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Instruments which sound like instruments!!! Unbelievable real-time compositions for the unlikely instrumentation of piano, trumpet and violin courtesy of North Of North: Anthony Pateras, Scott Tinkler and Erkki Veltheim.Drawing from improvisation, Carnatic music, 20th and 21st century compositional strategies, mathematical theories and open forms of jazz, their music is fused together by virtuosic instrumentalism, critical listening and a shared philosophy of musical and physical discipline. The…
“Dream” is a musical journey through the sound of the electric guitar in American concert music, based on sonic research and on the simplicity and beauty of the electric guitar timbre and colors.Sorrentino’s transcription of Dream by John Cage opens the program. This version demonstrates the pure beauty of the electric guitar’s clean sound with only the addition of light reverb. This is the first CD release for the lost electric guitar composition by Morton Feldman, The Possibility of a New Work…
**Warehouse find, still sealed original copies 1987 edition** Gong action suported by catalan fussion percussionist Santi Arisa. Main attraction here is the percussions and electronics piece Secuencia I.
Jakob Ullmann has made the orchestral work "steine, feuer, sterne" (stones, fire, stars) based on a modular structure, such that individual sections can be played outside of a complete performance, solo or in predetermined combinations; this album presents one section for solo bassoon titled "Muntzers stern" performed by Dafne Vicente-Sandoval.From the liner notes by Hans-Peter Schulz; Translation by Peter Gebert: Solo II is part of a group of works with the title Buch der Stille 1 ('Book of Sil…
Works for 2 and 4 pianos tuned a 1/4 tone apart, ondes Martenot and cello. Ivan Wyschnegradsky, “4e Fragment symphonique op.38c” for ondes Martenot and 4 pianos (1956), “Ainsi parlait Zarathoustra op.17” for 4 pianos (1930/1936). World premiere recording. “Méditation sur deux thèmes de la Journée de l’Existence op.7” for cello and piano 1/2 ton (1918/1976). Alain Moëne, “De l’ange for 2 pianos” (2015). First performance. Alain Bancquart, “Racines for 4 pianos” (2014). First performance..‘I c…
Christian Wolff, piano, objects, charango, flute. Antoine Beuger, voice, whistles, EWR recordings (1995) of Christian Wolff’s “Stones”.Antoine Beuger started composing music in 1990 and has released on his own label, Edition Wandelweiser Records, as well as Erstwhile Records. Beuger’s work is best exemplified by two releases, his first, Calme Étendue (Spinoza) and A Young Person’s Guide to Antoine Beuger. Calme Étendue (Spinoza) is an album that attempts to take the 17th century philosopher Spin…
“Choices & Melodies” regroup two pieces, composed by Cyril Bondi and d’incise and echoing in a different aspects the “13 & 27” CD recently released by Another Timbre, as both were recorded at the same time in the summer 2016. With “Two choices” the Insub Meta Orchestra exposes its richness of sonic production and variety of sources, acoustic and electronic, with simple instruction of producing two noises per person and the possibility of a change every five seconds. From this rigid structu…
Laurie Anderson and Kronos Quartet's Landfall, inspired by her experience of Hurricane Sandy, is the first collaboration between the iconic storyteller/musician and the groundbreaking string quartet, who perform together on the recording. Landfall juxtaposes lush electronics and traditional strings by Kronos with Anderson\'s powerful descriptions of loss, from water-logged pianos to disappearing animal species to Dutch karaoke bars. The Washington Post calls it "riveting, gorgeous."
Stockhausen’s early percussion music is among the most visionary of the percussion repertoire. This unique collection features some works which are almost impossible to find elsewhere. Zyklus was not only a novel composition in terms of its treatment of time and structure, it was also the first percussion solo ever performed. Kontakte, a masterpiece for piano and percussion with 4-channel tape, challenges to performers to play together and to make the maximum number of “contacts” with the tape. …
"The first recording of his 32-minute grand cantata 'La Nascita del Verb.' Steeped in chromaticism, with hints of Scriabin and a sea of percussion, 'Nascita' boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, 'truly written in blood,' left Scelsi 'in a deplorable state, afterwards he stopped composing for several years. One of Giacinto Scelsi's infamous pieces are the 'Quattro Pezzi (su una nota sola).' Ear piece…
Between 1983 and 1991 John cage wrote three pieces specifically for saxophones, Four5, Five4 and Hymnkus, which are combined here for the first time on CD. In addition, Cage authorized Ulrich Krieger's arrangement for saxophone of Ryoanji. Krieger also made a saxophone arrangement of Five, one of the few compositions from this period performable on any instruments. This unique disc concentrates on Cage's late works for saxophone. A CAGE OF SAXOPHONES VOL.2 (mode 160), features a combination of…
This is Pape's third monographic CD with Mode Records. Whereas his last Mode CD ("Electro-acoustic Chamber Works", released in 1998) presented his ground breaking works of 1993-1996, this new CD presents a selection of his more recent pieces composed from 1998 to 2004. While Pape continues his fascination with composing with chaotic sound in Le Fleuve du Désir IV and Weaveworld Prologue, it is his new approach to composing with packets of granular time that predominates on this CD. In La Na…
Clarinetist Carol Robinson had the unique opportunity to work directly with Giacinto Scelsi on his music: "I discovered this music in 1981. Captivated, I began including pieces in concerts the following year. A friend of the composer who attended a concert gave him a recording of my performance. As a result, Scelsi invited me to Rome. In his apartment overlooking the Roman forum... On numerous occasions we worked in detail on all his music for clarinet, an instrument particularly important…
Luigi Dallapiccola's Quaderno Musicale di Annalibera for piano, Tartiniana Seconda and Parole di S.Paolo; Goffredo Petrassi's Sestina d'autunno "Veni Creator Igor", Seconda Serenata Trio, Dialogo Angelico for 2 flutes; Ensemble Dissonanzen.
1 = Petrassi: Sestina d'autunno "Veni Creator Igor", for mandolin, guitar, viola, cello, double-bass & percussion (1981-82).2-12 = Dallapiccola: Quaderno Musicale di Annalibera, for piano (1952).13 = Petrassi: Seconda Serenata Trio, for mandolin, guitar & har…
Here, collected for the first time, are all of Morton Feldman's compositions for violin and piano. It is also a kind of walk through his compositional development, from the Webernesque early Piece for Violin and Piano (1950); through the experiments with graphic notation in Projection 4 (1951); followed by an excursion into the jungle-like density of David Tudor's energy in Extensions 1 (1951); to the cryptic notational riddles of Vertical Thoughts 2 (1963); from the dry carpet-dusting Spring …
Volume 2 in Mode's Scelsi Edition presents three of his rarely heard and recorded orchestral works, vividly captured in outstanding sound. Hymnos' large orchestra is divided antiphonally into two almost identical groups, symmetrically placed on each side of a central axis made up of the organ, timpani, and percussion. About halfway through the piece, as a result of accumulated pedal tones and their harmonics, the aura of a phantom choir miraculously appears-or so it seems-in a spine-tingli…
During the last few years of his life, John Cage wrote many pieces in the same general vein as Five3. They are often referred to as "the number pieces." This references the titles of the pieces, which are all simply the number of the performers. Superscripts are added as necessary to distinguish the individual pieces (this is the third quintet, for example). These works are also called "the time-bracket pieces," a reference to the notation of the pieces. Each event in the piece consists of…
The Flux Quartet follow their acclaimed, best selling recording of Feldman’s monumental 6-hour String Quartet No. 2 (mode 112, 5-CDs or 1-DVD) with this release, thus completing their cycle of Feldman’s string quartets. String Quartet No. 1 is one of Feldman’s earliest long-scale pieces. Unlike other recordings of String Quartet No.1, the FLUX recording respects Feldman’s tempo and all of the repeats, making it the longest recording of the piece.
The set also contains Feldman’s two quartets f…
The expansive length of Morton Feldman’s Trio (1 hr., 45 min., 22 sec.) requires a new approach to listening, which takes scale, the physical experience of sound, and novel uses of musical memory into consideration. With his delicate manipulation of musical materials, Feldman blurs the listener’s sense of time as their musical memory struggles to distinguish between past and present sounds - listeners are free to lose themselves in the beauty of each musical moment. Aki Takahashi and Rohan…