Pod Vodom
* Edition of 70 copies. In process of stocking * Serbian dystopian bedroom psychedelia from the one man band Alek Novak that fits these gnarly times very well. Poetic lyrics (so i've been told, I don't speak Serbian) over a psychedelic rock/noise sauce makes perfect listening while walking through shady corners of Belgrade, tasting the last drops of your bottle rakia.
Resonances
* Edition of 70 copies. In process of stocking * Gintas K, once part of the first Lithuanian industrial band Modus but since over two decades he dedicates himself to electronic music, more specific granular synths and live electronics where he takes fractions of notes and moulds the sounds through speeding/slowing down and other obscure alchemical processes into new abstract configurations of space debris with remnants of drones, hums and bleeps.
Texture Studies
* Edition of 70 copies. In process of stocking * Late night atmospheric soundtracks for two short movies. 'Aea' is an acoustic improvisation with tons of illustrious instruments and contributions on shamisen and shakuhachi by Lydia Schneider and slide guitar by Mohonbeena Soumalaya Mukherjee. 'Antroposcene' is a meditation of floating electronics on our disastrous pollution of the world. Mike Hovancsek is a former member of Pointless Orchestra and collaborated with Egyptian composer Halim El-Dab…
Love-In-A-Mist, Edible
*300 copies limited edition* Well this is a dream, Ukrainian experimental composer Natalia Beylis put together "Love-In-A-Mist, Edible" over the course of three years, recording pianos she would find at other people's houses or on holiday, in Ireland, Amsterdam and Morocco. Ghostly and emotional musical polaroids - it draws immediate parallels with Dominique Lawalrée’s 'First Meeting’ which - you prob know by now - is all the comparison it needs to have our ears fully pricked.
Presented “like ho…
She Came Through the Window to Stand By the Door
Tip! Following on from their critically acclaimed first release 'Whose Woods These Are,' NYAHH Records and Eiderdown Records are thrilled to announce the second album by cellist Eimear Reidy and keys player Natalia Beylis.The album was recorded at St Georges Church, Carrick On Shannon, Leitrim in a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland.
'Cellist Reidy and experimental all-rounder Beylis conjure the otherworldly wond…
Distance Between Us
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
Triangular Progressions
»Triangular Progressions« can be considered a perfect synthesis of Petersson’s academic interests and aesthetic ideas, combining a mathematical approach with artistic rigour. The magic number triangle highlights the beauty of symmetrical properties.
Distance Between Us
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
Site Seeing
Economy Of Meaning is a project from Danish sound artist Kristoffer Kjærskov. Based around field recordings captured during a 2021 residency at Sharjah Art Foundation in the U.A.E., ‘Site Seeing’ is a hypnagogic collage of gentle ambience, fragments of acoustic instrumentation and found sound.
Autour du Lac d'Asselt
*300 copies limited edition* Timo Van Luijk with percussionist Kris Vanderstraeten, together for an enchanting exploration of liminal psychoacoustic space. "Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt,Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Rogu…
Karlsbad
Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A sl…
Primavera Estate Autunno Inverno
An absolutely stunning effort from one of the great journeymen of Italian experimentalism, Riccardo Sinigaglia here with painter Mario De Leo in the early '80s. This is electroacoustic music at its absolute, vibrant best.
I'm Sure We're Gonna Make It - Punk In The Netherlands 1976-1982 (Book)
'I'm sure we're gonna make it' is the first time English edition of the 1996 book 'Het gejuich was massaal', detailing punk in the Netherlands from 1976 to 1982 from Jeroen Vedder and Jerry Goossens. It is also the first time, as far as I know, that there is an English language book on the subject. There is a foreword by Richard Forster, and Hubert van Hoof updated his 1996 intro to a 2021 version. This book is 184 pages, with full-colour photos, record covers, a fanzine section, and all of this…
X (Book + CD)
Edition of 100 copies In 2012 Frans de Waard started yet another new music project, Modelbau. It took another two years before he really started, but he has since then released a long string of releases, many of which are on very limited cassettes. Over the intervening ten years, he played various European concerts and collaborated with musicians such as Orphax, MvK, and Scanner. Meeuw designed the original logo, which graced almost all of the releases, giving it a distinct look. Meeuw also crea…
Tintinnabulation
At the centre of this release are Vergette's Time and Tide bells: handmade instruments which create sound with the rising sea levels. One of the bells is ringing at any given time of day as the tide wraps around our coast, retreats and returns again. There are eight bells currently scattered across the UK's coasts, each existing as a democratic artwork owned by the local community. Sounds from these bells are collaged with field recordings from the coast and fragments of instrumental improvisati…
Seeking the intimacy of silence
*200 copies limited edition* One of the things the pandemic brought us was an eerie silence: imposed, artificial. Together with the silence, it brought a concomitant isolation. It left its mark on all of us, in different ways, but a distinct mark which still remains today. This new release which we bring you now, holds, at its core, this recent experience. That is why we wanted to address what we decided to call a kind of intimacy with silence. Above all, it is a question of highlighting the dif…
The Black Record
Necessary reissue of a truly seminal, minimalist totem
Saab Fanfare
In October 2022 Musica Impulscentrum invited Amber Meulenijzer to make a composition in collaboration with the local fanfare bands of Pelt, a small municipality in the green east of Belgium. These fanfare bands are deeply rooted in Belgian culture. Even in the tiniest villages one finds at least one or several of these ensembles. The result of this confluence: a procession, a slow paced moving composition for brass instruments, performed both live and played back through twelve speakers mounted …
You Can Can
You Can Can is an echoed affirmation, an album which traces song forms around silence, field recordings, and degraded analog memories. This is folk music transmogrified and mutated, as if recorded and reconstructed in Pierre Schaffer’s GRM studio.
Très Toxique
*Deadstock. Last 85 copies. In process of stocking* Très toxique is the first ever recording of Un Drame Musical Instantané as a trio, three weeks before Trop d’Adrénaline Nuit, but already a year and a half after Défense De by Birgé Gorgé Shiroc (Nurse With Wound List). On December 21, 1976, it was the first time the three musicians met together in the basement of Studio GRRR. They had no idea what they were going to play, but the session was full of energy. Jean-Jacques Birgé plays the ARP 260…