Red Vinyl. Milestone! Faithful reproduction of the original release! 1973 Aktuala debut, a stunning overall work where you can hear a lot of different musical influences : avant-garde folk, mediterranean blues ,jazz improvisation, minimalism, african percussions, indian ragas all played with a true psychedelic feeling. The album was recorded in a few days in a totally acoustic dimension and the line-up seems to be a quintet of contemporary music more than a progrock group (although this music is…
*100 copies limited release* Recorded and mixed by Daniel Bengtson at Studio Rymden, Stockholm, Feb 2021Produced by Alex Zethson & Johan BerthlingMastered by Daniel Ögren
All music by Johan Berthling except For Turiya by Charlie HadenDedicated to Maria, Arvid & Vidar
Produced with support from the Swedish Arts Council
Bluesy, aggressive, typically expressive. Splashes (subtitled Tribute to Wilbur Little) is an album by saxophonist Archie Shepp's Quartet which was recorded in Holland in 1987 and released on the L+R label. With Horace Parlan (p), Harry Emmery (b), and Clifford Jarvis (d). It's one of those deep European records that gets missed because Shepp was recording so much and in so many ways overseas in his later years. The style here is a great distillation of the modes he was exploring in the years a…
Archie Shepp, a saxophone tenor icon, collaborates with keyboardist Jasper Van't Hof - of Toto Blanke's Electric Circus (it was while with Blanke that van't Hof co-founded a group called Association P.C.)in a creatively innovative record. Jasper incorporates elements from his 70s electronic work into the song, blending them with acoustic piano in a way that resonates well with Archie's spirit, a departure from his previous style.
This lovely session from the 1980s features saxophonist Archie Shepp and pianist Horace Parlan, who both initially recorded in the United States but eventually discovered a more accommodating environment in Europe (they crossed paths many times while recording in Europe) Shepp began his career as a dedicated avant-garde player, but he eventually discovered the joy of applying his modern approach to more conventional material, such as these well-known ballads that Parlan paints with delicate, sou…
German pianist Wolfgang Dauner's early session sounds as fantastic as the title suggests! The "dream talk" component comes from Dauner's gentle, yet modern approach to the keys, which is clearly learning from 50s modernists like George Russell or Bill Evans but is stretching out here in some of the bolder freedoms of the European scene at the time. It's a precursor to later modes on MPS and Saba, but performed here with more restraint. The record is acoustic and inventive, with a "set free" soun…
"Favorite Recordings returns with the second edition of its compilation series: Fusion Global Sounds. Comprising eight rare and hidden tracks produced between 1976 and 1984 in various parts of the world, this hot-off-the-plate comp delivers a mighty-fine array of dynamic, soul-feeding jazz, soul, disco, jazz and funk delicacies. As a fine collector of jazz-funk and fusion for many years, curator Charles Maurice can be credited for sourcing the ingredients for and cooking up this fine spread of f…
6LP box set containing original studio albums from 1957 - 1965. Remastered directly and lacquers cut from the original analog tapes, 180gm vinyl and housed in reverse-board deluxe sleeves. Extensive book with foreword from Brandee Younger, comprehensive liner notes by Shannon J. Effinger and previously unseen photographs and ephemera. Housed inside book-shelf style slipcase with silver-foil detail. New Land are proud to present the first multi-disc box set from one of the most overlooked artists…
Issued via Reid's own Mustevic Sound imprint in 1977, the album features bassist David Wertman, percussionist Mohammad Abdullah, trumpeter Ahmed Abdullah and Saxophonists Arthur Blythe and Charles Tyler. Reid's music needs no introduction to contemporary audiences; the legendary drummer and band leader was more prominent than ever in the years before his untimely death in 2010, collaborating with Four Tet's Kieran Hebden on a succession of releases as well as being the subject of an extensive re…
"The Nigerian establishment labelled Kalakuta Republic inhabitants as — ‘hooligans’, ‘hemp smokers’, etc. Noise For Vendor Mouth is Fela’s indifference to that name calling because, for him, people in Kalakuta are really a bunch of hard working citizens, trying to survive in a society riddled with corruption and mismanagement. He adds that the real hooligans are those in authority who resort to political gangsterism, and sometimes military coups in order to resolve constitutional issues. He cons…
The deepest song here is the second track, ""Mr Grammarticalogylisationalism Is The Boss,” which ridicules the notion that speaking ""proper"" English demonstrates superior intelligence, and bemoans the fact that doing so is, unfortunately, a requirement for upward mobility. As the chorus repeats the line “Him talk oyinbo pass English man” (“He talks English better than an Englishman”), Fela lays it down: “The better oyinbo you talk, the more bread you get, school start na grade four bread, B.A.…
"The Kalakuta Show album release was Fela’s undaunted manner of extracting revenge on the military regime that attacked and brutalized him in 1974. The second of such attacks in a space of eight months, Kalakuta Show was an attempt by the Nigerian police to influence the cause of justice. After the first police raid on Kalakuta in April 1974, Fela was charged to court for: ‘possession of dangerous drugs’, and abduction of ‘minors’. However, the evidence presented by the prosecution was easily ex…
Also featuring Ginger Baker, the title track is among Fela’s first overtly political lyrics. His political perspective had evolved during the 1969 / 1970 tour of the US, largely through his friendship with the black-rights activist Sandra Izsadore, who introduced him to the writings of Malcolm X, Stokely Carmichael, Angela Davis and other revolutionary thinkers. By the time Fela wrote “Why Black Man Dey Suffer,” his songwriting and public statements were becoming increasingly critical of the pow…
If Zeuhl is any indication, it's not only a French phenomena. This great Japanese group, well-known in the Japanese underground, proves that. Their work, which spans from rock to fusion to experimental to ethnic and draws more from the European school (Magma) than the Japanese new music movement, concentrates on avant-garde jazz structures, loud, blaring rock 'n roll, and occasionally all-out discord. They make extensive use of the violin, contrebass, and vibraphone in addition to the standard r…
Highly recommended, a true Revelation! After a long hiatus since the homonymous 2006 release on Schema Records, The Invisible Session is back with Echoes Of Africa to be released on the newly-launched Space Echo label. Initiated in 2006 by Schema Records’ co-founder and musician Luciano Cantone, The Invisible Session’s influences are rooted in Black music. Written in collaboration with trombonist and multi-instrumentalist Gianluca Petrella, and with lyrics by poet, rapper, and MC Martin Thomas P…
**CD version** Eraldo Volonté is a veteran of italian jazz: he is one of those characters that are always seen wherever there is good jazz to play or listen to. With a difference from many pioneers, however, Volonté has never lost even a shred of his enthusiasm, even if he has been playing professionally for more than a quarter of a century and like almost all of is colleagues, in Italy, has had to adapt and be part of an infinite number of bands playing all types of music. His enthusiasm has ke…
I think that the title of this album is perfectly congenial – ”Metamorphosis” as for “profound transformation in form and structure”. I have known and listened to Guido, born in 1935, for more than 40 years and consider myself as an expert of his impressive musical production since his debut in 1966. Guido is a full-blooded swinger and his playing is firmly rooted in the tradition. Surprisingly, after listening to this record I hear and find a pianist astonishingly original and dynamic playing w…
"Sting And Grid is an album of great joy and great sensitivity which bears repeated listening due to its relatively calm nature. A real delight for any improv lovers." – Mr Olivetti, FREQ
Two world class players from the Manchester UK free improvisation scene deliver here a beautifully recorded set of pieces founded on pure instrumental skill. Hanslip's elegant, singing lines are delivered with calm and precision, driven by Cheetham's multi-textural percussion.
"Teacher Don’t Teach Me Nonsense: Fela explains the role of the teacher in any society with the concept that: all the things we consider as problems, and all the good things we accept from life as good, begin with what we are taught. The individual teaching begins with when we are children – our mother is our teacher. When we come of school age, our teacher is the school-teacher. At the university, the lecturers and professors are our teachers. After university—when we start to work, government …
Knitting Factory Records reissue Fela Kuti’s ‘Army Arrangement’ on vinyl, previously only available as part of the Box Set series. ‘Army Arrangement’ is about Nigeria’s attempt at ‘democracy’ in 1979 after more than a decade of military rule.Bill Laswell’s mix of Army Arrangement for the Celluloid label was an act of gross cultural-arrogance. With Fela in jail on trumped up currency-smuggling charges when the time came to make the final mix, the label approached Dennis Bovell. But Bovell was una…
*Deluxe packaging.* "A gentle, introspective, yet adventurous solo work... The entire album is a one-man effort, from the composition to all of the instrumentation, with Surman building strata of sound over keyboard and percussion structures using bass clarinet and the soprano and bass saxophones he is known for. The resulting work communicates a unique vision and mood, unsullied by the conflicting interpretations of other performers." - Stacia Proefrock
First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years.
It contains Chet Baker with Ennio Morricone's Orchestra, with "Il Mio Domani" (My Tomorrow) and "So Che Ti Perderò" (I Know That I'…
Weldon Irvine was one of the most talented and influential artists of his era. Liberated Brother was his first album, originally issued on his own Nodlew label in 1972 in very limited quantities. An impressive showcase for Irvine’s skills as a songwriter, producer, and keyboardist, the collection boasts a rich array of musical textures, resulting in deep, spiritual, funky jazz with elements of soul and psychedelia. Innovative not only for its moody, nuanced jazz-funk sensibility, Liberated Broth…
Hilton Felton's Family & Friends is a rare groove classic that now gets reissued for the first time ever courtesy of P-Vine. The master keyboardist has a cult following thanks to his magically mellow and sophisticated playing style. He was prolific, too, recording several great albums but none as definitive as this one, which is a sought after and pricey gem if you want an original. It has many highlights such as the fantastic jazz-funk cover of the Delfonic's classic 'La, La Means I Love You', …
Funky groove master Les Demar's legendary live recordings have been sampled by numerous artists and DJs, and have captivated jazz funk listeners and rare groove freaks alike with their raging drum breaks and intense grooves. Recorded at Concerts by the Sea in Redondo Beach, California, in August 1978, the eight-piece big combo's frenetic night is back in its original 1970s release!
The fusion-like 'Quetzal' (A1), which starts with an opening MC and cheers, quickly raises the tension, followed by…
Hellbound Train is a double-album retrospective from Steve Tibbetts with music selected by the US guitarist from 40 years of recordings on ECM . Neatly divided into electric and acoustic chapters, the anthology juxtaposes pieces originally featured on the albums Northern Song, Safe Journey, Exploded View, Big Map Idea, The Fall Of Us All, A Man About A Horse, Natural Causes and Life Of. With its liquid melodies and textures and hypnotic patterns and pulsations subtly influenced by music of man…
**English edition. 200 pp. Hardcover** Eberhard Weber is a central figure in the evolution of European jazz. A virtuoso who revolutionized jazz bass playing - he brought his instrument from the far corner of the stage into the spotlight – and turned it into a solo force. He began his career as a jazz bassist in the 1960s, and his band Colours, with the saxophonist Charlie Mariano, became one of the most successful jazz groups in Europe. His record Colours of Chloë (made for ECM) was a cult albu…
"Following my recent phone call with Prof. Benson, I left him to continue his 92nd birthday celebrations with his family. We’d talked about his life, his music, his achievements. Throughout our conversation it struck me what a kind, humble and pleasant man he was. I felt that I was in the presence of greatness – not the egotistical greatness that emanates so often from high achievers, but that of someone who had simply won at life.“I was a music teacher. I wasn’t trying to make a record to compe…
Recorded live on tour in Germany in 1986, here we have "Mystery Mr. Ra" leading a quite rare tentet version of the Arkestra featuring the historical reed section of John Gilmore, Marshal Allen, Eloe Omoe, Danny Ray Thomson and James Jackson, plus trombonist Tyron Hill and an electric rhythms section featuring Marvin "Boogaloo" Smith on drums. This is a beautiful document from an era when Ra, in addition to his usual sound explorations and space hymns, began to introduce a good number of jazz sta…
The rarefied music of Ramuntcho Matta returns to Emotional Rescue with the first ever reissue of his album, 24 Hrs. Recorded in 1986 – the same year as his influential Ecoute... – the album finds Matta working in a less playful, more experimental framework but with the same ground breaking results. Again collaborating with a selection of accomplished players, 24 Hrs sees Matta (electronics, guitars, marimba, melodica, sanza, vocals) work again with Cacau de Queiroz (flute and saxaphones) and Eli…
**300 copies, second pressing** Kuzu is a hard-charging but patient trio that came together in the fall of 2017, after saxophonist Dave Rempis, a stalwart of the Chicago improvised music scene, worked with both Tashi Dorji (guitar) and Tyler Damon (drums) individually as part of a lengthy solo tour of the U.S. that he undertook in the spring of that year. Dorji and Damon’s work as a guitar / percussion duo has become well-known, a highly refined and specific language developed through relentless…
The previous Art Ensemble of Chicago ECM album Nice Guys vaulted them to the top of improvised music groups in the U.S. and worldwide, paving the way for similar bands to be more accepted into the mainstream of modern music. Where "Full Force" generally lives up to the title, there's also a palpable diverse approach, producing more than enough potent music brimming from the sinews of these brilliant musicians to uphold their burgeoning cache. The crown jewel of this effort is "Charlie M," a blue…
* Restocked, reduced price * The never-before-seen in its entirety, visual documentation proving this avant-garde collaboration of mythic proportions did indeed occur. Recorded at Sideshows by the Seashore along the Coney Island boardwalk on June 8th, 1986 as documented on VHS by John Polizzi under the commission of event producers Rick Russo and Bronwyn Rucker. It was long believed that John Cage and Sun Ra never performed together but as you'll see,these two shared the stage the entire time. T…
Doxy present a combined reissue of legendary jazz harpist and poly-instrumentalist Dorothy Ashby's Hip Harp and In A Minor Groove, both released separately in 1958. Both albums feature Frank Wess. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene a…
Music by four strong individual players with room for eruptive solo-parts, but always held together by intense communication and beautiful interwoven melodies. The quartet's second album A History Of Nothing (TROST 170CD/LP) got a huge number of excited reviews: "A superb quartet outing. The music is all improvised, but it's firmly rooted in jazz, with superb interaction between all of the players, both on ripping, high-velocity blowouts and more delicate forays." --Peter Margasak (Chicago Reade…
Flowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers/musical connectors may have grown up and reside a co…
Basil Kirchin, a forgotten genius of post-war British music, was an influential jazz drummer, creative free-spirit and pioneer of Musique Concrète. Kirchin wrote a lot of albums, Mind on the run is one of the most representative Library record he wrote with fellow John Coleman. A milestone in british avantgarde.
The members of the all-star Artifacts Trio – flutist Nicole Mitchell, cellist Tomeka Reid and drummer Mike Reed – have long been recognized as torchbearers of Chicago’s innovative jazz scene, as well as the most prominent performer-educators in the third generation of the Association for the Advancement of Creative Music (AACM), the historically vital, leading-edge Chicago arts organization. The trio served on the organization's executive board from 2009–2011, and their music advances the organi…
"Broadcast from SWR and recorded at the legendary 1967 Free Jazz Meeting in Baden-Baden, Germany this is a collection of four different performances by different line-ups, featuring big names in the European free jazz '60s scene of the time along such top players as Don Cherry, Marion Brown, Evan Parker, and John Stevens."
Androide Scrip is a jazz record - not mainstream, but plain and simple: piano, drums, bass. Full stop. Influenced by artists such as The Bad Plus, E.S.T., Thom Yorke, Bush and Muse, the debut is not a pop, rock or electro album, even though it repeatedly makes use of song structures from these varieties of current music styles. Together with pianist Florian Kästner and bassist Philipp Martin, the trio led by Jörg Wähner (Apparat, Bodi Bill, The DAS) explores the possibilities in such a way that …