Experimental / All styles

300 copies. Double LP, gatefold cover + inserts. After Juke Box (1977), between September 1978 and March 1979, the inseparable Giusto Pio and Franco Battiato committed to three pieces that should be interpreted as a single work since they both pursue and envision a sound that is independent of any form of language: Motore immobile, L’Egitto prima delle sabbie, and Rappel. Motore Immobile by Pio (completed in October 1978) was published only in 1979 to avoid interfering with the release/publicati…

*200 copies limited edition* There is a long tradition of Electroacoustic music in Finland beginning in the 1950’s with the experimentation of tape music. Finland’s first electronic musical instrument the "Sähkövalopiano" or "Electric Light Piano" was built before this in 1894. It was constructed in the Polytechnic Institute (now Aalto University) in Helsinki. Finland also has a tradition of blending archaic traditional music in the contemporary music scene. The Kalevala tradition for example da…

Tip! *2024 much needed repress* Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building elec…

*100 copies limited edition* "Utsnobi Matriarkaluri Tomis Simgherebi" is an improvisational cycle recorded by musicians Darja Kazimira and Zura Makharadze during the filming of the experimental, analogue film "Rue de la Lune" by the Irish director Juana Robles, dedicated to the comprehension of one matriarchal generation, embraced by the tendency to painful transformation and self-absorption, striving throughout the performance to get out of these boundaries, heal and to reborn. In this act, the…

2010 release ** "With the Misunderstood, Tony Hill co-wrote epochal psych-rock anthems like "Children of the Sun"; however, while High Tide's sound has roots in the peace-and-love era, the band was also in tune with the post-psychedelic comedown at the decade's darker end. On Sea Shanties, there's nothing fey and flowery in Hill's bleak lyrics or his doomy Jim Morrison-like delivery, and psychedelia's melodic whimsy is supplanted by a physicality more in line with the visceral heft of metal prog…

Electroacoustic composer Claire Rousay (US) presents her new album, ‘The Bloody Lady’, featuring the reimagined score she wrote for Viktor Kubal's 1980 eponymous animated film. Kubal (1923-1997), a pioneering Slovak animator, is considered one of the most influential animation filmmakers of the 20th century. Known as a singular artist who challenges conventions in experimental and ambient music forms, rousay crafted the score in her home studio immediately after moving to LA over the course of 2…

“Sidiroun Parapetasma” is MMMΔ’s 14th release to date. The band is leaving -temporarily- behind the slow hypnotic beat experimentation of Nomenklatura and releases a powerful, majestic album of four tracks, a “clin d'œil” at the bootlegging practices of copying music to analogue tape and discarded X-rays in the Soviet era.  The music is heavy, monolithic and massive, filled with rhythmic explosions, repetitive motifs,  ethereal synths and harsh atmospheric vocals or hidden screams that harmonize…

The second full-length album by NYC composer and multi-instrumentalist Eve Essex, The Fabulous Truth is both an ecstatic paean to liberty and an intense look at the psychological prices paid for seeking independence in an unforgiving world.

Peter Brötzmann and Keiji Haino's first music on record together since 1996: two full concerts recorded in Los Angeles and San Francisco in 2018, on four LPs with art prints by both.

Black Editions present the first ever vinyl release of Ché-SHIZU's signature album A Journey, originally issued in 1994 by Tokyo's legendary P.S.F. Records. Ché-SHIZU is one of the most original and mystifying groups to ever emerge from the Tokyo underground. Founded by master improviser Chie Mukai in 1981 the group has been guided by her singular vision for nearly 40 years. Throughout its history Ché-SHIZU has challenged traditional notions of song structure and improvisation. Mukai's signature…

Eve Essex’s solo debut is a multi-instrumental fea(s)t combining synthesizer, drum machine, alto saxophone, piccolo, electric organ/harpsichord, harmonica, slide whistle, bells, guitar pedals, and voice— composed, arranged, and performed by Essex herself.

Following three full-length collections and a transcendent series of individual long form works, Iceland’s Hyldýpi makes his Past Inside The Present debut with Heilun (tr: “Healing”), a set of seven pieces that flow across 90 blissful minutes. Formed only with guitar and a modest selection of hardware, each movement is an improvisation born from a state of meditation. According to the artist, these sonic sculptures are “inspired by the raw nature [of Iceland], both within and without… I feel as …

Captured in the immersive cocoon of the Hypnose Room during the 2023 edition of La Nature, this debut release on Fleur Sauvage is a raw transmission of Katatonic Silentio’s improvisational live ritual. Split into four parts across two 12” records, this work moves between experimental abstraction, textured noise, and cinematic ambient. Tension runs like a thread through each piece—sometimes humming beneath the surface, sometimes rupturing into visceral sonic peaks that leave you breathless. Deep …

*300 copies limited edition* FEN (Far East Network) is an improvised music ensemble made up of Otomo Yoshihide, who lives in Tokyo; Seoul-based Ryu Hankil; Yuen Chee Wai, who lives in Singapore; and Beijing-based Yan Jun. Since FEN's formation in 2008, the four members have gathered and performed in various countries on an intermittent basis. In 2018 FEN exhibited an eight-channel sound installation at the Gwangju Biennale 2018—an international contemporary art exhibition held in Gwangju, Korea—…

2007 release ** "Vinc Project is primarily the work of Vincent Zermatten (Vinc for short) of Switzerland. His regular job is guitarist in the band Ever Since, who apparently are one of the three million metal bands in Europe. But My Story has very little to do with metal. Vinc plays just about everything here: keys, acoustic & electric guitars, bass, drums and vocals, and is assisted by a violinist, a cellist, and two singers. The music is melancholy, full-sounding symphonic rock that sounds ver…

2006 release ** "Unlike many tribute projects that fall flat due to those involved being either overawed or ignorant of the original material, Silver Monk Time succeeds because the participants have taken the group´s primitive rock surge as a template to experiment with. As a result the sound of The Monks is treated to a 21st century workout with synthesizers and beat tracks threaded through the original quartet´s already way out psychotic minimalism". Featuring: fsk, the fall, faust, fehlfarben…

A new album by Michael Prime who is another prolific sound composer for many years. Being an active member of Morphogenesis he also collaborated with among others: David Jackman/Organum, Jim O'Rourke, Eddie Prevost, David Toop, Adam Bohman. He's also one half of Negative Entropy a collaborational project with G. Feyton (Noise Makers Five). Recorded between December 1998 and December 2000 Requiem is one of his most intense works so far and quite different from his more inviromental studies. Dedic…

**Edition of 400** Edge Of Nothing was first released in a cassette edition of 5 (!) copies on David Jackman’s Aeroplane imprint, and then included on the legendary “The Elephant Table Album” DLP in 1983 (feat. Coil, Nurse With Wound, SPK, Lustmord etc). Both tracks presented here are the January 2003 mixes of the original material, which was derived from variously stimulating a cymbal with bows, knuckles, loops etc. An extremely dense piece of experimental noise where (allegedly) the B side is …

**Edition of 400 copies** Two tracks from early cassette releases. Side A is an alternative version of "Terrain" by Jackman and Sanderson, originally released on the "0 Degrees North" cassette (Aeroplane 1982). With Jackman overdubbing low guttural growls on a steel strung cello and Sanderson programming coffee-percolation on a drum machine, "Terrain" is a lo-fi production that finds its companions in the work of Throbbing Gristle, Hunting Lodge, and the Broken Flag camp of noise. Side B is a so…

**Edition of 400** 'Flak' is an excellent 10" release offering two diverse pieces. Side A is a heavy, densely layered drone piece comprised of harsh, grating sounds all over the sound field, but sliding from start to finish with remarkable constancy. It's a truly beautiful noise, rather like some of David Jackman's earlier work as Organum. Side B is a field recording, untreated, unfiltered, recorded outdoors, with a great hiss that is very much present in the mix. This second track seems to comm…

**This special picture LP is limited to 444 numbered copies** An awesome album by John Watermann, the idea for this project came about after a visit to Calcutta in 1990, and through the nightmarish experiences during that short visit. The concept of aurally conveying the horror of a gas chamber was realised through field recordings in an abandoned electrical power station in Brisbane in 1992. The sounds are grating and harsh, a mixture of field recordings and electronic manipulations. One can ra…

"Wewantsounds is delighted to reissue Brion Gysin's cult avant funk album produced in Paris by Ramuntcho Matta in the early '80s. The hugely influential Brion Gysin who, with his friend William Burroughs, was revered by the likes of David Bowie, Brian Jones, Laurie Anderson, Genesis P-Orridge, is accompanied here by Matta and French post punk stalwarts Yann Le Ker on bass (from the group Modern Guy) and Frederic Cousseau on drums (from Suicide Romeo) plus special guests including Don Cherry, Ell…

1995 release ** "Matt Heckert has been working as a performance and sound artist since 1978. In the 80"s he worked as one of the directors of Survival Research Laboratories building robots and designing soundtracks for the performances and for film. In 1989 he began working on the Mechanical Sound Orchestra, a group of computer controlled mechanical sound instruments. He has presented this in the USA and in Europe since that time, working solo and in collaboration with others."

We are pleased to announce the release of new live and studio recordings by Rudolf Eb.er, an Austrian/Swiss artist in the vein of Viennese Actionism. The recordings includes a live recording at Hokage, Osaka in December 2024 and studio recordings at Om Kult Osaka. This is a new masterpiece of Rudolf Eb.er, a very conceptual and precise composition of sustained sounds and creaking metal, moans and crows, concrete crushing noises, organs and field recordings. In order to materialize this music, th…

*2025 stock* "Bertrand Gauguet's "Encerclements" is a profound sonic meditation on the interplay of sound, space, and abstraction. Encircling the listener with a delicate, almost hypnotic web of frequencies, the album merges ambient minimalism with glitch and noise, creating a kind of auditory labyrinth. (…) Perhaps it’s fitting that Gauguet embraces such a stripped-down approach. The album doesn’t demand attention; it slowly captivates, much like a distant memory trying to find its way back int…

"A note, a sound, an air, you can write them down and then leave them to be read or played; but you can also write nothing, just sit down, play your note, watch it flow and expand, add another to it and then another, and on and on. There may also be two of you: the second sits down, plays a note, watches it flow, adds another to it, and watches it drift and blend with the others. And then there can be three; the third arrives, sits down, plays a note, adds another, and another, and watches them …

2005 release ** "As a composer, Fell applies serialism with an enthusiasm and relish which hasn't been heard since the advent of minimalism, when it was declared a dead dog. In Fell's work this dead dog proceeds to gnaw at accepted practice and compositional cliché with a rabid intensity that many listeners find shocking. The challenge is to get modern compositions played with the emotional commitment and trenchancy of jazz, and in this Fell excels; by going right into the complexitudes of Stock…

1999 release **

2006 release ** "A weird and wonderful mix of spoken word,strange eerie sounds, avant rock and modern composition. It's such an eclectic mixture of theatrical ramblings and verse that it turns into a strange aural journey with each disparate section weaving into the next. Its getting a 'pretentious' suggestion from elements of the office and the band do admit its 'open to ridicule' but let's keep our judgmental hats in the drawer and appreciate this for all its innovation and bravery."

2009 release **  "Covering for Solace, a debut album of a Königsberg-based band Sunset Wings, is a widely opened window to the world of neo-folk music. Inspired by pearls of English romantic poetry together with traditional ballads of the British isles and the art of Pre-Raphaelites as well, this album takes you to a marvelous journey in the land of children dreams, sweet sorrow and melancholy. Silver strings of acoustic guitars and tender violin, deep cello sounds and warm flute, harmonica, bri…

2010 release ** "Svalbard’s debut full-length album is titled Heimkunft, German for “homecoming.” Beginning with the three minute instrumental track “Zeitwende,” Svalbard offers us a glimpse of their earlier sounds. Initially reserved, the song soon snowballs into an intense and somewhat epic piece. Heimkunft then swiftly jumps into more mainstream territory with tracks such as “The Mist that Hides Your Trace” and “Endless Fall” as such tracks demonstrate a very willful pop sensibility, even if …

2008 release **  "If many indie bands, for at least a year now, look to the German area and the Eighties as their only point of inspiration, Kobenhavn Store pushes higher, going towards Scandinavia, towards the ice and the pure and rarefied atmospheres of Sigur Ros or Amiina, but with a strong electronic contribution and an excellent management of the arrangement. To this attention to sound are added the pleasant influences developed by multiple listenings: they are positive influences, made of …

Several years of mutual appreciation and encounters on- and off-stage have been the root of this chance meeting, resulting in an unplanned mysterious collaboration album where the aura of each individual - none other than Anne Gillis, Jac Berrocal, Vincent Epplay, Timo van Luijk - is augmented by the magic osmosis of united forces. The 12-tracks display a collage of dreamy musique concrète with desolate instrumental and vocal interventions, masterfully balanced out by Vincent Epplay. Recorded at…

2024 stock. Alice In Wonderland, by Los Angeles, California composer and musician Randy Greif, is a gripping and imaginative telling of Lewis Carroll’s classic story. Using electronics and altered acoustic sounds, along with more traditional instruments, Greif creates a dark and beguiling atmosphere that captures the listener’s imagination. The spoken text is deconstructed into indecipherable phonemes, or laid into rhythmic, musical structures roughly approximating songs. At times, the sonic bac…

*150 hand-numbered copies limited edition* HolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio. Is a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic response to personal tragedy. Using dense layers of manipulated loops; primarily cello, field recordings, tape & voice. He sculpts viscerally; a requiem of repetitive phrase, culminating heady delicacies, evolving melodies & crescendo. Each live perf…

Open to the Sea was born around the musical experiences of Enrico Coniglio, here playing piano and synths, and of the music wizard Matteo Uggeri who adds his world of samples, noises, field recordings and recorded instruments played by friends. The first CD is a re-edition of the double mini-cd “Watering a Paper Flower” where an echoed piano goes through delicate and enchanted sound tapestries, remembering a river slowly flowing to the sea. The second CD, with the participation of a third musici…

*2025 stock* Finally the recorded studio work of Bill Ylitalo as Otto Kentrol and Faceless has been assembled! Prior to this, none of his work had been available digitally. No Mistakes features hard to find post punk & no wave cuts, four track demos, and previously unissued gems. Featuring sax, strange electronic instruments, recitative vocals and sporadic bass, guitar and drums- it’s a wild journey!

Tense from the first note and decisively uncompromising ‘GHSTING’ is the debut collaboration by Polish artists Alex Freiheit and Aleksandra Słyż, an incredibly unique piece of work that mixes fiction, spoken word poetry, theatrical antics, dense synthesis, acoustic ensemble and dark landscapes all set within the backdrop of a sinister Eastern Europe hotel. The resulting sound is menacing, humorous, harmonious, tumultuous, and at times quietly erotic. Alex Freiheit, a poet and vocalist, is widely…

At the beginning of 2024 I found myself on a trip up to North-West with my fellows Virginia and David (of Jooklo fame) in their legendary green Scudo van. I was ready for whatever adventure and trying to up-lift my friends from an uncomfortable situation they had at that time in a small town of the Ruhrgebiet named Moers, where they were temporarily based. The mood of the road that week was of rebellion, feeling of fixing injustice, and consequently the strenghtening of belief in underground bro…

The link between sound and memory is vivid in Heather Stebbins’ mind. On the Washington, DC-based composer and sound artist’s new album On Separation, echoes of past selves reverberate into the present, years dissolving into a gauzy translucence that hovers between the music’s genesis point and the listener’s ears. What began as a reintegration of dormant musical practices slowly shifted into a meditation on the nature of nostalgia itself, a prodding at how the brain relates to the pain and plea…