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Two pieces David Tudor composed in 1970 for the Pepsi-Cola Pavilion at Expo '70 in Osaka, built by E.A.T.: Pepsibird, from tapes of human and animal brain waves, and Anima Pepsi, from insect and animal field recordings.
Telmegiddo, recorded in February 1983 at the Mectpyo Studio, was Maurizio Bianchi's last tape decomposition before his long hiatus. Mercium reissues it on CD, remastered: two parts of about 25 minutes.
The 2021 remaster of Fripp's 1980 album, one side of Frippertronics and one of Discotronics with David Byrne, Busta Jones and Paul Duskin, with almost half an hour of extra material.
The 2021 David Singleton remaster of Fripp's 1981 Frippertronics album, on CD for the first time in decades, with three extra tracks found during the work on the Exposures box.
The Frippertronics residency of July and August 1981 in New York, on CD with a DVD carrying the same material in 24/48 hi-res stereo and DTS-HD surround, in digipak with slipcase.
Zeena Parkins' 1992 album recorded in New York: electric harp, keyboards and tape with Ikue Mori on drums, Chris Cochrane on guitar, David Shea, and her sisters Margaret and Sara on cello, violin and voice.
Fred Frith and René Lussier's duo, recorded at the 1986 Victoriaville festival and finished at Studio Victor: guitars, bass, violin, voices and tape in short, playful pieces. The CD adds four tracks recorded in New York in 1992.
Gli atti del convegno NoMus 2025 per i settant'anni dello Studio di Fonologia Musicale della Rai di Milano: saggi e testimonianze su Berio, Maderna, Nono, Zuccheri, radiodramma, televisione e pioniere dell'elettronica, con 165 immagini d'archivio.
Second volume of Miúin's Kilkenny Electroacoustic Research Laboratory anthology, turning to the music cultures around the lab, including commissions by its engineer Tony Quinn. Cassette with book and A3 poster, curated by Neil P. Quigley.
Four electroacoustic works by Ivo Malec composed between 1961 and 1982, from the early Dahovi to Week-end, gathered by Recollection GRM and reissued on vinyl for the very first time.
A later album by the French avant-garde trio DDAA, active since 1977: six restrained, elaborate '(a)tonal songs & noises', 51 minutes, with Christine Coënon on voices. Oversized A5 gatefold cover, limited to 444 copies.
Unknown versions and unpublished tracks from Column One's early years, remastered by Robert Schalinski, in an oversized cardboard sleeve with 8 postcards and liner notes by Till Kniola. Limited to 500 copies.
Early Column One: the remastered Dream Box Experience LP (1994), alternative versions from the This Is My Dream 7" and an unpublished track, in an oversized sleeve with 6 postcards and liner notes by Till Kniola. Limited to 500.
Brume's picture 10" Anastomose (Ant-Zen, 1996), the 7" Charlemagne (1997) and the 2012 cassette Seven Trumpets, remastered or remixed by Christian Renou in 2013. A5 gatefold cover, limited to 444 copies.
Two long ambient improvisations facing each other: a 2014 session by Chihei Hatakeyama and Hakobune in rural Japan, answered by zakè and From Overseas in a single take. 160g black vinyl, edition of 400.
Jean-Michel Jarre's illustrated history of electronic music, built on his own collection of instruments: 150 machines from modular synths to one-off prototypes trace a century of electronic sound, with contributions from Vince Clarke, Gary Numan, Gillian Gilbert, Richie Hawtin and Hans Zimmer.
The complete Jonestown "death tape" (FBI Q 042), recorded on 18 November 1978. Second pressing of 500 copies, dedicated to Christine Miller, the one voice that argued against the poison.
Faust unbound, curated by keyboardist Hans-Joachim Irmler. Drones, grooves and collage roam free, another founder's window onto the collective's fearless, uncategorisable body of work.
The Faust vaults through Jean-Herve Peron's eyes. Songs, sabotage and tender strangeness sit side by side, a personal cut of the krautrock legends' boundless, unruly tape archive.
Faust's vaults, opened by the band itself. Co-founder Gunther Wusthoff curates unheard tapes and fragments, motorik grooves, collage and pure invention from krautrock's great disruptors.