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**2020 stock** Electro-acoustic musician/composer Jon Appleton plays a variety of digital instruments which, in his words, “obtain timbres and textures which convey expressive character through my work.” Instruments used in this recording are the Dartmouth Digital Synthesizer, the Synclavier, and the MUSSE of Sweden’s Stiftelsen Elektronmusikstudion Stockholm. The five pieces span the years 1974 to 1977 and include Appleton’s first digital piece “Zoetrope.” Liner notes include short introduction…
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works.
This …
Stroom hold a light to the delicious Belgy dirge “pop” of Adult Fantasies, sifting Nico-meets-Coil and Jonnine-esque gems from their run of late ‘80s/early ‘90s LPs for Antler and Sub Rosa. This label is all nostalgia for shit we never knew existed but which we feel like we’ve known intimately before - same thing we always say - a kind of unheimlich fuckry that's pretty much a genre all of its own by this point. If that’s too vague, give this a listen if you’ve ever found yourself bawling to Mar…
Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is pretty much expected from someone who both liked to reuse names and didn’t care for consistency in spelling as Bryn Jones did). While none of the four lengthy tracks found on…
**Released in a limited edition of 500 numbered copies** A compilation of live recordings specially released for a Die Stadt label night feat. Released in conjunction with a live performance on the 29. April 2012 on the MS Stubnitz in Bremen.
Initial copies were given away for free to ticket holders on the night of the concert.
Track listing:
1. Ditterich Von Euler-Donnersperg - Die Schnarrmaus Des Kleinen Fritz 5:372. Asmus Tietchens - L10RA 11:033. Thomas Köner - Le Bateau Ivre 3:48
This bundle gathers together the four recently issued Vanity Records Box Sets, and includes 27 CDs in total:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)Various - Vanity Records 'Demos' (6CD Box)Various - The Vanity Box Vol. 1 (5CD Box)Tolerance - Vanity (5CD Box)Here's details about the contents of each box-set:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)CD-1 & CD-2 Various - Music 1 & 2Music (or Musik) was a compilation originally released in 1981 as a double vinyl b…
The Vanity Box Vol. 1 present an anthology of releases by legendary Japanese DIY label Vanity, active in the late '70s and early '80s. The box includes 5 CDs which offer the following contents:CD-1 R.N.A. Organism - R.N.A. Organism Meets P.O.P.O.(Vanity 0006, originally released in 1980)This is the only album by the anonymous unit, R.N.A. Organism. The album is based on a cassette tape which was airmailed from London. It also happens to be the first group produced by Kaoru Sato of EP-4. R.N.A. O…
This box-set collects all the available recordings by seminal Japanese group Tolerance. It includes both their albums released released between 1979 and 1981 on Japanese cult DIY label Vanity Records, along with never before released tracks recently discovered in Agi Yuzuru's archives.CD-1 Anonym(Vanity 0004, originally released in 1979)Tolerance is a solo alias of Junko Tange from Tokyo. Its sound is made of Tange’s electric piano, synthesizer, and simple electronics playing alongside the whisp…
This box-set collects a series of recordings recently discovered in Agi Yuzuru's archives and never released before. It offers further insights about legendary Japanese cult DIY label Vanity Records and some of their groups. The box-set includes the following contents:CD-1 Densei Kwan - P' (unpublished)An unpublished album from the cassette tapes owned by Aki Joe. The Densei Kwan's crashing style of Pocket Planetaria (CD-5) recurs in a more intense form with increased compositional power. An alb…
As per title, The Vanity Records 'Music, Tapes & Demos' box-set features a selection of releases culled from the catalogue of legendary Japanese cult DIY label Vanity Records, along with never before released demos recently discovered in Agi Yuzuru's archives. The box includes 11 CDs which offer the following contents:CD-1 & CD-2 Various - Music 1 & 2Music (or Musik) was a compilation originally released in 1981 as a double vinyl box. It is a selection of thirteen artists’ tracks that were chose…
Long awaited reissue for Terry Riley's 1966 debut album, and one of the greatest pieces of minimal music ever created on Philip Ornstein’s iconic MassArt imprint, which also brought us Max Neuhaus & John Cage’s Fontana Mix-Feed and Allan Kaprow’s How to Make a Happening, is among the most sought after in Terry Riley vast discography. It is also the first recordings Riley made using his two personal Revox reel-to-reel tape machines (or "Time Lag Accumulators") later heard on his groundbreaking re…
Fantastic debut LP from France's pioneer avant-electronic unit, Art & Technique. Clima-X was originally released in 1981 by Hi-Tech Records. Haunting obscure minimal electronic sounds, ambient and atmospheric ventures, minimal wave with some ethnic elements. And excellent use of rhythm boxes, sound generators and strange vocals, reminiscent of 23 Skidoo's "7 Songs", early Muslimgauze or O Yuki Conjugate's sound.
Room40 present a reissue of Phill Niblock's G2,44+/X2, originally released in 2002. Matte laminate embossed sleeve; includes insert card and 24-page book with liner notes from Bill Meyer, interview, and photos. Design by Traianos Pakioufakis.
Liner notes from Bill Meyer: "In 2001, Phill Niblock wrote, 'You should play the music very loud. If the neighbors don't complain, it's probably not loud enough.' In 2019, Niblock can no longer host his annual six hour-long solstice concert at the Experimen…
There are synthesizers, there are guitars, bass guitars, real drums and vocals in the first song. Components of rock and pop unite here in this lone 1977 effort and make way for elements of dark slow funk and soul that take you a couple of years back to the early seventies. The garment of swirling synthesizers keep it all together. The atmosphere can be soft and gentle like the touch of a lover’s hand but it can also become more and more mysterious and gloomy generating a feeling of paranoia as …
**Limited Edition. Emboss, matte laminate sleeve, with insert card** The follow up to Pinkcourtesyphone’s previous collection of negative mood music ‘Indelicate Slices’ has arrived and it is even more of a sonic banquet than its predecessor. ‘Leaving Everything To Be Desired’ is a sumptuous serenade revealing with candor the essence of the many careful adjectives used for situational descriptions. Pinkcourtesyphone swerves range out of another interior from sparkling dream-soft shimmers of strin…
Sentuhlà is one of the many aliases of musical jack of all trades José Guerrero, a long standing figure in the already rich underground scene of Valencia. In this solo excursion he explores the vast possibilities of mechanical repetition, the machine funk of dirtbag rhythms and proper boogie DIY synth music, sculpting a syncopated sound that is both modern and atavistic. Coming from a deep knowledge and ability to communicate very diverse sounds, slow jams unfold into dance music for clear eyed …
**In process of stocking** Vernal Croossing is Rapoon´s fourth album, originally released in 1993 by Staalplaat. One of the most interesting records released by Robin Storey (founding member of the pioneering industrial group ZovietFrance) on vinyl now for the first time.
A magic balance between percussion and electronics, creating mind-bending tapestries of minimalistic patterns and quasi-melodic drones fused with occasional doses of well-placed white noise. An approach much in debt to his 12 y…