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Fernweh is the new tape by Danilo Ligato. Danilo Ligato is an Italian sound artist, musician and composer
Fernweh it’s passing musicFernweh it’s passing musicFernweh it’s walking musicFernweh it’s the noise of my memories Fernweh it’s the flaking of surfacesFernweh it’s a mysterious distant light Fernweh it’s the search for an intimate stillness Fernweh it’s a long nocturnal hugFernweh is it the nostalgia of the distance Fernweh it’s a fight in defense of silenceFernweh it’s a deep and shared sl…
**Limited edition of 75**
Zhu Wenbo: language laboratory cassette player, tape Yan Jun: scissors, sticker, tape Recorded by Yan Jun in Studio h, Beijing, July 16th, 2020 Mastered by Francesco Covarino. Released November 8, 2021
**Limited edition of 75**
Daniel Bruno: trombone, electronics Javier Bustos: experimental lutherie, electronics Recorded by Eric Kamatsu at Estudio El Cubo, Buenos Aires (Argentina), on November 11th, 2019.Mixed and mastered by Daniel Bruno and Javier Busto. Released January 11, 2022
** Edition of 300 ** World Speaks is the new album by Piotr Kurek. It consists of seven vivid paintings. We are greeted by processed voices. A bit later we listen to a fine reed solo, while an organist performs a meditative melody. Hints of a human presence, but World Speaks sounds uninhabited. Instead we enter a glassy reality where the simulation is at play. And where nothing seems what it is: are we witness to the choreography – or the rocky seashore?
“At that time I was playing with various…
Do you feel lucky? Well, do you, punk?
We're taking to the streets of 1970s New York with Suicide for this month's Electronic Sound cover story and our bundle edition includes a superb red vinyl seven-inch featuring two tracks by the synthpunk visionaries.
Debut LP from this new Philadelphia four-piece whose members include Siltbreeze, Blackest Ever Black, Vitrine, Cor Ardens, & Kashual Plastik alumni. With one sought-after tape behind them the band attempt a surreal approximation of nice music.
Their general merriment and creative fervour was captured in recordings over a few chance family dinners and channelled through a selection of poorly tuned instruments and detritus. Songs collapsing into abstraction, or vagueness uniting in melody, Sift ca…
Ghédalia Tazartès left us in February 2021 when we had just finalized the editing and the cover art of his new album with him. Unfortunately he will never see the finished object. This record is therefore particularly important for us. He opened his archives to us so that we could select unpublished pieces with him and organize them in two long suites. This work took almost two years (finding the pieces among dozens of sometimes very old CD-Rs, checking that these pieces had not already been pub…
Tip! As part of Ann Eysermans's For Trainspotters Only project, a vinyl record of the same name was produced on which various locomotives can be heard in different constellations.On the A-side are Prelude and Fugue for 4 diesel locomotives and harp. These compositions consist solely of locomotive and harp sounds. Both instruments were explored from top to bottom to extract their sonic qualities according to (often very strange) rules of counterpoint. Macro and micro sounds blend into melodies, h…
New release for Warble, Berlin-based duo by Brad Henkel and Miako Klein. Trumpet and recorder in their elemental form (tubes and air) envelop the space with a magnified environment of harmonizing and clashing timbres. Whistling overtones, percussive thumps, shrieking voices. Walls of sound, nervous twitches, burrowing moles.
Tip! “For the first duo release, Birgit Ulher stays close to her primary instrument, the trumpet. She plays that, as per usual, in combination with a radio, speakers and a voice changer. Early February 2020, she recorded a duet with Petr Vrba, also on trumpet and electronics, during a two-day met in Hamburg. Both musicians have quite a reputation when it comes to playing improvised music. Well, maybe improvised music covers only partially what they do. The addition of electronics and objects mak…
Tip! “When choosing a title for an audio document of improvised music, you really can’t go wrong with Impermanence; it’s not exactly original, in terms of either the specific genre or music as a whole, but it will never not be accurate. In the case of Violeta García (a cofounder of the splendid TVL Rec imprint) and Émilie Girard-Charest’s first meeting as a duo, the word accumulates a more unique meaning because of the two musicians’ chosen instruments. Cellos are often associated with their abi…
Tip! "I met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a …
“Oxygen Room is a wonderfully moody, at points downright haunting/uneasy trip into primally slurred and ritual tipped improv. The four-track CD appears on Slovenia’s Inexhaustible Editions, and I must say it’s a most compelling and often eerier ride of an album – really taking the improv form down a fairly original and distinctive path.The CD comes presented in a white six-panel digipak – this features on its cover and first inside flap two different green circles made up of different shapes, th…
An adventurous sonic exploration of the voice, cello and electronics.
A large component of Audrey Chen music is improvised, is completely un-processed and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of an analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.
First official solo album of Claire Bergerault, Stick Slip is an incredible cloud of frequencies where voice and accordion twist the space like an electronic music with psychoacoustic effects. A light and intense record at the same time, always on this acoustic border which makes the inner ear resonate like a mini oscillator.
Mathieu Werchowski's latest album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.
Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.
new collaborative relese by Benjamin Bondonneau, together with Lionel Marchetti and Jean-Yves Bosseur. Compositions and epistolary improvisations, in tribute to the writer François Augiéras.