Fauna
Finally restocked: Tsembla's outstanding faux-gamelan and homemade ethnodelic fantasies from Finland’s Ikuisuus label "The cicadas rub their legs, singing as if sucking on inhalators, when past the great willows I see a dam resting deep in the shelter of the trees. The shadow of the dam, a dark cloak glowing green, spreads over the branches of the trees and far across the grass, transforming the yard beyond the road’s edge into an odd province ruled by frogs and mosquitoes that gradually slides …
Like Sunburned Snowflakes
Limited edition 45 RPM 12” of Alex Turnquist’s not-like-anyone-else guitar stylings, with 5 tracks using only plucked harmonics on his 12 string guitar. Using this limited palate of sounds, Turnquist crafts sparkling waves of notes, employing the minimalist sensibilities that have informed his more recent work (e.g. his 2011 VHF LP/CD release Hallway of Mirrors) on a smaller scale. The harmonics here are frequently struck hard and in complex patterns - this is arguably “new age” but not drifty-a…
The Ruined Map
Technical drawings is melissa st. pierre (prepared piano) and jesse stiles (electronics). in their debut release the ruined map, they pioneer a new genre that has been termed dub concrete, combining influences from neoclassicism, rock, gamelan, and hip hop with results both weird and electrifying. in one of the record's centerpieces, strange flora, the post-rap poet todd jones verbalizes the musical journey: we found an island on the edge of the world. with no name for it we made a claim for it.…
Lose today
restocked!! Michigan trio Wolf Eyes are known for bursts of harsh noise, but they've also made lots of interesting music on the way to those climaxes-- during the pregnant pauses, eerie bits of calm, and gradual build-ups that explode into raucous release. Stare Case, the "blues roots" duo of Wolf Eyes' John Olson and Nate Young, deal primarily in that restrained territory, where minimalism and quietude bulge with possibility. On Lose Today, the implied eruptions never come, but always seem to b…
Live at White Cube
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. Side A: Elliott Sharp, 'The Hidden Variable'.Side B: Elliott Sharp and London Sinfonietta, 'Glass Call'
Water Above Sky Below Now
Morphine presents "Water Above Sky Below Now" from pioneering American composer Pauline Oliveros and Ione. An experimental musician and educator, Oliveros is the creator of the deep listening practice highly attentive full body audition. She is joined on the album by author, improviser of spoken word and sonic vocals Ione, artistic director of the former Deep Listening Institute founded by Oliveros.The three-part improvisation was produced using Oliveros' Expanded Instrument System (EIS), an ele…
Fuck Fundamentalist Pigs
F*ck Fundamentalist Pigs is Stephen O’Malley’s crushing, personal and intensely emotive retort to the fascists and fundamentalists who undermine his and our sense of personal liberty and freedom, particularly in the wake of attacks suffered by Charlie Hebdo magazine and the residents of Paris during late 2015, and the countless poor souls who’ve suffered in the Middle East, Kenya and North Africa. The material itself is just staggering - appearing a mere couple of weeks after Sunn O)))’s Kannon …
End Ground
Second Edition Pressing of 250 copies only. Vinyl-only release, no digital, no CD. End Ground forms the third and final installment in a series of records documenting the solo prowess of Sunn 0)))’s Stephen O’Malley released on Sweden’s iDEAL Recordings. It was performed on electric guitar thru Sunn model T amps, and captured on a zoom H4 at Centre Cultural Suisse, Bad Bonn Carte Blanche, Paris, France, on 18th October 2013. In solo mode, stripped of his usual accomplices and collaborators, O’Ma…
Dread Live
Second Edition Pressing of 250 copies only. Vinyl-only release, no digital, no CD. Sunn O)))’s feedback architect Stephen O’Malley cranks the amps even louder on his solo vinyl LP Dread Live. This is an extended and extremely loud improvisation for solo guitar (though the colossal heaviness sounds like an army of guitarists). Relentless waves of heavy drones and squeals bombard the listener; the man has turned distortion into an artform.The minimalist electric guitar mantra Dread Live was perfor…
Aswolf / Solar Anarchy
Pestrepeller join forces with the Opalio Brothers for an incredible limited edition split album; also a picture disc with mind-bending artwork by Pestrepeller's Savage Pencil and My Cat Is An Alien's Robert Opalio. The Pestrepeller side is a twenty-minute psychedelic epic that starts with a journey through a wind tunnel and ends up on the back of a giant churning bass-driven streamroller which flattens all in its path. This sees the core Pestrepeller trio of Sav X, Ed and Harley joined by 1) Sha…
Lift Your Toes
Another Di Domenico project, again with Lobo in two, along with Daniele Martini (saxophone, percussion) and Bruno Ferro Xavier da Silva (electric bass, electronics, percussion). Miles circa “Bitches Brew” once again hovers over the proceedings on the first of two tracks, with the warped Rhodes and the snare beats; generally, it’s in the same area as the Going recording. Side 2 ventures into entirely different territory, percussion and electronics to the four, constructing odd and intricate rhyth…
Dark Souls Need Light
"When Jersey teen Marianne Nowottny arrived on the scene in the late '90s, she had the looks of a typical NJ gum-snapper but possessed a voice that was way beyond what you'd expect to find hanging out in the parking lot of White Castle trying to bum cigarettes. Her vocals had the rich, smoky maturity of Marianne Faithfull's late-'70s work, hauled into an off-center bedroom pop universe that was almost impossible to decode. Her subsequent studio recordings have investigated magnificent nooks of p…
Melpomene
Dan Melchior has become an unlikely 21st century experimental music icon. As the forms, signifiers and 'experiments' of the last several decades have become increasingly codified, one naturally begins to ask the question what the term in a contemporary setting means to the listener. If the performer and the audience both know what to expect before, during and after a record or performance, can it be considered an experiment? At the start of the century, Melchior was known in NYC as being a studi…
Road Not Driving
Last time we checked in with Dan Melchior, he was Playing The Greys. What has he been up to lately? Melchior is as aesthetically restless as he is endlessly creative, so in between recording an album with Austin TX art-punk trio Spray Paint and a myriad of tape and vinyl releases, Dan found the time to gift Ever/Never with another classic slice of Melchiorcore (please, shoot the messenger for that one). Road Not Driving is a 12” EP that covers a fair amount of ground during its runtime.“I Got A …
Seattle Symphony
Kye is proud to present Seattle Symphony, the new LP by Poughkeepsie's Joe McPhee. 'Seattle has become my home away from home, my second city, since first being invited to join trombonist Stuart Dempster for duets in 1984. When the opportunity for a solo concert arose, I learned of the passing of Bill Dixon and Fred Anderson and decided to make the focus of the performance a celebration of the lives, and music, of these two legendary heroes, who both passed away in June of 2010, within 8 days of…
Gag Flag
After scrawling his name on releases with close affiliates the Mannequin (Laugh Tool, MNQ 080LP, 2016) and Unknown Precept (A-Tranquility, PRECEPT 003EP, 2014), new Brussels transplant Maoupa Mazzocchetti finds good company among the oddballs on Editions Gravats for Gag Flag's blend of avant-dance music and absurdist experimental pop. For Gag Flag, Mazzocchetti adopts the persona of Snippet Boy, a fictional avatar who first came to life in his live shows, and now on the album sleeve. Lurking beh…
Unlimited
Naphta was born in 1978 but differently from the most of other bands from Bologna (in the same manner of Confusional Quartet) at that time, they came up with a very peculiar jazz-rock formula mixed up with elements from the almost "out of time" progressive genre. The result was unsettling; their music was mostly improvised with no apparent distinctions between rhythm section and soloists, in fact everybody in the group could have taken a solo at any time but in close relation with the others. Al…
Pansophical Cataract
John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. Man Forever, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience.Originally based on the idea of creating a sort of punk-infused Metal Machine Music for drums, Man Forever has evolved from a five or six …
The Hum
Anne La Berge, flutes and voice. Joe Williamson, double bass and voice. Flutist-composer Anne La Berge, an American living in Amsterdam, and bassist Joe Williamson, a Canadian based in Stockholm, have formed a new duo. Both artists are known for their eccentric approach to text, either in song writing, or music compositions. With two intriguing text/music pieces that sound like odd radio plays, they introduce the listener to the ambiguities of their unrestricted fantasy. A pleasurable, sometimes…
Clear and Cloud
Kye is proud to announce the release of Clear and Cloud, the debut LP by Alec Livaditis. Recorded over the summer of 2015, Clear and Cloud showcases Alec's unique vision for extended cello technique across two varying settings. Side A's 'Clear and Cloud' presents Livaditis (cello, objects) and Killick Hinds (Vo-96 guitar) live in an extraneous sound environment, where music and conversation seek to undermine each other in a morose and thrilling tussle, whereas Side B's 'Through The Open Window' …