Electronic / All styles

**200 copies** "Mountains and Waters is an elegy to the Holocene epoch and to the quiet places that have been lost. The Holocene reaches back some 11,700 years when the last of the glacial cycles began to fade and the planet began to warm again. Since that time as we know, humans have dominated the landscape leaving very few places unchanged in some aspect. There is still debate as to when the Anthropocene began among the scientific community and no official epoch has been established. The recor…

**200 copies** "Tombland at night or day, at certain times, feels like a ghost-town. One moment I am swept up by the passing traffic, in another I have turned into a side street and there is nothing but a throbbing stillness that meanders through the cobblestones. Here, there is the blend of old and modern; traffic noise, people with chaotic lives, cobbled paths, vintage shops, forgotten history to some. There are moments even in the most chaotic of places where there is a quietude, a tranquilit…

**150 copies** "Reclaim brings to mind two classic pop songs: Joni Mitchell’s “Big Yellow Taxi” (1970) and Talking Heads’ “Nothing But Flowers” (1988).  In the first, “they paved paradise and put up a parking lot.”  In the second, “this used to be real estate, now it’s only fields and trees.”  Nature has a way of reclaiming her own, which is the point of the new album by Kevin Wilkinson, who goes by the unwieldy moniker of brb>voicecoil.In Wilkinson’s words, “10 years ago I walked through crops,…

**200 copies** "Bourdon du Kinzie (N° 3 from N° 1), 48°08’33” N 122°45’39” W is a recording of an acoustic space, recorded on a January afternoon within adjoined bunkers, inside of a defunct munitions battery near Port Townsend, WA. The acoustics within the site are very active, with long reverb decay times, so any sound that takes place within or outside of the space gets temporarily trapped inside, such that numerous sources interact with, dominate, and submit to one another. There were a few …

**200 copies** "For my collaborative piece Our Seasons Reverse I used recordings captured in Waziers, Saint Nazaire, Calais, Lille, Roubaix, Paris, London between 2017 and 2018. These recordings compiled a number of events that included museum visits, various walks by the sea, in the forest, under the rain, in the wind. I also play some organ parts. The link between all was the natural elements which are unleashed, all that could express that the climate is disrupting, that our seasons reverse, …

**200 copies** "For the past three years, living in Cambodia gave me the opportunity to visit traditional Buddhist Temples across different areas of the country. These edifices are dedicated to spiritual practices, studies ,worship and serve as moral and cultural hub for the Khmer People. I‘ve realized a series of recordings inside and around the enclosure of Pagodas in various provinces separate geographically. During an unique passage, I spent a brief time to capture the singularity and atmosp…

**200 copies** "In darkness, with the shadows of the forest, bite of the plant is the tear. Intimate inner worlds and the surrounding materiality dance in unison. They snake through realities at the speed of blood. Blood is the vine. Vine bites the flesh and atomic particles flow. Pulses emerge within this motionless journey. They give life to it. They are its spark and the vehicle. By inversion of scales they also are the outcome. Sound, sounds from the many layers of the thickness of reality f…

**200 copies** "This project represents a distillation of our field recording and life adventures during the course of 5 years that we have known each other. Over those years, we’ve spent countless hours on field recording missions, recording sessions, concerts, and touring together. With this in mind, we decided to narrow our focus for this project. Initially seeking out sound environments in and around in East Vancouver, we became focused on large transportation hubs such as shipping yards and…

**150 copies** "The Verde River Valley is located in central Arizona, in a transition zone between low desert to the south and high mountains to the north. It has been my home for the past 17 years. Walking though the uninhabited areas outside of town, one encounters a wide variety of plant life: cactus as well as pine trees, creosote and crucifixion thorn, winterfat, mullein, snakeweed, hackberry, yucca and agave. There is also a plethora of debris from hundreds of years of human presence. Scat…

**200 copies** "The Lithuanian-based composer made a pilgrimage to the Ancient Greek temple of Artemis in Aulis, Greece and this is what ensued. At first the extremely faintly audible granular rumble may have you immediately popping on a pair of headphones, but at about two minutes into this 43 minute singular composition a layer of drone accompanying a tectonic flicker starts to make its presence. Slow-going the constant jetstream wall becomes the canvas for manipulations that emulate opening a…

**200 copies** "The basis of these pieces were field recordings made in the Kosciuszko National Park during summer. This national park covers alpine and sub-alpine areas, and as such provides an unusual environment within the typical low lying bushland and desert of greater Australia. It covers the highest peaks on the continent, and as such is a diverse environment that covers everything from heavily wooded valleys and riverways, through to rugged grasslands high above the treeline. There is a …

**200 copies** "In the mountains near my home here in Tucson, Arizona is a place of many memories and emotions for me. Coming upon it years ago, I instantly felt a connection to the spirit of this place. To see the changes through the years as been a gift despite the grueling 12 mile ascent from the desert floor with way too much recording gear in my pack. It can be extremely quiet there at times despite the air traffic which is inevitable being so close to a major metropolitan area. The work co…

**200 copies** "Louisville, Kentucky, sits along the banks of the Ohio River, where the river cuts through the limestone and begins to drop away toward the Mississippi. The hills that rise above that river are honeycombed with caves. It was in one of those caves on the outskirts of the city that Ten Years Under the Earth was recorded.In March 2016, Tim Barnes invited Haptic to come down from Chicago to perform with him at Dreamland, the performance arts space that he curated in Louisville. We we…

**200 copies** "An exploration of sound, from near and far / From concrete to abstract, being attentive, focused and patient… / Living each moment / A bird in the sky, an insect on my camera case / The sun appears and disappears with the clouds / A global vision from the tiny and distant / Just to hear…" - Ludovic Medery, 9 June 2015"One can tell what this disc is about by focusing on the capital letters.  eMERgences is about the sea.  In a piece of semantic irony, the artist’s last name also cr…

**200 copies** "The field recordings of Holme were made from Jan/Feb of 2016. Due to being on a very tight budget all these sounds were recorded onto a Tascam DR-05, a portable, lightweight, handheld device, and then arranged with computer software. I wanted to retain the original sound as much as possible, while still manipulating it in some way. I also did not want these recordings to be ‘normal’ recordings of wind, sea, etc, I needed to put my mark on it. The longish drones heard throughout t…

**200 copies** "Suntria is a soundscape composition orchestrated, fundamentally, through the use of audio fragments captured from distinct locations of Sintra’s forest, near Lisbon, Portugal. Since remote ages, Sintra’s mountains (in Portuguese, Serra de Sintra) are known as locations of worship and devotion. It is reputed that the Celts, Visigoths, Moorish and Romans were among the people who inhabited and praised these oneiric landscapes before the Lusitanos (the later Portuguese). Throughout …

**200 copies** "This album uses field recordings made along an approximately 4km stretch of North Dublin’s Royal Canal, between Ashtown and Phibsborough. They were made with a Sound Devices 702 recorder, a Zoom H4N recorder, a Samsung smartphone, and using DPA 4060 omni-directional mics, hand-built binaural mics (made by engineer Dave Hunt), and JRF contact mics and hydrophones. These recordings were made, on and off, over a period of about one year, at various times of day, in order to capture …

Timeless masterpiece of tribal ambient, an absolute must-own for any fan of the genre. Peyote is a musical trip well worth taking. Edition of 500 copies in die cut cover.  Originally released in 1991 on cd and now released on vinyl for the first time. O Yuki Conjugate (OYC) are an English post-industrial/ambient musical group founded in 1982 in Nottingham by Roger Horberry and Andrew Hulme and still - intermittently - active today. Originally inspired by the spirit and sound of post-punk, they s…

Wrwtfww Records present the much-anticipated official reissue of Japanese duo Inoyamaland's quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue. With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as "a special place where the…

The first ever vinyl release available from Ruth Anderson - one of the most fascinating and influential figures in 20th and early 21st century electronic music.

Camizole imprint returns with this genuinely mental album recorded in France circa 1982! We've seen a lot of oddities reissued over the last few years, but few come close to capturing the bewildering brilliance of this bizarre album, resurfacing now on a first-ever vinyl pressing

States grew from a live-electronics setup developed by Tijs Ham (Tapage) in 2016: analogue feedback routed through digital manipulation to form a self-balancing, self-generating chaotic system, capable of producing its own deep melodic and textured material once the performer steps back. The 2017 sessions at Steim with bass clarinetist Gareth Davis insert a reed voice into this recursive system, opening it to spacious interplay between acoustic gesture and the autonomy of the patch.

Two compositions on the social and ritual function of music, drawn obliquely back into the experimental frame. The first piece, L'Anglard de St-Donat, takes a Central-French mazurka recorded from Alfred Mouret as its hidden source, building solid drones and recurrent structures from bowed and struck metal objects with quasi-melodic counterpoint. In Le désir the strategy inverts: detuned organs provide the rigid harmonic context within which bowed metal sticks are tuned.

Follow-up to Atsusaku (2016) by Gareth Davis (bass clarinet) and Merzbow. The earlier theme of mechanical compression is here extended into a meditation on the fears of mechanisation in the natural environment: North Sea wind farms, Southern Californian industry, the survival of animals in overrun habitats. Three tracks of impenetrable manipulated field recordings against saturated bass clarinet midrange and Merzbow's analogue/digital crossfire, with brief recognisable voices flashing through.

The Winter Trilogy and The Big Fall trilogies were realized between 2015-2019 in the Netherlands and implemented into a sequence of live shows during the same period. Both inspired by cultural sonic imprints, the Winter Trilogy (computer & accordion) and The Big Fall (computer & analogue synthesizer) explore the potential and the antitheses between analogue versus digital while expressing a personal view of particular rural landscapes.

Long-form duo work by Jon Wesseltoft and Lasse Marhaug, ongoing since 2008 as an investigation into psycho-acoustics and the phenomenology of sustained sound. The Hex of Light, recorded in 2013, consists of two stringently close-knitted pieces built around microtonal frequency interaction and slowly unsettling shifts; each gradually blooms within its own sonic time, exposing binaural beats, ghost overtones and microscopic tonal motion. Trance-inducing drone in the most rigorous sense.

Aural Rage "Svay Pak" is LP limited to 100 copies and only available as a bundle with Electric Sewer Age "Contemplating Nothingness".

Still und Dunkel is the project of musician and visual artist Christoph Brünggel, film maker Benny Jaberg and media artist Pascal Arnold. Their debut album Abandoned comprises ten compositions created for their audio-visual art live performances which draw on an ever-growing archive of moving images and sound recordings. The three artists started working together in 2011 and visited abandoned and hidden places at night or underground throughout the world to collect images and sounds. The trio do…

**160 copies** Andrew Liles is a prolific solo artist, producer and remixer. He has been recording since the mid 1980’s and has appeared on well over 200 releases. His work has been used in Theatre, Film, Radio and T.V. He has also worked in some capacity with the following groups and individuals: Danielle Dax, John Murphy (S.P.K.), Nurse With Wound, Current 93, The Hafler Trio, Steven Severin (Siouxsie and the Banshees) and Cosey Fanni Tutti of Throbbing Gristle.“This project from the fabulous …

In the etheric inertness of "Contemplating Nothingness", studio whiz and erstwhile Coil member Danny Hyde revives the Electric Sewer Age alias he began with the late, great John Balance.

Quietly brooding and enchanting debut from multi-disciplinary artist/researcher/field recordist Remo Seeland, accompanied by Reinier van Houdt (Current 93) and Norm Westberg (Swans) for a nocturnal record channeling experiences from New York City, Reykjavik and Zurich.

Viaje is the debut album by Swiss musician Roland Bucher and was produced with an instrument developed and built by the artist himself, the noise table. Viaje presents the culmination of almost a decade of exploring the possibilities that the curious device offers. Combining the physicality of the improvisational praxis with a classical approach to composition, these five songs highlight the emotional, narrative and atmospheric potentials of granular noise. Viaje was not only produced with an un…

Distant Animals is the artistic output of Daniel Alexander Hignell, a researcher and sound, video and performance artist from South East England. Hignell has developed a practice indebted to political and participatory resonance of creative acts, interrogating notions of autonomy, collaboration, and the tension between sense (what is perceived by the senses) and sense (what is made sensible by the community). He has recorded, written, performed and researched numerous socially-oriented sound wor…

**180 grams clear vinyl** “A man wakes up in the middle of the night. Is there something there? Or has something disappeared? Outside are clouded constellations of stars, inside the radio plays idle sounds from beyond and the phone is dead. It seems as if something had been accompanying him already all the time, hiding in the corner of his eye, stealing his identity by being a double. Trying to escape this mirror phantom he leaves the room. Outside on the stairs he happens upon more reflections,…

Bad White Corpuscle by Electric Sewer Age is the work of Danny Hyde producer and remixer of Coil, Nine Inch Nails, Psychic TV, Depeche Mode and many others. This album is the follow-up to Electric Sewer Age’s debut Moon’s Milk In Finale Phase which also featured late Peter Christopherson of Coil.Danny Hyde works since the early '80s as a sound-engineer, producer and re-mixer. He contributed many unique sounds to Coil’s legacy and produced their legendary albums Horse Rotovator and Love’s Secret …

Berlin electronic duo Driftmachine’s new release is called Eis Heauton – a Greek term for being in “a conversation with oneself”. This reference highlights the fact that Driftmachine is not composing music in a classical sense here, as they did on their debut album Nocturnes.Instead, three of the four tracks have been developed from so-called self-generating patches: the duo of Florian Zimmer (Saroos) and Andreas Gerth (Tied & Tickled Trio) were only framing technical parameters and subsequently…

Estimable Austrian double bassist Werner Dafeldecker commits his first electro-acoustic full length with an engrossing side of textural roil for Room 40 comparable with enigmas by Kevin Drumm, Emptyset or Cam Deas and primed for deep immersion.

Declassified militarist ambience from Vatican Shadow, finding Dominik Fernow (Prurient) donning his desert fatigues for a mesmerising follow-up to his technoid outings with Ostgut Ton and Ancient Methods. It’s also the last in a series of first-time vinyl editions of previously tape-only releases. Opium Crop Airstrikes makes a return to what we’d term a vintage Vatican Shadow sound, steeped in nods to Muslimgauze and modern geopolitics and fringed with an aura of clammy, atmospheric terror, just…

J.Derwort (15/07/1952 - 11/02/2019) left all his flutes, old guitars, strange percussion and some weird found objects at the Chi Factory studio. Hanyo van Oosterom went back to Patmos in April 2019 to visit all the magic places where Chi once started. He recorded the basics for ‘Travel in Peace’. Playing and recording these handmade bamboo flutes without the master himself being there was a lonely and emotional journey. But along the way the magic connection returned and the last Chi Factory alb…

Multicast Dynamics returns with a sixth studio album but one that marks something of a new chapter. Ancient Circuits is a departure from previous works on Denovali and one that stands the project aside as a powerful electronic act that tells stories while also serving up heavy hitting soundscapes that are persuasive, unexpected and disturbing. By now, Multicast Dynamics is revered for absorbing and journeying albums that are as immersive as a film or evocative as an audio book. Since 2015, long …