★Sony

Reissue on double LP of 1996, Ryuichi Sakamoto's piano trio album revisiting his film themes, from Merry Christmas Mr Lawrence to The Sheltering Sky.

A double LP drawn from the Columbia recordings of Miles Davis with John Coltrane between 1955 and 1961, from So What to Someday My Prince Will Come, with Cannonball Adderley, Bill Evans, Wynton Kelly and Jimmy Cobb. First time on vinyl.

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, reissued as six CDs in individually designed minijackets with a 116-page book.

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, on vinyl for the first time outside Mosaic: nine LPs cut from the analog tapes, in a slipcase with a 60-page book.

In the autumn of 2022, knowing his time was running out, Ryuichi Sakamoto summoned every ounce of his remaining strength to give us one last, definitive performance. Opus is that performance - a solo piano concert capturing one of the world's greatest musicians in his most vulnerable and transcendent moment. Curated and sequenced by Sakamoto himself, the twenty pieces wordlessly tell the story of his life and his vast body of work. The selection spans his entire career: from his pop-star period …

Between 1970 and 1973 Soft Machine recorded five albums for CBS, and across those five records the band changed almost beyond recognition. Third still had Robert Wyatt singing on one side of it; by Seven there were no vocals, no Wyatt, no Elton Dean and no Hugh Hopper, and the group was playing a dense, written, riff-driven music that had more to do with Miles Davis's electric bands than with anything else coming out of England. This box follows that arc in detail. All five albums are here, rema…

** First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered, in a gatefold die-cut sleeve faithful to the 1973 original** Some records define an era. Io Sono Nato Libero is one of them - and perhaps, within the entire canon of Italian progressive rock, the one most resistant to any replica. December 1973. Banco del Mutuo Soccorso - the Rome-based group led by brothers Vittorio and Gianni Nocenzi, alongside vocalist Francesco Di Giacomo, guitarist Marcello Todaro, bass…

50th anniversary limited edition. First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered. His father was an American soldier from North Carolina who left Naples when James Senese was eighteen months old and never came back. What remained was a saxophone, a surname that didn't fit the neighbourhood, and two musical worlds that Italian society had no language to reconcile. Senese found that language himself - first in the soul and R&B of the Showmen in the 1960s, the…

Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…

Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.​

*Limited edition of 500 copies, handmade numbered edition.* Nearly half a century after its original release, Franco Battiato's seminal 1976 compilation Feed Back is receiving its first faithful vinyl reissue as a lavish double LP set. This collector's edition meticulously recreates the original release that captured the Sicilian maestro's radical early period, now presented on 180g marbled vinyl in a strictly limited numbered edition. Feed Back stands as a crucial bridge in Battiato's evolution…

Lou Reed's infamous Metal Machine Music returns for its 50th Anniversary. The most notorious album in rock history returns – Remastered, Revisited, and Still as Radical as Ever

Hegel by Lucio Battisti offers a boundary-pushing, introspective journey through philosophical concepts, poetic abstraction, and experimental electronics. Its eight tracks unfold with Panella’s cryptic lyrics, reflecting on beauty, identity, and the passage of time within meticulously programmed synth-pop arrangements. As Battisti’s final work, it stands as a compelling testament to the possibilities of Italian songwriting and sonic innovation.​

Cosa Succederà alla Ragazza by Lucio Battisti deepens the exploration of electronic sounds and playful, surreal wordplay from Panella. The album, centered around the mysterious figure of the “girl,” combines pulsating, synthesized arrangements with a cut-up poetic style, producing a work both hypnotic and elusive. Through eight tracks, Battisti turns pop into a puzzle, rewarding repeated, attentive listening.​

La Sposa Occidentale by Lucio Battisti marks a further evolution in his sound, with surreally poetic lyrics from Panella and a sonic palette that merges synth-pop and dance electronics. The album presents a concept around a female protagonist, while adopting minimalist visual cues—a white cover with a stylized drawing—and delivering tracks of subtle complexity and rhythmic invention. The result is a sophisticated and enigmatic work that expands the boundaries of Italian pop.​

L'Apparenza by Lucio Battisti marks a pivotal moment in his career, expanding on electronic and lyrical experimentation begun in his Panella phase. The album’s multilayered arrangements and poetic ambiguity invite listeners into an abstract space, where meaning slips between lines and melodic innovation comes to the fore. With tracks like A portata di mano and Lo scenario, Battisti tests the boundaries of Italian pop, offering an album that is as challenging as it is rewarding.​

Don Giovanni by Lucio Battisti redefines Italian pop with a distinctive synthesis of minimal electronic textures and enigmatic poetic imagery. With Panella’s elliptical lyrics foregrounded, the album resists straightforward interpretation, instead encouraging listeners to linger over its paradoxes and musical subtleties. Each track oscillates between melodic openness and experimental abstraction, weaving a soundscape that is both contemporary and timeless.​

Il Nostro Caro Angelo by Lucio Battisti is a crucial milestone marking the artist’s shift towards rock-oriented structures and deeper, more critical lyricism. The music is more electric, the arrangements more varied, as Battisti and Mogol probe the complexities of ideals and disillusionment, forging a sound that is both accessible and challenging. Each track acts as both confrontation and invitation, demanding listeners reassess inherited truths through fresh sonic and poetic codes.​

Umanamente Uomo: il Sogno by Lucio Battisti reinvents Italian pop with a poetic blend of nostalgia, emotional candor, and stylistic exploration. Mogol's lyrics navigate the complexities of memory, longing, and everyday struggles, set against Battisti's evolving sound, which balances melodic intimacy with touches of folk, progressive, and pop arrangements. These eight tracks, including enduring classics, reveal an artist at the peak of his expressive powers, fusing personal narrative with broader…

‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music. The album was conceived after a trip to Latin America and marks a clear break from previous production.

Released in 1971, it is Lucio Battisti's first album composed entirely of unreleased tracks. The record is a concept album that explores the concept of love seen from multiple angles. Among the musicians who participated in the recordings are members of the future Premiata Forneria Marconi.  Audio remastered at 24Bit/192kHz from the original tapes. White vinyl mix red 180 gr.

Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.

Girl Talk completes the "trilogy" of great records that started with Midnight Sugar and Misty, Girl Talk solidified Tsuyoshi Yamamoto's reputation as Japan's premier jazz pianist. Though he would continue to tour and record for Takeshi "Tee" Fujii more than a decade, Girl Talk became the pinnacle of his career. This trio of classic LPs together are a benchmark in Japanese jazz records in particular and recording engineering in general. As usual, master recordist Yoshihiko Kannari worked with Yam…

At the age of 14, Ayako Hosokawa was already performing in the American military clubs in Japan, picking up the English language by singing international pop songs of that time. Now, she represents feeling and soul within her songs, no matter whether she sings in English or Japanese. After her marriage, she moved to the United States and was discovered and sponsored by Earl "Fatha" Hines. She found enthusiastic fans touring San Francisco, Las Vegas, Montreal and lots of places in California, per…

Franco Battiato's wonderfully lively 1973 concept album Pollution is an audaciously psychedelic album drawn from the space rock dimension with good portions of electronics and keyboard layers. Drawing heavily on the VCS3 synthesizer, Battiato and company (besides himself, three backing band members play synth as well) give Pollution an extreme electronic edge. With comparisons to Ash Ra Tempel, Faust, and Pink Floyd, Pollution was declared 'genius' by Frank Zappa.

Franco Battiato moved into the 1970s on the crest of the progressive rock wave. This 1972 impossibly strange record inhabits that nether world of pop music, electronics, politics and experimental rock. Fetus is an album beyond all definition. It's a masterpiece of daring and wild risks that work every single time. Battiato takes us through eight uniquely super-detailed songs that tug at the heart strings as no other experimental record ever could."Fetus is an album beyond all definition. It's a …

Yellow vinyl / 180 grams, limited and numbered edition 300 copies. Following the tragic passing of the legendary Demetrio Stratos in 1979, the band Area wisely chose to forgo vocals (save for a few backing harmonies) on this album, as no one could ever replace the "maestro della voce". While this instrumental album may not push boundaries like its predecessors, it showcases a commendable blend of talent, with each musician shining brightly, particularly the remarkable bass work by Ares Tavolazzi…

"Barbara e Altri Carella" is the second studio album by Italian singer-songwriter Enzo Carella, originally released in 1979.

Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…

In the late 1970s, Ilona Staller aka Cicciolina’s started her parallel career in the music field. Here's the reissue of her first LP.

Tip! Three Blind Mice revitalized the Japanese jazz scene during the 1970s and 1980s. Its initial mission was to proactively produce albums of new musicians. Another goal was to expand its fan base, which was done by releasing albums of famous musicians. Through these efforts, TBM has greatly contributed to enriching the Japanese jazz scene. Tsuyoshi Yamamoto and Isao Suzuki were two of the leading figures who gained prominence by their works on TBM. Yamamoto quickly became a star in the Japanes…

*White vinyl repress* Mindblowing! The last album of what could be called Franco Battiato's "experimental prog" period, L'Egitto Prima Delle Sabbie consists of two sidelong compositions strictly arranged for piano only, without any vocals; and even more intriguingly, neither of the performers on the album are Battiato himself. He limited himself strictly to the roles of composer and producer. After Battiato's many different sonic explorations and efforts throughout the '70s, such an effort may s…

Temporary nicer price * 500 copies, numbered edition. Clear Splatter Vinyl * Area's second album takes its cues from the most serious side of early-'70s British progressive rock, particularly Soft Machine and King Crimson. There's a high-voltage, at times furious energy to the quasi-jazz-rock fusion, with keyboards showing some influence from Miles Davis fusion records, and the guitars wheeling off lines with a busy anxiety. Despite some sinister progressions and overlays of electronic squiggles…

* 500 copies, numbered edition. Clear Splatter Vinyl * Reissue of a 1978 LP out on Cramps Records. Demetrio Stratos's research into the field of phonetic and experimental poetry led to his freeing his voice every naturalistic restraint, restoring its depth and dimension. The result of this can be heard in the two recordings of his compositions "Metrodora" and "Cantare la Voce" where what sounds like an instrument is in fact his voice.

Temporary nicer price  * 500 copies, numbered edition. Clear Splatter Vinyl *  Originally released in 1975 on Cramps. This is Arti E Mestieri's second album. More dynamic and inspired than their debut title, The sound has not changed much in comparison to the previous album, but it is slightly less raw and vocals prevent from getting much focus on instrumental prowess. Arguably, there is less space for brass instrument and more vocalized sections. Drums are usually more aggressive and fast than …

* 500 copies, numbered edition. Remastered edition, Yellow vinyl * This is another absolutely essential Italian progressive gem from the '70's. "Storia Di Un Minuto" contains some of Premiata Forneria Marconi's finest moments and stands alone as perhaps their most notable release ever. This masterpiece is full of great songs and musicianship with some of the most memorable songs of the '70's.

Temporary nicer price 700 copies, numbered edition. Clear Splatter Vinyl * “Crac!” is Area’s third album, released in 1974 and one of the strongest in their revolutionary canon of political artfulness. The previous album had received some mixed opinions after the explosive debut; Crac!  is a departure in style from both of those two records—in a way, more compact and sleek if that is possible to think of with Area. In that aspect, this is the most “accessible” version of the band, and not surpri…

Temporary nicer price ** 500 copies, numbered edition. Clear Splatter Vinyl ** 1976 was a year of flux and change. For the recording of the fifth Area album, the core membership of Stratos, Fariselli, Tofani and Tavolazzi were present, but drummer Capiozzo only appears on about half of the album, replaced on various tracks by either Walter Calloni or Paul Lytton. Steve Lacy augments the band, as do several other studio musicians (including a string quartet). Perhaps it was the contributions of t…

Temporary nicer price * 500 copies, numbered edition. Clear Splatter Vinyl *Appearing as it did in 1973, Area's debut album must have sounded to the average Italian pop critics like the end of the world. Issued on the Cramps label, the album highlighted Area's early sound, which featured overt folk melodies, Canterbury Scene prog rock, acid psychedelia, and vanguard jazz all filtered through a particularly Italian sensibility. Those who came to love PFM later will not be able to handle the beaut…

* Clear Vinyl * Nice and quality reissue of shis Area's 7" was distributed in the left-winged movement/circuit, as the money from sales financed the legal costs of the trial against the Italian writer and anarchist Giovanni Marini, caught up in Italy's Strategy of Tension and unjustly convicted of the murder. The B-side, Citazione Da George L. Jackson is a strong denunciation against the inhumane conditions of prisoners and inspired by Soledad Brother: The Prison Letters of George Jackson, a com…