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"Rubbish Music embody the elevating and transformative action of imaginative involvement with discarded materials. In the process they give audible expression to our ability to resist pessimistic resignation and to realise creative redeployment. Long may they recycle!” — The Wire
Persistence of Sound presents the second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music. “As we go about our daily lives, malodorous monsters are const…
“Midsummer, London was composed with recordings taken on the Summer Solstice June 21, 2023, as I attempted to journey from one side of the city to the other along the Thames on this longest of days. The journey began in Loughborough Junction with stops at Clapham Junction, Staines, Shepperton, Hampton, Twickenham, Ravenscourt Park, Blackfriars, Deptford, Woolwich Dockyard and Slade Green.” - Kate Carr, 2024
An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment. The integration of art and technology was central to the investigation that focused on sound, space, time and the utility of outdoor areas. The ideas were tested in artistic creations, and during a three-year period Natasha Barrett created a series of site-specific, outdoor sound installations. These works …
Tip! The new record by The London Sound Survey, From Dusk Till Dawn, is a dramatic journey, sonically celebrating the cyclical continuity of materiality’s impermanence. From the start, the listener is carried away, entranced and ferried on sound waves along the coastal habitats of Lakenheath Fen, captured as perpetually playing a graceful dance of life and death.
Released posthumously on Persistence of Sound, this is possibly the last album by Ian Rawes, the founder, artist and archivist of The …
A composed soundscape created from sounds recorded on location at the Scottish Sculpture Workshop, Lumsden and the surrounding areas. Originally produced for SSW’s radio station Lumsden Live in 2021. This is a condensed, reworked version created specifically for this release. As well as the rural environment, recordings of various machines, equipment and processes from the workshop feature heavily. 'Performed' by Eden Jolly sound sources include the copper guillotine, furnaces, extractor fans, e…
Persistence of Sound presents a split LP from two leading voices in electroacoustic music. It would be hard to find a better-suited combination of contemporary acousmatica on one record. Beatriz Ferreyra and Natasha Barrett are known for their intense exploration of the movement of sounds through space. Ferreyra has been at the cutting edge of developments in acousmatic music and sound morphology since she joined Pierre Schaeffer’s small team of researchers in his tape experiments at the GRM P…
Can a music made with the modern tools of digital music and contemporary production sound eerily as if created with the same equipment that Stockhausen, Henri and Berio all availed themselves of in the radio studios of the '50s and '60s – and yet sound bright and fresh to the ears of today's listeners? Robert Worby shows us how, with "Factitious Airs". — Carl Stone
Two musique concrète symphonies of industrial sound, in which musical relationships emerge from sounds more often regarded as noise. All the sounds were recorded by Sounds of Changes, a pan-EU project capturing obsolete and endangered industrial and domestic sounds.
Thames presents diverse sound interactions along the River Thames that surprise with their musicality. As we travel from central London to the river’s furthest estuary, it feels like we’re travelling back in time. We hear the sounds of nature and industry in competition, from the pitched, quasi-musical sound of Tower Bridge lifting up, to the marsh frogs of Allhallows.
Beatriz Ferreyra has been at the forefront of electroacoustic music composition since 1963 when she joined the Groupe de Recherches Musicales as one of Pierre Schaeffer’s research assistants. She is one of very few composers still performing who was instrumental at the beginning of Schaeffer’s theories of sound objects and reduced listening techniques. She continues to compose commissioned works and perform around the world in a career that has spanned some sixty years.From the 1960s until 1997 …