Jazz /
Sacbé
Unique and beautifully recorded, with a breezy feel brought by the synthesizers, Sacbé could be likened to what Azymuth was doing at the same time in Brazil. Available as a vinyl-only limited pressing Deluxe Tip-On LP, coming with its original printed innersleeve.
Sacbé was composed of Eugenio Toussaint (keyboards), Enrique Toussaint (electric bass) & Fernando Toussaint (drums), three brothers hailing from the huge Mexico city, and their friend and sax player Alejandro Campos. Growing up in a fa…
Improvised Harp Solo
**2020 stock, few copies available** Rare live remastered recording. Alice Coltrane’s Harp performance in Warsaw, Poland. On the 23rd of October 1987 in Warsaw, Poland at the Jazz Jamboree festival, Alice Coltrane played a improvised harp solo that lasted over 9 minutes. The harp belonged to harpist Anna Faber. It was made in Russia she had acquired it in a most unusual barter;bags of white potatoes in exchange for a Russian pedal harp. Anna, said the harp had a great tone but was mechanically v…
Eastern Horizons
**2020 stock** Considered to be one of Australia’s most iconic modern recordings, Eastern Horizons is the result of several jazz workshop sessions recorded in the mid 1960s Sydney. A pioneering exploration of eastern influenced modern jazz that represents one of earliest prototypes of the genre, arguably predating other more widely acknowledged international eastern influenced and indo jazz recordings of the late 60s and early 70s. Following in the footsteps of early 60s Coltrane and the exotic …
Tomasz Stanko & Adam Makowicz Unit
**2020 stock** A fantastic electric session from the 70s Polish scene – a record that not only features freewheeling trumpet from Tomasz Stanko, and sweet Fender Rhodes from Adam Mackowicz, but also includes some very inventive work on drums and percussion from the great Czelaw Bartkowski! All three players are at the top of their game here – artists who have a strong knowledge of the outside territory of jazz, but also often work a bit more inside – so that their music here can be open and expl…
Ako's Dream
One of the wonderfully creative 70s sets from Japanese stringman Isao Suzuki – an artist who also plays bass, but who works here on jazz cello – for a very unusual approach! The set has Suzuki's work on the light strings matched in a combo with lead guitar from Kazumi Watanabe – who's nicely restrained here, and falls in with Isao's strings at a level that's quite different than his own material of the time. Watanabe's lead is augmented by further rhythm guitar work by Kazumasa Akiyama, and the …
Misty
*2022 stock* Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty. Originally recorded in Tokyo in 1974, this Piano Trio release from TBM features Tsuyoshi Yamamoto on piano, Isoo Fukui on bass and Tetsujiro Obara on drums. The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Ta…
Now!!
Now! by Masaru Imada was the second album released by the fledgling Three Blind Mice label and the pianist's first leader album for the label. All four tunes are Imada's original compositions. The two slow numbers – "Nostalgia" and "The Shadow of the Castle" show his lyrical, "quiet but emotional," qualities. "Alter" is an adventurous tune whose focus is on free improvisation while "Gehi Dorian" is a modal composition as the title suggests.
Blow Up
A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded "Jazz of Japan" Award and the Jazz Disc Award of "Swing Journal" in 1973."This adventurous set finds Suzuki and his band mates (drummer George Otsuka, pianist Kunihiko Sugano, and bass…
Orang-Utan
Bassist Isao Suzuki's popularity shot up to stratosphere with the release of Blow Up from the Three Blind Mice label. By the time he recorded this, fourth album for the label, he was actually the winner of the Swing Journal Readers' Poll. And this rather strangely titled album doesn't disappoint.Suzuki had a knack for surrounding himself with superb musicians and playing brilliant, groovy music that is firmly rooted in the jazz tradition. This time, he picked as the all-important horn player Ken…
Green Caterpillar
Pianist Imada Masaru was 42 years old when he recorded this album in 1975. His adventurous spirit led him to use the electric piano for the first time in a recording, and thanks to his musicianship, he made it sound like he'd been playing the instrument for years. The program opens with the title track, a sophisticated urban funk. Guitarist Kazumi Watanabe plays a big role here. It is followed by a more intricate, fusion-like "Straight Flash." The all-original-composition program switches gear o…
Free Form Suite
Classic Japanese free jazz monster, originally released in 1972. Recorded live at Aoi Studio, Tokyo on 19 May 1972. The late 60s and early 70s was the time that Japanese free jazz began to lift off (see We Now Create LP of Togashi Masahiko with Takayanagi, Motoharu and other heavyweights releasing the 1st free jazz LP in Japan) and blossom into a fierce musical power to be reckoned with. Legendary combos such as Masayuki Takayanagi New Direction were soon responsible to be the originators of thi…
Le Massacre Du Printemps / La Marche Dans Le Désert
This special bundle collects the two latest LPs reissued by Souffle Continu, namely the following:Jef Gilson "Le Massacre Du Printemps" (1971)Sahib Shihab, Jef Gilson "La Marche Dans Le Désert" (1972)
Jef Gilson "Le Massacre Du Printemps" (1971)
* First ever vinyl reissue of this French free jazz nugget from Sahib Shihab & Jef Gilson Unit Remastered from the master tapes * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards …
I Want Some Water
**Edition of 500** Born in Mississippi in 1937 and beginning to play the saxophone at 14, Billie Harris relocated to Los Angeles in 1965 after a 4 year stint in the Air Force, becoming one of the great, unsung forces of underground jazz in the city for many years (he later relocated to the Mojave Desert, where, at last record, he still plays in a church band). A Venice Beach street musician and longtime member of the Pan Afrikan Peoples Arkestra - you can hear him playing on Live at I.U.C.C. and…
The Call
**Original, still sealed copies of this rare album! Few available** A masterpiece from the Los Angeles jazz underground – Horace Tapscott’s burning, spiritualised 1978 set, The Call. One of the unsung giants of jazz music, the composer, bandleader, arranger, pianist and community activist Horace Tapscott was the undisputed keystone in the grassroots Los Angeles jazz scene. Throughout the 1960s and 1970s, his radical community arts and music formations the UGMA (Underground Musicians Association,…
At The Crossroads
**Original, still sealed copies of this rare album! Few available** Likely one of the most underrated Nimbus albums. Horace Tapscott & Everett Brown Jr.'s piano and drums avant-guard jazz outing 'At The Crossroads'. Piano and Drums : raw, uncut, brilliant
The Creator's Musician
**1980 Album. Original copies** Beautiful, deep, meditative solo bass album . Roberto’s first LP on Nimbus. A beautiful record of upright bass solo work, ranging from emotive arco playing to nice throbbing pizzicato. Roberto Miguel Miranda has played with John Carter & Bobby Bradford and cut another great, more soulful side for Nimbus with a larger group of his own. The playing throughout is spacious, even it's most full moments never gets too busy, with a deep spiritual quality, clear through t…
Thomas Tedesco And Ocean
**1982 Album. Original copies** Guitarist Thomas Tedesco tearing it up in June of 1981… the personnel on this one is an all-star group featuring: Bobby Bradford , Roberto Miranda, Onaje Ferguson, and Sartuse
Phantasmagoria
**1984 Album. Original copies** Curtis Clark, Roberto Miranda, and Sonship Theus take you on an epic journey… an overlooked artist, Curtis Clark appearing here in his Nimbus debut.
Deep Sea River
**1985 Album. Original copies** Curtis Clark often overlooked beautiful solo piano LP, his 2nd release on Nimbus, featuring vocals by Marlene Holsey on the haunting title track.
Amsterdam Sunshine
**1984 Album Original copies** Curtis Clark’s 3rd Nimbus album was in retrospect a foreshadowing of things to come for Nimbus… Not only would Nimbus records relocate to Amsterdam within a few years of the release of this LP, but also this album features musicians that would form the heart of the Nimbus roster over the years to follow, with Ernst Reyseger on cello and Ernst Glerum on bass violin (see Amsterdam String Trio and TA releases). This is Tom Albach’s favorite Curtis Clark album.