Composition / All styles

Karlheinz Stockhausen's early percussion works on DVD-Audio with surround sound: Zyklus, Kontakte for piano and percussion with tape, Mikrophonie for tam-tam, Refrain and Schlagtrio, from new transfers of the analog tapes.

Phill Niblock's 16mm film Brazil 84, from his series The Movement of People Working, shot along the Brazilian coast in 1984, with his music as soundtrack in stereo and surround: Three Orchids and Two by Tom. 77 minutes.

John Cage's works for solo percussionist played by D'Arcy Philip Gray: Child of Tree, Branches, One⁴ and three versions of c/Composed Improvisation, volume 3 of the Mode percussion series (Cage Edition 50).

The three string quartets of Helmut Lachenmann, Gran Torso, Reigen seliger Geister and Grido, played by the JACK Quartet in a recording endorsed by the composer.

The first complete CD of Bruno Maderna's music for flute, played by Roberto Fabbriciani for the 40th anniversary of the composer's death: works for flute and tape, piano and orchestra, and three first recorded arrangements.

First recordings of two major piano works by John Cage from 1950-51 found at the New York Public Library: Haiku and the solo piano version of Sixteen Dances, played by Jovita Zähl, with Thomas Meixner on percussion in two alternate dances.

The first complete recording of Giacinto Scelsi's works for solo violin, including the first recording of Divertimento No. 2, played by Weiping Lin, assistant concertmaster of the Vienna Radio Symphony Orchestra.

Helmut Lachenmann performs with and supervises Ensemble Signal in Zwei Gefühle, Musik mit Leonardo for speaker and ensemble, and plays three of his own piano works, recorded after a four-concert tour of the programme.

The first complete recording of Walter Zimmermann's string quartets by the Sonar Quartett, with Songs of Innocence & Experience after William Blake, Festina Lente and Fränkische Tänze, plus solo works for violin and for viola with voice.

John Cage's early percussion chamber works from 1935-1942, including the three Constructions, Trio, Quartet and Living Room Music, played by Third Coast Percussion, with the first movement of Living Room Music recorded in the Ford House.

Three works by Luc Ferrari: Visage 2 (1955-56) and Après presque rien (2004), both first recordings with Musiques Nouvelles and Art Zoyd, and Madame de Shanghai for three flutes and digital sounds.

Fourth volume of Giacinto Scelsi's piano works: Hispania, Suite No. 5 Il Circo and Suite No. 6 I Capricci di Ty, three first recordings of large early works from the 1930s, played by Stephen Clarke.

Aldo Clementi's works for flutes, issued for his 75th birthday: Fantasia su roBErto FABbriCiAni, Ouverture for 12 flutes, Passacaglia, luCiAno BErio and Parafrasi 2, played by Roberto Fabbriciani with tapes restored by Alvise Vidolin.

Two CDs of John Cage works for saxophones and other instruments, played by Ulrich Krieger and Intersax, including the only available recording of Party Pieces, written with Cowell, Harrison and Thomson.

Xenakis Edition volume 10 and the first complete recording of Iannis Xenakis's string quartets, played by the JACK Quartet: Tetras, Tetora, ST/4-1,080262 and Ergma, the last quartet, released on CD and surround-sound DVD.

John Cage's Two2 (1989) for two pianos, a renga-based number piece built on time brackets, played in a 74-minute performance by Rob Haskins and Laurel Karlik Sheehan, from the Complete John Cage Edition.

First recording of Maria de Alvear's Asking (2001), a 53-minute open-structure work for solo piano composed for and performed by Eve Egoyan.

First recording of John Cage's Three (1989) for three recorder players, with his early Solo with Obbligato Accompaniment of Two Voices in Canon (1933-34), performed by Trio Dolce. The Number Pieces 4.

Three first recordings of orchestral works by Roger Reynolds: Symphony[Myths] with the Tokyo Philharmonic and Kotaro Sato, Whispers Out of Time with the Cleveland Chamber Symphony and Edwin London, and Symphony[Vertigo] with the La Jolla Symphony and Harvey Sollberger.

Aldo Clementi's works with guitar, the first complete CD devoted to them, played by Geoffrey Morris and the ELISION Ensemble: Serenata, Dodici Variazioni, Albumblatt, The Plaint and others, most of them first recordings.

Early works by Gavin Bryars from 1969-71: first recordings of Pre-Mediaeval Metrics and Made in Hong Kong, plus 1, 2, 1-2-3-4 and The Squirrel and The Ricketty Racketty Bridge, played by Ulrich Kreiger, Seth Josel and others.

First commercial release of John Cage's only major film, One11 (1992), directed by Henning Lohner, with the orchestral work 103 as soundtrack in two performances (WDR Sinfonieorchester Köln, Spoleto Festival Orchestra), plus a documentary and an interview.

Aki Takahashi plays Giacinto Scelsi's piano works in 2005 recordings, mostly pieces she prepared with the composer, including the Quattro Illustrazioni depicting the incarnations of Vishnu.

Recent works by Gerard Pape, 1998-2004, for voices, percussion, computer, amplified strings and ensemble, with Roland Auzet, Rohan de Saram, Irvine Arditti and others, on his third monographic CD for Mode.

First recording of John Cage's Chess Pieces (1944), rediscovered in a painting and transcribed by Margaret Leng Tan, with her recording of Sonatas and Interludes and the first recording of Vittorio Rieti's Chess Serenade.

Stefan Wolpe's music from his Jerusalem years, 1934-38, including three world premiere recordings, played by ensemble recherche and the WDR Symphony Orchestra under Werner Herbers and Johannes Kalitzke.

George Crumb's Makrokosmos, Books I and II (1972-73), both complete on one disc, in composer-supervised recordings by pianist Margaret Leng Tan, a leading exponent of extended piano techniques.

John Cage's One⁸ (1991), a 43-minute solo for cello with curved bow, in the first recording with the BACH.Bow, played by Michael Bach, for whom it was written. Number Pieces 3, Cage Edition 32.

Three 22-minute drone works by Phill Niblock: Disseminate Ostrava for orchestra, Kontradictionaries for the Kontra-Trio of contrabass flute, saxophone and tuba, and Disseminate Q-O2 for the Q-O2 Ensemble.

First recordings, supervised by the composer, of two early works by Mauricio Kagel: Transición II (1958-59) for piano, percussion and tapes with live electronics, and Phonophonie (1963-64), four melodramas for two voices and other sound sources.

Morton Feldman's String Quartet No. 2, a continuous work of more than six hours, played by the Flux Quartet, in a deluxe DVD-audio edition with liner notes by Christian Wolff and Flux founder Tom Chiu.

Piano works by John Cage played by Margaret Leng Tan: 1940s pieces found at his publisher including Triple-Paced, Ad Lib and Jazz Study, the Works of Calder film score, and One2 for three pianos.

Cage's late works for saxophones, Four5, Five4 and Hymnkus, with Ulrich Krieger's arrangements of Ryoanji and Five, played by Krieger and German new music performers. Volume 24 of the Complete John Cage Edition.

Chamber works by Christian Wolff from 1950 to 1987, mostly first recordings, including the Serenade written at sixteen, the Harriet Tubman setting for voice and trio, and For Morty, played by The Barton Workshop under James Fulkerson.

Five chamber works with tape and electronics composed by Gerard Pape between 1993 and 1997, performed by soprano Janet Pape, the Arditti Quartet, bassist Nicholas Isherwood, Vox Nova, saxophonist Daniel Kientzy and Ensemble 2e2m.

Other Minds is excited to present Hypothetical Moments, a DVD of the collaborative works of Carol Law and Charles Amirkhanian, available on video for the first time. Some of the work included within will be familiar to followers of Amirkhanian’s work (Dog of Stravinsky, Mahogany Ballpark), but the vast majority of Hypothetical Moments has been entirely unavailable until now. Both video and audio have been lovingly restored and remastered, opening up a new pathway into the densely layered and ref…

Xenakis's works for ensemble and voice recorded in concert by New York's ST-X Ensemble under Charles Zachary Bornstein: Plektó (first recording), Eonta, Akanthos, Rebonds and N'Shima.

Georgia Denham (b.1997) draws on anecdotal experience to create her music. She studied with Andrew Hamilton at Royal Birmingham Conservatoire and now with Richard Causton at the University of Cambridge for her PhD. She lives with her husband, a theoretical computer scientist, and their many beloved plants. “This collection of chamber music from 2018–2022 wakes scores I thought were long since sleeping, where I first learned to write the delicate sounds I loved. With music written during my studi…

The first complete recording of György Kurtág's 24 Signs, Games and Messages for solo viola, with first recordings of four further viola pieces, played by Maurizio Barbetti with baritone Gianpiero Ruggeri.

This portrait of renowned composer Henri Pousseur arrives just days after his death at the hands of bronchial pneumonia, aged 79. The documentary goes some way towards conveying Pousseur's warmth and openness as well as giving some impression of the breadth of his career and its accomplishments. The film documents Pousseur taking one last trip to Basel's Fondation Paul Sacher, to which he's donated his full archive of sound materials, research and memos. In addition to spending time during the j…