We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Special 15% discount on all available VOD Records items until Monday at midnight!

Harvest

La Casa Del Lago
"La Casa del Lago" came out just a year after Saint Just's eponymous debut album; in 1973 the band were a very special trio, consisting of Jenny Sorrenti (voice), Antonio Verde (guitar) and Robert Fix (saxophone). They had a contract with Harvest (as well as Jenny's brother Alan Sorrenti, who debuted with "Aria" the previous year), and managed to stand out in the vast Italian pop scene of the early '70s.Unlike many other musical realities, they had a concrete support from the record label, which…
The Madcap Laughs
*2022 stock. In process of stocking* 180g vinyl reissue gatefold LP on Rhino. ‘The Madcap Laughs’ is the debut solo album by the English singer-songwriter recorded after Syd Barrett had left Pink Floyd. That appears to be the pre-release we were given. It is, intermittently, one of the finest albums of its era. Not slick by any stretch of the imagination but full of left-field ideas.
Opel
*2022 stock. In process of stocking* 180g vinyl reissue of this sought-after compilation of rare and unreleased material from the legendary Pink Floyd frontman. Compiled from recordings made between 1968 and 1970, including takes from 'The Madcap Laughs' and 'Barrett' and two unreleased tracks that the Floyd had previously vetoed.
Barrett
*2022 stock. In process of stocking* 180g vinyl reissue LP. ‘Barrett’ was the eponymous Pink Floyd frontman's second and last solo record, produced by his fellow bandmembers Rick Wright and David Gilmour. It's a collection of blues jams and psych rock that recalls artists such as the Byrds.
Ipotesi
* Deluxe Edition. Released in a gatefold cover. Black Vinyl Numbered Limited Edition of 899 copies 1 page insert 2 OBI strips * Another great italian avantgarde progressive rarity from 1972! Complex and excellent album, with classic moments, jazz-rock influences in the Canterbury vein, acoustic parts, sudden rhythm changes and complex arrangements, in a few words everything we love from vintage italian prog! "Part of the charm of the Italian progressive rock is undoubtedly due to its inner prese…
Heads Full Of Poison
North Carolina instrumental rock duo Ahleuchatistas belong to the beyond-category sector of such iconic, genre-flouting combos as John Zorn’s Naked City, Captain Beefheart’s Magic Band, Swans, Tortoise, and Sun City Girls.Ahleuchatistas combine wicked precision with intense abandon, droll humor with analytical construction, and a sly gregariousness with uncompromising vision. This pair interweaves elements of punk rock, jazz, classical music, speed metal, grindcore, progressive rock, noise, …
The Harvest Years 1969 ~ 1974
This 5 Disc Set set covers the years Kevin Ayers was signed to the legendary Harvest label, 1969-1974. The albums included in this release: Joy of a toy (Released Nov 1969) debut solo album from Kevin Ayers, recorded at Abbey Road Studios, London. Was inspired by a gift from Jimi Hendrix – a Gibson J-200 guitar, which Hendrix presented to Ayers after Soft Machine supported The Jimi Hendrix Experience on a tour of the US. Amongst the bonus tracks is Singing a Song in the Morning which featur…
Last Whole Earth
RESTOCKED Asheville, North Carolina resident Ross Gentry performs and records under the guise of Villages. With dense layers and glacial droning, he creates engaging narrative soundscapes that evoke the shifting fragility of the early ambient movement as well as the elegance of symphonic composition. The Last Whole Earth is engagingly contemplative and meticulously well-crafted drone. With washes of guitar and synthesizer, subdued vocals, field recordings and minimal noise, Villages devise…
Sundowner
The first impression of Steve Gunn’s formal long-player debut is of a slight but varied trek through various current popular guitar modes. It has only six songs and doesn’t even break the 30-minute mark. His three experiments with songwriting come off well, but his singing is modest and his lyrics, while earnest and concise, seem a little too straightforward. For the instrumentals, he dips into drone, global string music, and Takoma-style Americana fingerpicking. So far, so familiar. But t…
1