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On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.
"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…
NoBusiness Records proudly presents Live at Charlie's Tap, a mesmerizing live album from the Bobby Naughton Trio that captures the raw, improvisational spirit of jazz in an intimate club setting. Recorded live at the renowned Charlie’s Tap, this release showcases the trio’s exceptional chemistry and profound musical dialogue. Bobby Naughton’s inventive vibraphone melodies intertwine seamlessly with the dynamic interplay of bass and drums, creating an immersive experience that transports listener…
Acclaimed jazz artists Lao Dan and Vasco Trilla join forces on New Species, an album that pushes the boundaries of modern jazz with inventive compositions and masterful improvisation. Blending elements of traditional jazz with contemporary influences, this collaboration offers a compelling journey through intricate melodies and dynamic rhythms.
New Species showcases Dan Lao’s versatility on saxophone and woodwinds, paired with Vasco Trilla’s innovative approach to drums. Together, they create a …
NoBusiness Records proudly presents You, Full Of Sources And Night, an evocative new album by Ziv Taubenfeld / Helena Espvall / João Sousa. This extraordinary collaboration unites three innovative musicians whose distinct voices converge into an intricate tapestry of sound. Ziv Taubenfeld’s masterful saxophone textures weave seamlessly with Helena Espvall’s haunting cello melodies and João Sousa’s immersive electroacoustic landscapes. Together, they craft a richly layered sonic journey that expl…
Music for an Imaginary Ballet is both a creative landmark and a musical diary of Arkady Gotesman long and rich career spanning over three decades. In 2023, Arkady presented his solo project of the same title. This chamber solo performance reflects his entire creative path, bearing the deep imprints of every colleague he has ever worked with, and embracing all the artistic directions that have shaped him.
In Music for an Imaginary Ballet, Arkady evokes not only reminiscences of his friends and co…
2025 stock ** "Russian-born percussionist Vladimir Tarasov is sort of the “old man” of jazz in Lithuania – he’s called Vilnius home since 1968, and achieved international renown as an improviser with the Ganelin Trio (1971-1986). In addition to work as a sound installation artist and solo percussionist, he has also worked with American composers like Anthony Braxton and drummer Andrew Cyrille. Thinking of Khlebnikov, a dedication to Russian Futurist poet Velimir Khlebnikov, is Tarasov’s first di…
American percussionist Jeff Arnal and German pianist-composer Dietrich Eichmann’s two-decade partnership fuses polyrhythmic structures and vibrant textures in dynamic, improvised soundscapes. "Tides of Unrest" captures their creative synergy in a 2023 session, blending innovation, tradition, and collaboration.
Recorded on March 14th, 2024 by Mikko Innanen in Hietsun Paviljonki, Helsinki
Maria Faust- alto saxophone
Mikko Innanen - alto, sopranino and baritone saxophones
Fredrik Ljungkvist - soprano and tenor saxophones
Liudas Mockūnas - sopranino, soprano and bass saxophones
Track 1 recorded May 21, 1976 at the Wildflowers festival
Track 2 recorded June 20, 1974
Jimmy Lyons - alto saxophone
Karen Borca - bassoon
Hayes Burnett - bass
Henry Letcher - drums
Syd Smart - drums
Recorded August 22, 1979 at Campagne Premiere, Paris, France
All compositions by Dave Burrell and Monica Larsson, unless otherwise noted
Dave Burrell - piano
Sam Woodyard - drums
Recorded on 8th September, 1993 at Café Amores in Hofu City, Yamaguchi, Japan
Motoharu Yoshizawa - homemade electric vertical five strings bass
Kim Dae Hwan - percussion
William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums
Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis
"Innervoice is perfection filled with beauty, power and grace of the celestial blues where the changes are happening all the time; the tonic is love; the seventh is the absence of war; peace is the melody redefined moment to moment; all are guided by the inner voice" - William Parker
Joining Attic Trio, pianist Eve Risser collaborates now with Rodrigo Amado on tenor, Goncalo Almeida on bass, and Onno Govaert on drums, contributing an additional dimension to their intricate soundscape. Risser exhibits a frequently variable tone on the piano, effectively complementing the soulful expressions of Amado's tenor. The horn is played in a manner that is often free yet consistently cohesive, which is further enhanced by Eve's more assertive passages on the keys. Bassist Almeida effec…
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…