Experimental / All styles

Four exclusive tracks. Released in conjunction with a live performance at the Lagerhaus Bremen on 17. April 2004. Record One features two very dynamic untitled tracks by legendary industrial percussionist Zev recorded and mixed in early 2004 , while record Two features Zerfall-Gebiete a new collaborational project by Thomas Köner and Ulrich Krieger (former Zeitkratzer member who besides his solo work also plays in various other projects e.g. in a band project called Text Of Light with Lee Ranald…

The extreme sonic textures of Borbetomagus' Jim Sauter sounds bitchin' in this kind of compressed environment. Playing in duo with the multi-directional thumping of Kid Millions, the sound is just a blaze of energy that expands in many known directions. Jim's tone goes from pure saxophonic terror to something that sounds more like an over-amped guitar to synth-like shrieking. The pair throw down even harder than they have on previous sessions, and the world is a much more bruised place for their…

The duo of guitarist/vocalist Matthew Mitchell and producer Bevan Smith (aka Signer) present their release in Type's 7" series. In response to the upcoming self-titled album, they both decided to remix the track "Future Life" under their own solo guise. Bevan takes the track back to an almost skeletal form then builds new melodies and new vocals to create a bizarre, crumbled-up psychedelic monster. Flip over and we are introduced to Matthew Mitchell's Muriel Tsains project who, through a woozy g…

Tip! Benjamin Bennett has worked as an improvising percussionist for 10 years, touring North America and Europe as a soloist, in various ensembles, and ad-hoc collaborations. He developed a unique approach to percussion which took the lineage of free-jazz, free-improvisation, Berlin reductionism, and extended technique playing as its foundation. In searching for an expanded sonic palette, and more fluid movement between various techniques, he distilled the drumset into a small collection of drum…

On Buenos Antwerp, Elko Blijweert and Anla Courtis turn a chance Borgerhout encounter into a two‑part psychedelic correspondence, one acoustic, one electric, a cross‑Atlantic guitar séance wrapped in Dennis Tyfus’ cut‑and‑paste visual delirium.

The Family Men’s ABSC / Dogpound is a raw, limited-edition 7-inch vinyl single released via Harmful Records in a run of 200 copies. It features two blistering tracks of weirdo Amphetamine Reptile-style rock from the Gothenburg experimental noise-rock band.

Peter Rehberg (Pita) and Marcus Schmickler have been two of the leaders in the electronic revolution of the last fifteen years, both on their own and in collaboration with others. One (Snow Mud Rain) is the first duo CD from these two long-time friends and associates.Rehberg co-founded the massively influential Mego label in 1994, and soon after began recording under the name Pita. His first solo release, Seven Tons For Free, came out in 1996 and was a kick in the teeth to all those who heard it…

Michael Pisaro and Taku Sugimoto are not generally closely associated, but have quite a bit in common. Both are composers whose primary instrument is the guitar, both have close ties to the Wandelweiser collective (Pisaro is a longtime member), and both have pursued their unique paths without much concern as to how the rest of the world will perceive them. 2 seconds/b minor/wave marks their first collaboration, but these aesthetic overlaps allow their independently conceived recorded parts to fi…

We have all been there at some point or another, maybe even last night. There are those moments when you are drifting into or out of sleep when it is hard to identify exactly what is real and what is imaginary. Time spent working through the hazy gauze separating waking and dreaming blurs the edges of perception and leaves us sorting through myriad versions of hyper-reality. The music of Body/Head has always existed for me within this liminal space. Whether it is Kim Gordon’s spectral, invocatio…

Three-track 7" of The National Anthem of Elgaland-Vargaland #6. This 7” is the fourth in a series of vinyl acoustic versions of the National Anthems of Elgaland-Vargaland. See also the Mariachi version [Ash 7.2], the Klezmer and Afrobeat versions [Ash 7.4], and the Norwegian School Marching Band and Underwater versions [Ash 7.6] issued between 2007 – 2008 by Ash International. These recordings were regally made during the unofficial inauguration of the KREV Ministry of Bankrupt Shopping Malls in…

*Limited Edition CD in Digipack with Liner Notes.* “Well, it was just as I thought,the pathall but obliterated-We had moved thenfrom the first to the second stage,from the dream to the proportion.And look-here is the line between,resemblingthis line from which our words emerge;moonlight breaks through.Shadows on the snowcast by pine trees”[...]“Every hour or so, my friend turned to wave at me,or I believed she did, though the dark obscured her.Still her presence sustained me:some of you will kno…

These recordings were regally made on 21 October 2006, Haus der Kulturen der Welt, Berlin at the opening of the Elgaland-Vargaland Embassy for Germany in the presence of the Kings, Michael I and Leif I, Consul Hans Ulrich Obrist (who made the inauguration speech) and the KREV Ambassador Bernd M. Scherer. This 7” is the second in a series of vinyl acoustic versions of the National Anthems of Elgaland-Vargaland. BERLIN AFROBEAT DYNAMITE...KabukabuVocals and percussion: Akinola FamsonDrums and voc…

*Limited edition of 100 copies.* BIN represses a 7” by Kain originally released in Denmark in 1985. It's doing Raw House with a punk-ish sound texture. (Or maybe it was Raw in the first place back then...). Limited to 100 copies.

"Metsä henkii" (Finnish for "The Forest Breathes") is a captivating 7-inch vinyl EP by Finnish multi-instrumentalist Simo Hakalisto, aka Shakali, released in 2024 via Stoned to Death Records. Based in Brno, Czechia, Hakalisto crafts immersive electro-acoustic soundscapes blending ancient and modern elements, evoking the subtle rhythms of nature like fungal networks and whispering pines.

*Limited edition of 50 copies signed by the artist* Casida de la tierra que nos dejan is a sound work by Marcelo Expósito composed of four pieces published on 7’ vinyl record. This work dialogues with the way in which the Italian musician Luigi Nono early adapted the poetry of Federico García Lorca, trying to dig into the layers of idealisation traditionally accumulated about the writer from Granada, in order to carry out a materialistic updating of procedures common to both the writer and the m…

"Pop Record/Evolving" is a unique 7-inch vinyl single by Roger Clark Miller, released on RRRecords in 1994. It transforms the pops, clicks, and surface noise from worn records into an evolving sound composition. Originally conceived in 1985 as a one-of-a-kind acetate under Fun World Product 003, the RRRecords edition pressed 1,000 copies, now out of print (OOP). Inspired by John Cage and Marcel Duchamp, Miller isolates these "flaws" as source material, allowing the record to change with each pla…

We are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio ‘I-I’. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album. "There's no inspiration from others. We just played." With this raw and unfiltered approach to music, ‘I…

2024 stock. LP version. Eccentricity in music is tricky in that it's difficult to embrace it in moderation. There's risk of having it come off as either overly (and gratingly) deliberate, or teetering over the precipice into full-blown novelty. Pere Ubu co-founder Allen Ravenstine's Waiting For The Bomb is one of these rare exceptions where peculiarity, nuance and genuine warmth align in such a way that it's perched right on that edge and all the more evocative because of it. One of the album's …

In 1973, the Sound Sculpture Show took place at the Vancouver Art Gallery. An LP audio catalogue (with a booklet) of the exhibition, entitled “The Sounds of Sound Sculpture”, was released in 1975 under the supervision of the Canadian sound sculptor John Grayson and US composer David Rosenboom. Grayson had edited an important early book on the field, “Sound Sculpture”. The LP included rare takes of Rosenboom and Grayson, amongst others, playing famous pieces by pioneering sound sculptors includin…

*300 copies limited edition* On Tsilla, Jean-Noël Rebilly and Andrew Chalk pay homage to the late French writer and engraver Cécile Reims. While she may be best known as interpretative engraver for surrealist artist Hans Bellmer, and she also worked with Leonor Fini and briefly for Salvador Dali, Reims’ most powerful and enduring works were made either in collaboration with her husband, the writer and artist Fred Deux (who signed their collaborative work “cf deux”), or by herself. Later works by…

For more than fifteen years, Toc – the Lille-based trio of Jérémie Ternoy (Fender Rhodes, Piano Bass), Ivann Cruz (guitar) and Peter Orins (drums) – has been pursuing a singular sonic quest where the energies of experimental rock, the unpredictability of improvised music, and a constant drive toward excess converge. On stage as on record, Toc invents a telluric and ever-shifting music, built from flows, ruptures, and accumulations, where hypnosis and chaos feed off one another. For this new albu…

This highly experimental work represents some early sound collages from this quirky British composer. Affiliated with the avant rock group Henry Cow, Anthony Moore's works are highly regarded in the experimental music scene thanks to his Flying Doesn't Help album from 1978, a cult masterpiece of avant rock which enjoyed a much higher profile in the underground than his debut. This could be attested to the abstract nature of this recording, which explored tape-loop repetitions that build slow-pha…

*300 copies limited edition* Over the last decade, Rome-born, Brussels-based eclectic composer Giovanni Di Domenico has been ranging through a diverse number of fields within experimental music. Now, in the midst of a close series of astounding releases, Di Domenico adds another superb piece to his prolific discography as proof of an ever more enduring state of grace. The first of his works ever to feature voice and language as foregrounding elements, the five truly visionary pieces making up Po…

Forgetting is Violent, Patrick Shiroishi’s latest solo LP, is his most immediate release yet, expanding the scope not just of his music but of his extramusical considerations. Where his past releases on American Dreams reckoned with racism against Japanese Americans or presented Shiroishi’s saxophone as heard in a parking garage, Forgetting is Violent considers racism as a whole, historical and ongoing, with the urgency it deserves. Here, for the first time, we hear Shiroishi joined by a support…

On Paris Public Spaces 2, Éric La Casa and Seijiro Murayama stage brief, focused vocal interventions across Parisian sites, letting microphone placement and urban acoustics turn spoken sound into a moving portrait of how voice and city continuously re‑shape one another.

Tip! * 300 copies. In process of stocking * Hoof Stand is the third vinyl output by Primorje, the collaborative project between Giovanni Donadini (Ottaven, Canedicoda) and Matteo Castro (Mercury Hall, Lettera 22, also founder of Second Sleep label). Keeping their focus on a minimal yet disruptive 4-track recorders-based set-up, in the nine tracks making up this 12" the duo sew up rough textures of oblique tape loops intertwined with dub echoes and slowed down tempos, giving shape to what appears…

** 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi ** In September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy. The very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bos…

Nachleben is a limited-edition cassette release by Italian pianist and composer Giovanni Di Domenico, issued by Dasa Tapes, a Greek label specializing in experimental music. The album features two long-form tracks: "Parts I & II" (19:34) and "Part III" (18:06), showcasing Di Domenico's signature minimalist piano style marked by repetition, subtle nuance, and contemplative atmospheres.​ Di Domenico's work on Nachleben embodies his personal approach to contemporary minimalism, emphasizing concentr…

This album emerged from a chance encounter at Casa del Popolo in Montreal during the Suoni per il Popolo festival. Over the years Tim Daisy and Stefan Christoff kept in touch and in 2023 started exchanging more seriously about working on some music together. The conversations and exchanges over the years had revolved around trying to find pathways for collective action in the arts to support movements against war. Particularly the two discussed and collaborated on a global radio broadcast to cri…

"Live at Klankhaven" captures a dynamic live performance by Atsuko Hatano and Pak Yan Lau. Recorded on October 24th, 2024, at Klankhaven in Antwerp by Diego Faes and mastered by Yves De Mey, this cassette features two extended improvisational pieces: Part 1 (16:32) and Part 2 (15:44). Released by Dasa Tapes, a Greek limited-edition label focused on experimental music, it showcases the duo's innovative string explorations in a raw, site-specific setting. Atsuko Hatano, a Japanese violist known fo…

Piero Fogliati’s “Macchina che respira” (1990) is a kinetic sculpture built entirely around the realization of the author’s artistic utopia: imbuing lifeless machinery with the rhythmic and self-sustaining process of an organism. It is an apparatus of ontological interrogation, positioned at the final, unstable boundary between the organic and the artifact. In “Macchina che respira”, the fundamental function of life -respiration- is translated into an industrial imperative, forcing the observer …

Coherent States is excited to announce the release of Will Guthrie’s new album “Lampo”, containing brand new material recorded during his 2024 performance at the Lampo event series in Chicago. In his third session for the series, Will presented a fresh concept based on brief and recurring modules generated solely by acoustic drums and percussion, without any use of electronics. The experimental structures that together form the 32 minutes of the performance deliberately deviate and reintegrate a…

*2025 stock. 250 copies limited edition* The record brings together key positions from the web-based project of www.joyfully-waiting.ch, now gathered on one physical object. The red colored vinyl is complemented by a whole series of printed supplements, a real grab bag. It comes with an accompanying text by Jazmina Figueroa ’Songs about Waiting’ and a collection of contained materials produced on supports of different kinds. A sort of time capsule curated by Joyfully Waiting / Nathalie Rebholz. …

In 2017 Jeremiah Chiu & Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother/daughter duo Jannika/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies…

On Repercussions, Kakuhan and Adam Golebiewski tangle sampler, cello and hyper-physical percussion into a 10-part suite of splintered rhythm and scraped resonance, a hallucinatory electroacoustic organism that keeps mutating between dance impulse, free improv and liquefied drone.

Limited edition 666 copies including insert and vomit orange coloured vinyl. Ball is back from the grave! Wasted and slimy Swedish heavy psych speed freak power-trio. Dionysian fuck ‘n’ roll soaked in diabolical occult havoc. Drugged and toxic. Funky-proto-metal with a solid groove. Fucked-up, subhuman fuzz guitars.Depraved, screaming vocals. Gut-rumbling bass and caveman groove drums.  This is hard rock from hell.

*300 copies limited edition* Based on the rereading of the famous tale by Jorge Luis Borges “The Circular Ruins”, the Peruvian composer, percussionist and painter, Manongo Mujica, takes a new look at some of his great obsessions: the desert on the coast of Peru and the pre-Hispanic ceremonials found there. For years the impressions of these places have mobilized a very personal aesthetic, arising from understanding the desert as a space for inner listening, and the ceremonial centers or huacas, …

K.W. Cahill records and plays electric guitars, lap steel, melodica and karimbas on May to June 2025 time. Mastered by Andrew Weathers. We're all sitting here and no one's listening. We're just talking over each other while the world spins out of control. Who are you gonna believe if the walls were gone? If everything turned up empty fields? Us just standing around looking at each other and nothing blocking us or protecting us from each other or from ourselves. I'm at war with myself first. Let …

Organ, cello and electronics performed by Claire M Singer. The captivating second instalment in a triptych of albums that delves into two intertwining narratives. Gleann Ciùin -which means "quiet glen" in Scottish Gaelic (pronounced gly-ow-n kyoon) -is released on CD / digitally by Touch on7th November 2025. The follow up to 2023's Saor, the heart of this album lies a profound exploration of the artist's personal journeys across the rugged, awe-inspiring landscapes of the Cairngorms in Aberdeens…

2025 repress on yellow vinyl. What exactly happened in the Italian underground/post punk scene of the '80s, is not entirely clear. Therefore, this collection of 13 incredible tunes helps track down the feeling and focuses on the blurry images of a period that was mixing influences from the UK/USA scenes with a more "national" approach to new music developments. The damage began in 1977 when a series of urban/suburban musical agitators, whether skilled or complete amateurs, decided to embrace ins…