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Drums

All records with drums · Solo drums only

The Complete Night: Live at the Stone NYC
The complete first concert of the two-trumpet quartet of Herb Robertson and Dave Ballou with Drew Gress and Tom Rainey, recorded at The Stone NYC in June 2007: the first set reissued, the second issued for the first time.
Atlantic Extraction
First vinyl edition of Nick Dunston's 2019 debut Atlantic Extraction, on translucent yellow vinyl limited to 200 copies: a quintet of double bass, flutes, violin and viola, guitar and drums.
Air Ceremony
Guitarist Dustin Carlson's septet with Nathaniel Morgan, Eric Trudel, Danny Gouker, Matt Mitchell on Prophet 6, Adam Hopkins and Kate Gentile, recorded in 2017 and mixed and mastered by David Torn.
Crickets
Fifth anniversary LP of Adam Hopkins' 2018 debut Crickets, the first Out Of Your Head release, on 180g black vinyl with redesigned TJ Huff artwork and the extra track Grounded, recorded remotely by the sextet in winter 2020-2021.
Gugaruz
More from the Faust archive, chosen by drummer Zappi Diermaier. Rhythm-driven fragments, noise and studio mischief, the collective's fearless early spirit heard through a founder's own ear.
Live 79-81
You can recall John Lurie from his amazing performances in Jim Jarmusch ‘Permanente Vacation’ or ‘Stranger Than Paradise’ (even his cameo in Paris, Texas and Desperately Seeking Susan), but the long & tall man from Minneapolis is essentially an outstanding musician. From 1979 onwards he was the leader of The Lounge Lizards, a band he put together in downtown New York with the help of brother Evan (piano, organ), Arto Lindsay (on guitar), Steve Piccolo (on bass) and Anton Fier on drums. Their mus…
Live @ Victo
Elliott Sharp, Colin Stetson, Billy Martin and Payton MacDonald live at Victoriaville in May 2023: electric guitar and electronics, bass saxophone, drums and mallets in a heavy, groove-driven quartet.
Fatrasies
François Houle, Kate Gentile and Alexander Hawkins live at Victoriaville on 21 May 2023: clarinets and electronics, drums and piano, in a set named after the medieval nonsense poem where sound leads meaning.
Cuts Cut
Merzbow, Mats Gustafsson and Balázs Pándi, recorded at Victoriaville in 2018 and completed with new recordings in 2025: electronics, bass and baritone saxophones and drums in brutal noise and free jazz.
Hansten Klork
Originally released in 1980 and long regarded as one of the most avant‑garde statements of its era, Hansten Klork captures Metabolist at the intersection of post‑punk restlessness and uncompromising experimentalism. The album’s stark textures, motoric rhythms, and hypnotic minimalism reveal a band equally indebted to kraut‑rock repetition, post‑industrial atmospheres, and the austere clarity of minimalism—creating a distinct, unsettling sound that still sounds contemporary today. This reissue re…
Jazz In Libertà
Antonio Riccardo Luciani's 1976 Lupus LP for an anonymous quartet of bass, drums and two keyboards in constant dialogue: lean jazz-funk built for 70s crime films, with one guitar cameo on the title track.
American Bus
Jason Black and his Group play Arawak's 1977 Wild Cat LP, an Italian dream of the American West Coast: blues-edged funk-rock, honking sax and one reggae detour named after San Francisco's Lombard Street.
Telemusica N. 6
The 1973 jazz and experimentation volume of the Telemusica series: lounge cues, tense jazz-funk, a waltz warped by electronics and three closing pieces close to the free improvisation of Nuova Consonanza.
Mux
*In process of stocking* Since his Beat Diary debut (a 12xLP box set comprising 365 beats recorded daily over the course of a year), Julian Sartorius has immersed himself in unique and ambitious projects - trekking the path not travelled to arrive at rhythmic life forms through found objects and prepared instruments. Equally as mighty are his two other escapades, the most recent being Locked Grooves - 112 beats cut as endless loops on vinyl spanning 56 dense 1.8 second compositions per side. Pre…
Peel Sessions 1973-74
Peel Sessions 1973-74 is a unique collection showcasing the legendary German experimental rock band’s dynamic live performances captured for BBC Radio 1’s John Peel sessions. This album brings together raw, electrifying recordings from 1973 and 1974, highlighting Can’s groundbreaking sound that blended psychedelic rock, avant-garde, and improvisational music. Fans and newcomers alike will experience the band’s creative energy and innovative spirit in an intimate setting outside the studio. Featu…
Jazz Frontier
Reissue, originally released in 1963. Lou Blackburn's debut Imperial session has to be considered mostly a bop album, even though traces of contemporary pop culture and soul are clearly an influence. The trombone player is joined by Freddie Hill (trumpet), Horace Tapscott (piano), John Duke (bass), and Leroy Henderson (drums). Blackburn was born in Rankin, Pennsylvania, during the 1950s, he played swing music with Lionel Hampton. In the early 1960s, he began performing with musicians like Cat An…
A Fool's Guide to Reality
Edition of 400. Belgian percussionist and composer Karen Willems presents her debut solo statement with A Fool's Guide to Reality, a work that transforms everyday objects and chance encounters into transcendent musical exploration. Released on Fanny Chiarello & Valentina Magaletti's Permanent Draft label, this album represents Willems' most personal artistic statement - a fearless dive into uncharted sonic territories where convention dissolves into pure experimentation. A serial collaborator wh…
East Coasting
Recorded in 1957 this is one of Charles Mingus's lesser known sessions. Here the master was at the head of an awesome band including some of his regular sidemen. Jimmy Knepper - trombone, Shafi Hadi - alto saxophone, tenor saxophone and Dannie Richmond - drums, along with nothing but Bill Evans on piano! This is dense, lyrical and very stimulating music deeply rooted in the bop tradition yet with an open ear to other sound territories.
In a Minor Groove
'Dorothy Ashby was the very best and most swinging performer on the multi-stringed instrument associated with the gates of heaven. Here on Earth, Ashby adeptly plucked and strummed the harp like nobody else, as evidenced on a single reissue containing her two best LPs for the Prestige and Prestige/New Jazz labels from 1958 -- Hip Harp and In a Minor Groove. Alongside her prior efforts for the Savoy label, they collectively represent a small but substantive discography for the Detroit native in s…
All At Once At Any Time
David Moss, John King and Otomo Yoshihide on the Victoriaville stage on 20 May 1994: voice, drums and electronics against electric guitars, turntables and sampler, in a fast, cut-up set between song fragments, noise and improvisation.