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1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which limits and defines the contrasted music assigned to each performing group, takes as its point of departure the ideas of Charles Ives. Brant's principal works since 1950 are all spatial; his catalogue now comprises nearly 100 such works, each for a di…
1993 release ** "Between 1963 and 1973, because there were almost no instrumentalists who I could interest in my music, I wrote very little instrumental music, contenting myself with making taped pieces, often for dancers. Since then I have been fortunate enough to find players for whom to write. At the same time, I have seen developing in my music what I think is really a revolutionary system of tonality. It is a system with all the structural, rhetorical and affective capabilities of classica…