Experimental / All styles

Three extended improvisations recorded at the church of St. James the Great, North London, September 2007 - the first convocation of this unexpected quartet crossing different generations and playing styles. Max Eastley (arc - electro-acoustic monochord), Graham Halliwell (computer & electronics), Evan Parker (soprano saxophone) and Mark Wastell (tam-tam, metal percussion & harmonium) document a meeting of three generations of London free improvisation. Parker has had a venerable presence as bot…

Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read…

Tip! Alex Zhang Hungtai stands in stillness on 'Dras', but it's the kind of stillness that contains entire ranges of possibility. Recorded in 2019 inside Montreal's Saint Joseph Oratory (right before a piano demolition, no less), these nine pieces sat dormant on his hard drive through pandemic years until something finally clicked. What emerges now feels like watching someone trace the contours of their own interior landscape, each melodic line a careful negotiation with the unconscious. This is…

*2026 stock* Recording Kang Taehwan’s music, his underground practice room has been the place where he has spent the most time with his saxophone and remains his most familiar space. The concrete and brick finishes, high ceiling, and asymmetrical structure in all directions create a unique reverberation. Because the shape of the room is irregular, the acoustic balance shifts constantly from side to side and front to back depending on the pitch. Although Kang’s performance is on a single instrume…

Taivaskanava by Juho Toivonen. Originally released as a cassette on Grapefruit Records, now getting repressed on cd. Quiet, drifting pieces for late hours, small sounds and open space, carrying the same fragile mood as the original tape. original artwork by Arsi Keva. features spoken words by joshua burkett and plunderphonics rip-off from this kind of punishment. good luck spotting it. “Solo work by this Finnish musician, who also runs the Akti label. Toivonen’s music is simultaneously rural and…

*100 copies limited edition* This is a special work by acclaimed composer and musician Adriaan de Roover, who has released records on Dauw, Viernulvier, Pias, and Consouling Sounds. Chansons de trottoir / Stoepliedjes documents his relationship to sampling in the form of a radio play. Originally created as a radio piece for Resonance FM in Manchester, the album is a sonic portrait of a walk through Brussels. It is constructed from two field recordings: one made during a walk from Metro Midi towa…

*100 copies limited edition* Low Tide, Hi Grypus! is the new live-iteration of JC Leisure as JC Leisure Group. Documenting an encounter and a communication between human improvisers and atlantic grey seals. The record presents responsive improvisation as a form of cross-species collaboration. The project began on Porthdinllaen, Wales, where Leisure recorded seal vocalisations from a local colony at low tide. Back in their Liverpool studio, Leisure developed a performance system that translates h…

Oranj is a 14 track LP, recorded in 2025 between Chicago’s Rax Trax studios and Dock Street Studios in London, Andy Baxter taking on drums, keys, bass guitar with long time collaborator Francesca Uberti joining on Rhodes piano for four tracks. Featuring mix engineering from Hackney Recording Studio’s Sean Woodlock (4 songs) and by Lilac Lab’s Shawn Clendening in Chicago (10 songs). Partly an ode to the inventors of analog recording equipment and electric instruments in the middle of the 20th Cen…

Recorded in high summers and brutal winters in 2022 and 2023, Nightingale Floor’s debut album Five Stagings takes the listener through a quintet of spontaneously conjured and patiently crafted pieces for a quartet of musicians scattered across North-West England. Manchester-based poet Lauren McLean provides voice and words, joined by cellist Josh Horsley of Preston duo Powders, Benjamin D. Duvall of Liverpool four-piece Ex-Easter Island Head on sound collages, strings and trombone, with Tombed V…

*70 copies limited edition* Eventless Plot and Bruno Duplant join forces on Fail better, a cassette release that treats failure not as an endpoint, but as a method of composition and a way of listening. Across two long-form pieces, the group carves out a delicate space between electroacoustic improvisation, minimalism and ambient abstraction, letting sounds appear, waver and erode rather than declaring them with force. Recorded by the Thessaloniki-based trio of Vasilis Liolios, Aris Giatas and Y…

Originally self-released during 1990, a tapestry of noise, girls talking into tape recorders, pre- and post-song material.

On John Zorn’s Olympiad Vol. 4 – Curling, John Zorn exhumes one of his rarest 1970s game pieces, a slow‑burn study in sustained tones, handing it to ROVA Saxophone Quartet and the William Winant Percussion Group, who turn its minimalist rules into 45 minutes of hovering, hypnotic sound.

*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…

6 x Black 140 grs Vinyl each one in spineless sleeve, heavyweight cardboard slipcase/custom numbered at the back, insert-photo individually signed but the artist, marketing sticker. Limited & numbered to 500 copies for the world. Pascal Comelade, the visionary Catalan composer, unveils his latest sonic meditation with Improperis - Compositions et enregistrements, a remarkable work that celebrates four decades of uncompromising instrumental music since his emergence in 1984. This extraordinary co…

Mariachi Azteca Principal performs The Elgaland-Vargaland National Anthem No: 2. These recordings were made during the inauguration of The Embassy of The Kingdoms of Elgaland-Vargaland in Mexico City on August 30, 2002 in the presence of the KREV Ambassador Magalí Arriola and invited guests at Colima 244, Colonia Roma, Mexico City.

"Oi! Oi! Oi! (Nazi Skins Are NOT Electric)" is a provocative 7-inch single by experimental performers Chris Lunch and Frieder Butzmann, released around 2005 on Mauerstadtmusik in Berlin. This anti-fascist punk track satirizes Nazi skinheads with its raw, electrified Oi! energy, flipping the genre's working-class roots into a sharp rebuke of far-right appropriation. Butzmann, known for his dadaist noise and performance art, teams up with Lunch's chaotic vocal style to deliver a jubilant, rebellio…

Gate's "3M" is a 7-inch vinyl single released by New Zealand experimental musician Michael Morley, known for his work with The Dead C, on the German label Toneschacht. This record captures Morley's signature lo-fi, noise-drenched sound, blending distorted guitars, feedback, and abstract structures typical of his solo Gate project from the 1990s.

Gate is a New Zealand-based experimental project led by Michael Morley of The Dead C, known for its raw, noise-infused soundscapes and limited-edition releases on labels like Siltbreeze and Precious Metal.​ The 7" single "Sunshine / Ives" captures Gate's signature style from the late 1980s to 1990s era, blending distorted guitar, drones, and abstract textures across gritty, lo-fi tracks that push boundaries between noise rock and avant-garde.

Crazy 7" by NYC's freaks Peeesseye! On Evolving Ear.

This limited edition seven-inch vinyl record comes housed within a hand-made manilla sleeve, expertly screen printed at Small Press Studio in Stockport by Yasmin Lever. Along with the 12min vinyl comes an A4 insert and download code. Between 2014-16, Folklore Tapes began the series Calendar Customs, commissioning artists to research and respond sonically to the four corners of the ritual year; May Day, Midsummer, Midwinter and Hallowe’en. This culminated in a box-set of 4x LPs with accompanying …

Marking the final chapter of a visionary trilogy, “Papotier” sees Pancrace return in full force. A haunting exploration of breath, language, and acoustics, recorded around a historic Silbermann organ in Alsace, the album is a radical statement of sonic identity - fragile, fearless, and gloriously unclassifiable.

Power trio brought together by Yann Gourdon on hurdy gurdy, Jérémie Sauvage on bass and Mathieu Tilly on drums, France take drone and minimalism at their most ecstatic and massive

LAHAR is the new musical work of Bandung power duo KUNTARI, Indonesia. A deeply atmosferic, bone-melting session of ancestral doom sounds delivered by the contemporary Indonesian primal music specialists. LAHAR is a Javanese term which was adopted in geology to describe a violent type of mudflow or debris flow composed of a slurry of pyroclastic material, rocky debris and water. The material flows down from a volcano, typically along a river valley. Lahars are often extremely destructive and dea…

*2026 Repress* No New York: The Legendary 1978 Snapshot of NYC's Underground Punk Explosion Returns to Spotlight. One of the brightest and most famous projects of the entire punk/new wave scene, No New York captures the raw chaos and innovation of New York City's underground art and music world. Originally released in 1978 on Island Records' sub-label Antilles, this groundbreaking compilation—produced by the visionary Brian Eno—features four of the most daring, rule-breaking bands from the NYC s…

2025 stock Kippenberger unplugged! Martin Kippenberger skipped out on this world after just 44 years -- in 1997, the art world's flamboyant enfant terrible, one of Germany's most famous painters best known for his biting provocations and prolific output, died of the consequences of his equally prolific alcohol consumption. In 1978, Kippenberger moved to Berlin, launched Kippenberger's Büro (together with his future gallerist Gisela Capitain) and became the managing director of Kreuzberg's semin…

Francesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty.In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, "Due…

Light Sounds Dark proudly presents Construction of a Planet, a visionary sonic journey that challenges the boundaries of experimental sound and ambient exploration. Conceived as a transmission from otherworldly dimensions, this release unfolds like the blueprint of an imagined cosmos—layer by layer, texture by texture. Drawing upon an eclectic range of influences, Construction of a Planet is not merely an album—it is an immersive experience. Across its evolving structures, listeners are invited …

Although Machine was completed in 1971 it was not released until 1973, shortly after the release of Journey Into Space. Machine is therefore the first major composition by Trevor Wishart. It was composed at York University and was originally issued on vinyl as 3 sides of a highly adventurous 3LP box set called Electronic Music From York, released by the University’s own record label. In common with Journey Into Space (also on Paradigm Discs), Machine makes use of a large number of volunteer cont…

In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The third performance is with John Butcher.  Good Liquor Caused my Heart for to Sing sets out to expose and connect the …

*150 copies limited edition* Zulaqrex, named after a mythical being that only exists in Richard Youngs’ head, is the album sequel to the now practically sold out Zerkelus LP and once again features themed artwork and is limited to 150 copies. Like its predecessor, Zulaqrex consists of two side-long tracks both given the same name as the title and once more charting a course into the beyond via a hypnotic approach that even some fantastically stumbling percussion cannot offset. Also employing shi…

*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …

The 8th issue of Lasse Marhaug's fanzine Personal Best. Features in-depth interviews with:  Rachel Shearer, Peter Rehberg, GX Jupitter-Larsen, Benjamin Nelson, Peter Brötzmann, Jana Winderen, Otomo Yoshihide and Ghédalia Tazartès

The 9th issue of Lasse Marhaug's fanzine Personal Best. 100 pages, full colour offset-printed with glued spine.  Nearly three years on from the last issue, Marhaug conducts in-depth interviews with: Christian Blandhoel, Martìn Escalante, Russell Haswell, Campbell Kneale, Tine Surel Lange, Greg Pope, Joe Potts (and Los Angeles Free Music Society), Mariam Rezaei and Edward Sol.

**Last copies available - numbered and signed deluxe edition** A unique collection of historic and recent live recordings that map the many facets in the exceptionally varied musical career of Sven-Åke Johansson from the 1970s to the present day. The seven sessions included here, in total nine LPs, are taken from both historic meetings Ein Abend in Pöseldorf (with Alexander von Schlippenbach) and contemporary solo works and with the likes of Axel Dörner, Rhodri Davis, Rüdiger Carl, and Andrea N…

2CD set. The dark, atmospheric and energetic mix of choirs, strings, various FX-sounds, heavy drums, and tribal sections makes this the seed for the raison d’etre sound trademark that began with the album 'Prospectus I' from 1993. Released in 1992 'Apres Nous Le Deluge' became the first official output from raison d'etre when it went available on the Cold Meat Industry subsidiary label Sound Source.  There are three versions of 'Apres Nous Le Deluge' and now they have finally all been joined int…

2025 repress. **Quality reissue of legendary early demos, available for the first time in over 20 years. Includes liner-notes insert with Moshe Brakha's photography** San Francisco's cherry-picking reissue label, Superior Viaduct, give new life to these crucial volumes of art-pop and pre-punk prototypes from Akron, Ohio's finest. 'Hardcore' documents the formative Devo's years, 1974-1977, of the brothers Mothersbaugh (Mark, Bob, and Jim) and Brothers Casale (Jerry and Bob) and their drummer Alan…

Originally slated to be a seven-inch single to follow up their self-titled debut, Sonic Youth ’s Confusion Is Sex blossomed into the band’s first album:  a brain-bludgeoning, completely fried endeavor of dissonance and disarray, a perfect soundtrack for running from a chain-wielding gang near the SIN Club. This was the sound of 1983 New York City: nothing like London where punks were starting to scrub their faces and sounds to get on Top of the Pops , and nothing like the jangly roots of college…

BACK IN PRINT ON VINYL!  While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its i…

Received a 9.8 rating on Pitchfork.  “Let’s get something straight. There is no album in the entire corpus of indie rock—not Loveless, not Surfer Rosa, not Psychocandy—that reaches the heights of invention, joy, and magic of Sonic Youth’s sublime fifth album.... The haunted reveries of Sister remain with you for years, even if you only hear them once…. Sister is the sonic manifestation of refracted light. It’s a record that changes you.” —Stereogum    One of Sonic Youth’s most beloved albums, 19…

Another great installment in Sonic Youth's SYR series, this one features two engrossing, lengthy pieces : 'J'Accuse Ted Hughes' and 'Agnes B Musique'. The former was recorded at All Tomorrow's Parties 2001, when the band were premiering material from their NYC Ghosts & Flowers album, and takes the form of a ragged twenty-two minute noise jam featuring free association lyrics by Kim Gordon ("I sent my poem to Good Housekeeping. They paid me ten dollars" she imparts). Meanwhile, the more composed,…