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The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.
Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.
Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.
William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.
Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.
Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded between Anacortes and Asheville.
Vanishing Twin's new album pieces together daily recording sessions swapped between rural France and London: a playful collage of postmodern songcraft where the trio trade instruments and roles.
Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.
New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.
The two new Blume LPs together: David Tudor's Anima Pepsi, composed for the Pepsi Pavilion at Expo '70, and Lea Bertucci's The Days Pass Quickly Immersed in the Shadow of Eternity, written for Norbert Rodenkirchen's flutes.
Roger Doyle's third solo album on Allchival: new fixed electronic works, software piano improvisations and voice, a response to Finnegans Wake and music from Operating Theatre's 1986 The Pentagonal Dream, read by Olwen Fouéré.
First recorded work by Swedish drone composer Mats Erlandsson and double bassist Gus Loxbo, friends for 25 years: free improvisation, electroacoustic drone and doom, reshaped in the studio through digital processing and tape work.
Commissioned by ZKM Karlsruhe, Lea Bertucci's work for flutist Norbert Rodenkirchen sets his Renaissance, Medieval and Neolithic flutes inside electronic process: an electroacoustic piece that sounds like an ensemble reaching across centuries.
Sarah Davachi's commissions and longform pieces from 2023 to 2026, for The Broad, MoMA, Sonic Acts, Ghost Ensemble and NO HAY BANDA: six works across six CDs in a rigid slipcase, companion to The Will of Tongues.
The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
Boris and Michio Kurihara reunited at Tokyo's Fever club on 29 December 2018, playing nearly all of Rainbow plus Boris pieces, Kurihara solo songs and covers. Live sound by Soichiro Nakamura of White Heaven, on 2LP in a gatefold sleeve.
Boris and Michio Kurihara of Ghost and White Heaven first joined forces on Rainbow in 2006. Drag City now issues it on vinyl for its 20th anniversary: heavy psych, droning jams and short pop songs, in a tip-on sleeve with a vellum lyric insert.
Remarkably, Tim Depraetere is releasing his debut solo LP only now. It feels like he’s been one of the strongholders of the Belgian underground for years. Which he is, really. We were introduced to his work when he was a member of Maan – the duo that only did one LP (on Kraak) and had a very strong live reputation. After that, he’s been around with, among others, Camargue, Tina, and as a collaborator with Annelies Monseré. And since a few years, also as Goldscammer. Thus far, Tim has released a …
Joanna Mattrey on viola, Camila Nebbia on tenor sax, Camilo Ángeles on flute and Violeta García on cello, recorded live at Jazzwerkstatt Bern in 2024: strings, winds and breath in a shifting collective language.
Compositions by Finola Merivale for field recordings and electronics, with Catherine Sikora's tenor saxophone moving through shifting sonic environments between stark minimalism and dense, evocative layers.