some old songs strewn across the past few years, played and recorded into a lounge room in Annandale, Gadigal land. Marking a time of playing around lots with jasper (when time was easier to wrangle) and hopefully making room for new songs to come visit! we are singing forever. Sounds from budapest train, typewriter, guitars, an old fan favourite, kata, jasper, laughter.

On Headwater, Helen Svoboda traces an intimate, slow‑moving current through bass, voice and carefully placed sound, letting murmured melodies, extended techniques and silence pool into an ecosystem where every ripple feels both fragile and tidal.

Foetus is one of the major musical projects of NYC composer JG Thirlwell. Halt is the final Foetus album, and the first Foetus album in twelve years. It completes the cycle of an arc that began in 1981 with the first Foetus album Deaf. Thirlwell worked on Halt on and off over a period of eight years. As with each album he has made, he wanted to reinvent the music, use new forms, innovate and introduce new surprising forms into his musical palette, at the same time as feeling like a leap forward.…

On New Year’s Day this year I set off from my home in Loughborough Junction to undertake a rather idiosyncratic journey. For a long time now I have wanted to try and trace a vertical trajectory in London – and New Year's Day with its connotations of renewal and starting-over seemed just the time to attempt to flee upwards, if you will. The spine of this album is that journey from roughly minus 20 metres below sea level to 240 metres above on that cold, short wintry day. It was a quiet day, by Lo…

On Cold Shoulder, Oren Ambarchi and Will Guthrie distil decades of experiment into a quietly blazing live duo set: spiralling Leslie‑soaked guitar and hyper‑sensuous drums move from hovering abstraction to glowing, melodic clarity with the ease of players who no longer need to prove anything.

First edition of Jim Thirwell's outdtandignly produced and energy filled 1984 album of post-industrial blues and surf, released by Self Immolation / Some Bizzare. With insert.

At the age of 72, "Evil" Graham Lee, the legendary pedal steel pioneer and veteran of the iconic Australian band The Triffids, delivers his first ever album under his own name titled ‘I Think I’m Alone Now’. In addition to his work with The Triffids, Graham’s place in ambient history was cemented in 1990 when his evocative pedal steel became the soulful centerpiece of The KLF’s masterpiece, Chill Out (specifically on the highlight “Baltimore to Fair Play”). I Think I’m Alone Now is a profound ex…

*Back in stock!!* Black Truffle make Oren Ambarchi's Grapes From The Estate available once more on vinyl. Originally released on CD on Touch in 2004 (TO 061CD) and reissued on Southern Lord as a limited double-LP in 2006 during Ambarchi's tenure as a member of Sunn O))), Grapes From The Estate was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboar…