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Limited vinyl LP box (with DVD)... Kailash is a new collection of work from Florian Fricke, leader of Popol Vuh, seminal group in the German rock scene of the 1970s (Can, Faust, Amon Duul, Ash Ra Tempel, Tangerine Dream) and creators of classic soundtracks to the films of Werner Herzog (Aguirre the Wrath of God, Nosferatu, Fitzcaraldo and others). Popol Vuh took their name from an epic mythological text from the 16th century Quiché Maya people of Guatemala, the name translates as ‘meeting p…
Prefigured by the inclusion of a secret extra pocket in the original packaging of Far West (IMPREC 386CD/LP, 2013), this painstakingly crafted complimentary LP is intended for synced playback with that release. With two turntables or other playback devices, the listener can experience fully unique quad playback. Further West Quad Cult LP offers deeper journeys into the cave where the self dissolves. It also stands alone as an inverted Far West universe, and the listener is invited to enjoy it…
Pete Bain aka Pete Bassman, pioneer and the true bassist from Spacemen 3, The Darkside (Beggars Banquet) and Alpha Stone(BOMP!) revisits Höga Nord. Last time we heard from the legendary Rugby resident he came with ten minutes of pure acid-folk straight outta Drugby. (On now sold out HNR005 7" Small Town Illusion/Poison Butterfly).
Now he’s back with hist first solo album, Lost in Space. Opening track Music For Modern Living sets the tone: psychedelic, electronic and atmospheric. Tracks Sweet a…
“Violist Jessica Pavone’s Knuckle Under is the result of an exercise in mono focus, the result of a medically enforced hiatus from playing her primary instrument. She returned to the viola after a 21 month lay-off determined to play only the sounds she most wanted to hear. That turned out to be long tones, often played with such force that one imagines a puff of rosin rising from her strings as she bowed them. “But Not Here” gets through just three rustic sounding notes before a delay unit spray…
Walter & Sabrina were responsible for one of the greatest musical cycles of the last decade, a mind-boggling masterpiece ofexquisite and eccentric composition, outstanding lyrical concept and depth, and startling orchestration, whose scale can only compare with the musical and conceptual intricacy of classic masterworks such as Parks' Song Cycle, Battisti's Anima Latina, Gainsbourg's L'Homme a la Tete de Chou, Perfect Vacuum's A Guide to the Music of the 21st Century and a very few others.A proj…
Swedish iDEALIST, Joachim Nordwall spills the psychic contents of his skull temple in Soul Music 2, just over two year since his 1st volume, also for Entr’acte. Technically a collaboration with Dungeon Acid on percussion, this album pursues a rich seam of solo releases under Nordwall’s own name since 2010 with a typically ascetic approach to hypnotic, icy minimalism, dissonant tone and plaintive rhythm.
As you might expect from a core member of The Skull Defekts, Fire! Orchestra, and Saturn and …
“The absolute works together with the relative, like two arrows meeting in mid-air.” So wrote Chinese Zen ancestor Shitou Xiqian, in an eighth century poem known as “The Sandokai” – or “The Identity of Relative and Absolute.” There’s more than a faint echo of Shitou’s ancient words reverberating throughout “The Pilgrim to the Absolute,” an essentially wordless but highly communicative new album from the Peruvian sound collective known as Montibus Communitas. It’s an echo that signals the merging…
First Lady of Winds and Stars Samara Lubelski returns to her once and future label home for her sixth album, Wavelength, and the spheres harmonize at the news. Wavelength comprises a dozen new arrowed whispers, Samara's feathery touch on guitar and microphone now so at balance with the elements that the whole, her music and the air it enters, become inseparable. Don't be fooled by the persistent "psych-folk" labels she gets -- oh, they may be accurate as far as modern usage goes, and that scene …
Still In Your Pocket, an arrangement of piano pieces by Karla Borecky, is at once humble and profound. As this is Borecky’s first solo LP (away from her Idea Fire Company membership), the piano is allowed full prominence and discretion. Revolving melodies contract and expand across the seven vignettes presented here (recorded from 2007 to 2010). It reads as a withering novel, lush with romance and mystery. And although Borecky’s restrain and delivery imply a certain poise, there is an undercurre…
2010 Release. Anahita is the first release from the duo of Tara Burke (Fursaxa) and Cellist Helena Espvall (Espers) a first vinyl edition fully remixed for wax from the cd masters that first appeared on a ltd cdr from deserted village in 2006. plaintive semi abstract vocals strain and wind over ecclesiastical notes held so long that your head becomes the organist’s domain. Rarely have vocal harmonies been this ethereal or perfectly held. Not the glottal gymnastics of Joan la Barbara but rat…
On Arrebato, Asheville's Ahleuchatistas embellish their trademark intensity with a more pensive and existential amble. These six pieces channel recollections of a natural kinship the band struck up with a number of communities they played to on an Iberian tour in early 2014. The resulting story threads together a suite of lyrical instrumentals showing a deepening meticulousness for structure—elastic and labyrinthine.
Spanish for "passionate outburst," Arrebato aptly evokes a rapturous rising fro…
Pierce Warnecke presents a chasmic solo debut LP with Memory Fragments for Room40 offering his most expansive, personalised vision of electro-acoustic abstraction. Nine tracks cover a broad spectrum of tones within his chosen subset, from doomy keys and cinematic drone panoramas thru curdling dissonance and prickling glitch textures subtly playing with notions of deferred gratification and unpredictability. One to check if you’re into Tim Hecker or KTL. “Based in Spain, composer and visualist Pi…
Asmus Tietchens and Thomas Köner exercise a collective marketing genius with their decision to end a fruitful collaborative series in brute, anticlimactic style, issuing this limited, (naturally) expensive box meant to house the duo's previous four discs. Such closure is especially disappointing as it arrives just behind last year's n, Kontakt der Jünglinge's most dense and engrossing work to date, a haunting deepspace symphony of icy gleam and relentless sprawl, one of my late-year favorites. F…
What is presented in this CD is a very alien world, a hitherto unheard aural environment that breaks with all our preconceived notions of what underwater life should sound like. All our traditional conceptions and inherent cultural conditioning are overwritten, deemed void and deleted. The work contained in this CD redefines our notions of underwater life and presents a world of alarming sophisticated communication; a myriad of signal generation, perpetuated by a plethora of intelligent species.…
"The Mekong River is one of the world’s major rivers. On its more than 4.000 km long way from its source in the Tibetan Plateau to the Delta in South Vietnam it passes an altitude difference of 5.000 km, travels through seven countries, three climatic zones and three different culture areas. On an extensive journey Eva and I followed the lower course of the Mekong River and travelled downstream through Laos, Cambodia and Vietnam. On its way the Mae Nam Khong, the „Mother River of All Things“, cr…
Tom James Scott's two previous CD releases for Bo'Weavil Recordings both featured acoustic guitar as primary voice. His first LP -- while maintaining similar melodic sensibilities and a feeling of hushed expanse -- sees piano become the main focus, with the title "Drape" (defined in literature documenting past and present dialect native to what is now Cumbria, as, "to speak slowly") determining pace and durations across the four pieces presented. Strings of single notes become humming, shadowy r…
* 2005 release * Art project Christmas the fourth. Fluxus rooted artist John Armleder's Villa Magica label showcases Christmas record obsession: festive music conceptual, kitsch and literal. John invites invites Genesis to contribute. Disarmingly charming.
Lawrence English’s response to one of his favourite concrète works, Luc Ferrari’s Presque Rien. Relational listening provides a systemic framework through which artists and other concerned practitioners can explore the conditions of their listening, specifically in the context of the desire to transmit those listenings", writes Lawrence English in an essay entitled Relational Listening: The Politics of Perception. He describes relational listening as a creative process intended to make one'…
“Seconds Late For The Brighton Line” finds the band in familiar territory; pulsing Krautrock, dark and sinister pop and epic post-industrial soundscapes. The album invites the listener to put on head phones, close their eyes and embark on a technicolor journey. Stand out tracks include the epic electronic groove of “Russian Roulette”, the pretty naivete of “Someday” and the chilling goth-pop of “Endless Time.” The recent departure of long-time band members Niels Van Hoorn & Martijn De Kleer has …
“RX22 combines the sounds of two RX11 Yamaha drum machines. Built in the early 1980s, these drum machines have independent outputs for each element of the drum set — hi hats, rides, claps, shakers, etc. I connected a wireless transmitter to each output that sends the signal from each element to a different mini speaker (a total of nine is suspended from the ceiling). I used the main out- put to simultaneously send the combination of all the elements to a stereo PA. The wireless transmission has …