★NoBusiness Records

This bundle brings together New Light and Incantations, the two sets that Sunny Murray, Arthur Doyle and Rasul Siddik played at Thelonious in Bordeaux on October 21st, 1999, never released before and now issued by NoBusiness Records. Murray is on drums, Doyle on tenor saxophone, flute and voice, Siddik on trumpet.New Light opens with a long trio improvisation and goes on with Doyle's African Express, Don Cherry's Complete Communion and a closing piece whose title is unknown. Incantations has thr…

This bundle brings together New Light and Incantations, the two sets that Sunny Murray, Arthur Doyle and Rasul Siddik played at Thelonious in Bordeaux on October 21st, 1999, never released before and now issued by NoBusiness Records. Murray is on drums, Doyle on tenor saxophone, flute and voice, Siddik on trumpet.New Light opens with a long trio improvisation and goes on with Doyle's African Express, Don Cherry's Complete Communion and a closing piece whose title is unknown. Incantations has thr…

NoBusiness Records is proud to announce the release of New Light, a previously issued live recording featuring three singular figures in the history of free jazz and improvised music: legendary drummer Sunny Murray, multi-instrumentalist Arthur Doyle, and trumpeter Rasul Siddik. Recorded live at Thelonious in Bordeaux, France, on October 21, 1999, New Light captures an intense and uncompromising meeting of three musicians whose work has consistently challenged convention while expanding the expr…

NoBusiness Records is proud to present Incantations, an extraordinary live recording featuring three uncompromising voices of free jazz and spontaneous composition: pioneering drummer Sunny Murray, visionary multi-instrumentalist Arthur Doyle, and the commanding trumpeter Rasul Siddik. Recorded at Thelonious in Bordeaux, France, on October 21, 1999, Incantations documents a volatile and deeply intuitive musical encounter. Across five performances, the trio creates a world of shifting rhythms, fr…

In Energy Center, Ed Hazell tells the essential story of Studio Rivbea, the Lower Manhattan loft where Sam Rivers and Bea Rivers made radical music possible on its own terms. Drawing on new research, photographs, posters and an unrivalled sessionography, the book restores 24 Bond Street as a home, school, rehearsal room and self-determined cultural engine.

NoBusiness Records proudly presents Rivbea Live! Series, Volume 5, a previously released live document capturing the remarkable creative energy of the Black Artists’ Group at Studio Rivbea in New York City on February 6, 1974. Featuring alto saxophonist and composer Julius Hemphill, trombonist Joseph Bowie, cellist Abdul Wadud, drummer Charles “Bobo” Shaw, and special guest violinist Raymond Lee Cheng, this essential archival recording offers an intense, searching encounter at the crossroads of …

On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.

On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.

On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.

On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.

NoBusiness Records proudly presents You, Full Of Sources And Night, an evocative new album by Ziv Taubenfeld / Helena Espvall / João Sousa. This extraordinary collaboration unites three innovative musicians whose distinct voices converge into an intricate tapestry of sound. Ziv Taubenfeld’s masterful saxophone textures weave seamlessly with Helena Espvall’s haunting cello melodies and João Sousa’s immersive electroacoustic landscapes. Together, they craft a richly layered sonic journey that expl…

"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…

Acclaimed jazz artists Lao Dan and Vasco Trilla join forces on New Species, an album that pushes the boundaries of modern jazz with inventive compositions and masterful improvisation. Blending elements of traditional jazz with contemporary influences, this collaboration offers a compelling journey through intricate melodies and dynamic rhythms. New Species showcases Dan Lao’s versatility on saxophone and woodwinds, paired with Vasco Trilla’s innovative approach to drums. Together, they create a …

Music for an Imaginary Ballet is both a creative landmark and a musical diary of Arkady Gotesman long and rich career spanning over three decades. In 2023, Arkady presented his solo project of the same title. This chamber solo performance reflects his entire creative path, bearing the deep imprints of every colleague he has ever worked with, and embracing all the artistic directions that have shaped him. In Music for an Imaginary Ballet, Arkady evokes not only reminiscences of his friends and co…

Recorded on March 14th, 2024 by Mikko Innanen in Hietsun Paviljonki, Helsinki Maria Faust- alto saxophone Mikko Innanen - alto, sopranino and baritone saxophones Fredrik Ljungkvist - soprano and tenor saxophones Liudas Mockūnas - sopranino, soprano and bass saxophones

Track 1 recorded May 21, 1976 at the Wildflowers festival Track 2 recorded June 20, 1974 Jimmy Lyons - alto saxophone Karen Borca - bassoon  Hayes Burnett - bass Henry Letcher - drums Syd Smart - drums

Recorded on 21st October, 2000 at Aoshima Hall, Shizuoka City, Japan Misha Mengelberg - pianoSabu Toyozumi - drums

American percussionist Jeff Arnal and German pianist-composer Dietrich Eichmann’s two-decade partnership fuses polyrhythmic structures and vibrant textures in dynamic, improvised soundscapes. "Tides of Unrest" captures their creative synergy in a 2023 session, blending innovation, tradition, and collaboration.

Recorded on 8th September, 1993 at Café Amores in Hofu City, Yamaguchi, Japan Motoharu Yoshizawa - homemade electric vertical five strings bass Kim Dae Hwan - percussion

Recorded August 22, 1979 at Campagne Premiere, Paris, France All compositions by Dave Burrell and Monica Larsson, unless otherwise noted Dave Burrell - piano Sam Woodyard - drums

Albert Beger - tenor saxophone, percussionZiv Taubenfeld - bass clarinet, percussionShay Hazan - guimbri, double bassHamid Drake - drums Tracks 1 and 4 recorded on the 10th of July, 2023 at Levontin 7, Tel AvivTracks 2 and 3 recorded on the 8th of July, 2023 at Kitcha Studios by Uri "Momo" BarakMixed by Mike Marciano at Systems Two Recording, New YorkMastered by Arūnas Zujus at MAMAstudiosPhotos by Aviad Fuchs

Karen Borca - bassoonRob Brown - alto saxophoneWilliam Parker - bassReggie Workman - bassTodd Nicholson - bassPaul Murphy - drumsSusie Ibarra - drumsNewman Taylor-Baker - drums Track 1-3 recorded May 25, 1998 at the 3rd annual Vision Festival, Angel Orensanz Centre, NYCTrack 4 recorded June 19, 2005 at Vision Festival X, Angel Orensanz Centre, NYCTracks 1-3 recorded and mixed by Alen Hadži-StefanovTrack 4 remastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Peter Gannushkin / D…

Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell

Peter Brötzmann - tenor saxophone, tarogatoToshinori Kondo - trumpet, electronicsSabu Toyozumi - drums Recorded live on October 2nd, 2016 at Roppongi Super Deluxe, Tokyo, Japan by Kunimitsu TsuburaiAll music by Peter Brötzmann, Toshinori Kondo and Sabu ToyozumiMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhotos by Moto UeharaCover art by Sabu Toyozumi

Derek Bailey - guitarSabu Toyozumi - drums Recorded live on November 2nd, 1987 at IMAI-Tei, Fukuoka City, Japan by Hidenobu EharaConcert produced by Masahiro TomiokaMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhoto by Yumi Mochizuki at Taruho Jazz, Yamato CityCover art by Sabu Toyozumi

"Innervoice is perfection filled with beauty, power and grace of the celestial blues where the changes are happening all the time; the tonic is love; the seventh is the absence of war; peace is the melody redefined moment to moment; all are guided by the inner voice" - William Parker

William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis

Joining Attic Trio, pianist Eve Risser collaborates now with Rodrigo Amado on tenor, Goncalo Almeida on bass, and Onno Govaert on drums, contributing an additional dimension to their intricate soundscape. Risser exhibits a frequently variable tone on the piano, effectively complementing the soulful expressions of Amado's tenor. The horn is played in a manner that is often free yet consistently cohesive, which is further enhanced by Eve's more assertive passages on the keys. Bassist Almeida effec…

An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…

1978 live recording of French quintet consisting of Jouk Minor on beritone sax and contrabass clarinet, Josef Traindl on trombone, Jean Querlier on alto sax, Christian Lété on drums and Dominique Regef on hurdy-gurdy

Live performance of Barry Altschul trio, featuring David Izenson on bass and Perry Robinson on clarinet. Recorded October 14, 1978 at 131 Prince St., New York, NY

Live performance of The Pyramid Trio, Roy Campbell on trumpet and flute, William Parker on bass and Zen Matsuura on drums. Recorded 21 February 1985 at The Joint, Usdan Student Center, Brandeis University, Waltham, MA. Special thanks to Roy’s sister Valerie Morris, who told us, “Roy spoke to me in a dream years ago and said, “It's all about the music.”

Live performance of two of the most important South Korean free music players Kim Dae Hwan on drums and Choi Sun Bae on trumpet.  Recorded live on 26th November, 1999 at Aspirante, Hofu City, Yamaguchi, Japan by Takeo Suetomi.

Stunning performance by tenor sax titan Peter Brotzmann and incredible drummer Sabu Toyozumi. Recorded live on December 4th, 1987 at OHM, Koiwa, Tokyo, Japan by Ohm Hirosh

* Edition of 300 numbered copies * The Sam Rivers Archive Series looks to be a beautiful physical manifestation of the love and respect that NoBusiness Record's Danas Mikailionis has for NYC loft era free jazz (we're working with PDFs and digital files but I, for one, have my copy on pre-order!). Over the years, NoBusiness has been dedicated to unearthing and releasing long-unheard music from a number of musicians (like Peter Kuhn, Billy Bang, Jameel Moondoc, among others) and quite notably, in …

2024 album on NoBusiness in an edition of 300 copies by two of the best contemporary free reed instruments players.

*300 copies limited edition*New release on NoBusiness from two of the best reed instruments' veterans. Mats Gustafsson – slide flute, flute, baritone sax and live electronicsLiudas Mockūnas – sopranino, soprano, reedless soprano, overtone, bass sax and contrabass clarinet

300 copies. Recorded on 11th April, 2007 at Park West Studio by Jim Clouse. The Ullmann/Swell Quartet is the latest format of Gebhard Ullmann and Steve Swell with bassist Hill Greene and legendary drummer Barry Altschul. This emotional and intense quartet was founded in 2004 and toured in the U.S. and Canada in the same year. in October and November of 2006 the Ullmann/Swell 4 performed in Europe for the first time and got raving reviews. More tours in the U.S. and Canada followed 2007 and 2008.…

* Edition of 300 copies * This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leadin…

300 copies. Mototeru Takagi (tenor saxophone) Kim Dae Hwan (percussion) Choi Sun Bae (trumpet). NoBusiness Records in cooperation with Japanese Chap-Chap Records has started a series of releases of unreleased concerts that took place in Japan in the 90s. Concerts were organised by big fans of free jazz and improvised music Takeo Suetomi and Sadamu Hisada. The idea of the series of the concerts was to arrange and record cooperative projects of American-European musicians with Asian musicians, as …