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Not Two presents the latest recording by The Nu Band: Thomas Heberer - trumpet, Kenny Wessel - guitar, Joe Fonda - bass, Lou Grassi - drums & percussion. May 16, 2022, at Tedesco Studios, Paramus, NJ
** 2LP exclusive 25th Anniversary release ** Finally this day has come - Not Two Records together with Wschodnie Triady and No Earplugs proudly present you special edition of Ground Zero Plays Standards 2-LPs exclusive 25th Anniversary release!
Legendary Ground Zero Plays Standards has been released in 1997 for Nani Records, then reissued for DIW (2000) and ReR (2002). So far it has only been released on CD, until this day. Vinyl edition is available now in limited copies. The vinyl master was …
The title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’. This is a classic-sounding record that conne…
Flowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers/musical connectors may have grown up and reside a co…
*Limited edition of 555 copies.* Atalaya is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative proces…
Gondwana Records present ‘Next Time Could Be Your Last Time’ – the debut album by Forgiveness, AKA Jack Wyllie, JQ and Richard Pike. Described as “not really jazz, not really new age, not really ambient or electronica”, instead they welcome you into a synaesthesia-inducing technicolour fantasy, full of wondrous emotive beauty. This genesis began with the sharing of music, burgeoning friendships, and the mutually-inspirational benefit of the collective power of a group dynamic, with each spurring…
100 copies on Yellow cassette shell. John kolodij - guitar, banjo, etc, anna rg - fiddle, sarah hennies - percussion
Mastered by Stephan MathieuArtwork by Myste FrenchLayout by Tiny Little Hammers
First pressing of 200 on gold foil cassette shells. Tracks A1-B5 recorded July 5th & 6th, 2003 at The Black Eye by Jeff Ottenbacher, and mixed at Funsize Studio by Jeff Ottenbacher. Track B6 is a live improvisation by Vernacular & Black Ox Orkestar at the Grog Shop in Cleveland Heights, Ohio, in the Fall of 2004. J-card text: Thanks to Ed Sotelo, Jason Schafer, Cynthia Piper, Clinton Holley, and Jeff Ottenbacher. Extra special thanks to Amiri Baraka (rest in power), the members of Black Ox Orkes…
In 1970, the Virgilio Armas Trio released De Repente on the tiny Discos A&B label, very likely a one-off, self-financed project. Virgilio Armas recalls: “The nightlife in Caracas of the 1950’s and 1960’s inspired me to record an album in 1970, with songs influenced by the Jazz, Bossa and Latin genres. De Repente was created with my beloved Piano, and my long-time musical partners Rodolfo Buenaño (bass) and Guillermo Tariba (drums).”
The style is very much influenced by the harder post-Bossa Nova…
We Are Busy Bodies announces the reissue of the rare and sought-after 1973 Venezuelan jazz album Espejismo ('Mirage') by Virgilio Armas Y Su Grupo, offering a fascinating snapshot of the thriving music scene in early 1970's Caracas, until now largely undocumented because of the musical dominance of Venezuela’s far larger southern neighbour, Brazil. Pianist and bandleader Virgilio Armas skilfully combined Latin Jazz, post-bossa swing (Balanço), with home-grown variants of Son Cubano, Montuno, Mer…
We Are Busy Bodies reissues Sadayasu Fujii Trio's 1977 album, Like A Child. Led by pianist, Sadayasu Fujii, the album includes jazz standards "A Sleepin' Bee" and "If I Should Lose You", along with original compositions.
The music Coltrane, Tyner and others did back in their prime made a sizable ripple in jazz. Many went on to emulate their style well after the originators either died or moved on. For the most part I find these emulator (or keepers of the flame, to be more polite) to be either alright or great. Kohsuke Mine Quintet is one of those greater ones. They're relatively obscure from what I gather, releasing only a few albums back in the 70s and a resurgence album in the 90s but their music is much more…
Limited edition of 200 copies.* "In statistics, a ‘spurious correlation’ is a mathematical relationship in which two or more events or variables are associated but not causally related, due to either coincidence or the presence of a certain third, unseen, factor. Spurious correlations look like causal relationships in both their statistical measures and in graphs, but they're not real."
*Limited edition of 500 copies.* This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to come. An adventurous yet accessible, bluesy album with Coleman and Don Cherry tasting for the first time the freedom of a pianoless rhythm section featuring Percy Heath or Red Mitchell on bass and the great Shelly Man…
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…
On February 19, 1972, a crew of mostly Louisiana-raised musicians came together at the Leo Castelli Gallery on West Broadway in Soho to perform a wholly improvised concert. This ensemble’s solos spring from collective improvisations and a tumultuous backbeat, loosely inspired by the creations of Coltrane, Coleman, Albert Ayler, and their brethren. The de facto leader was Richard “Dickie” Landry, a saxophonist and keyboardist who joined composer Philip Glass’s group in 1969. Landry had become a f…
Tip! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam open…
*the LP and 2CD contain different material.* First physical solo release from legendary vocal improvisor, dancer, and performer Maggie Nicols, and the follow up to Creative Contradiction (Takuroku 2020).
While she might be best known as an improviser (most notably in Spontaneous Music Ensemble, the Feminist Improvising Group and more recently with the likes of Les Diaboliques, Maggie Nicols’ talents stretch into song, dance, poetry, performance and composition. When Cafe OTO was shut over lockdo…
First physical solo release from legendary vocal improvisor, dancer, and performer Maggie Nicols, and the follow up to Creative Contradiction (Takuroku 2020).
While she might be best known as an improviser (most notably in Spontaneous Music Ensemble, the Feminist Improvising Group and more recently with the likes of Les Diaboliques, Maggie Nicols’ talents stretch into song, dance, poetry, performance and composition. When Cafe OTO was shut over lockdown we invited her to follow up the wonderful …
Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collaboration by the t…