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The Last Temple vol. 1 - vinyl 9" EP (Yes! 9 inch! lathe cut, cut in real time by Uncle Gusstaff in Witold Gombrowicz Studio in Zielona Góra, Poland). The Last Temple is a live recording of this extraordinary trio at the Alchemia in Krakow on 16.03.2024.The Trzaska, Haker Flaten, Nilsen Love trio played a concert tour in Poland in March 2024. A combination of one of the most famous sections of the world's intuitive jazz (e.g. The Thing) and one of the most famous representatives of the domestic …
100 copies limited edition Finnish sound artist Juho Toivonen’s latest release, Taivaskanava, is an evocative exploration of sonic atmospheres and liminal spaces. Released on cassette by Grapefruit Records, this composition employs a sparse yet intimate palette—piano, acoustic guitar, tape loops, and ethereal vocals—to create a soundscape that feels at once deeply grounded in materiality and profoundly otherworldly. The title itself is rich with meaning, offering an interpretive framework throug…
Tip! *300 copies limited edition* ‘L’album vert’ is a compilation of asynchronous steps for an imaginary dance foor. A strange but amusing place were eyes listen in and ears peek around. Glass breaks, someone stumbles, something always happens. The dancers inevitably hop to moments of tension of which they free themselves again and again. Almost always there is some kind of beat. Not the kind of beat that makes the hips wiggle, but rather the pulse of a crooked factory or a quirky steam engine …
*80 copies limited edition* 'För alltid' is an album about time. The fuzzy & shapeless memories floating without coherence. Shortwave radio recordings picking up unbroken codes from the past. Hopeful voices whispering about a possible future from a hopeless now.
*100 copies limited edition* "'Inscriptions' is an album inspired by the melancholy romance of autumn, the reflection of leaves in the rippling surface of a lake, crumbling architectural facades, and faded ink scripts on parchment. The album began with a collection of environmental sounds I recorded in Tallinn, Estonia back in the autumn of 2011, during a residency at the Estonian Artists' Association. These field recordings focus in on the quiet, everyday sounds of streets, parks, a lake and a …
*50 hand-numbered copies* On the summer solstice of 2023, NEN, with joy and sorrow, presents a new recording by tremorkikimor, "a non-human fem ensemble from the nearest swamp", now scattered by Russian war against Ukraine across different countries. Word to the authoresses: ‘Russian expression “В лихую годину” (‘In a bad times’) is right about the chronotope of our album. A field recording with crows and a humming port on Kanonersky Island, essential for this recording, was made amidst the pand…
*50 hand-numbered copies* The voice from the box said, "What if the ultimate border situation between garbage and art is actually laughter? (...) The literal yoga of excrement (排泄物的瑜伽), a coprolitic essay on how we, as listeners, encounter 'objects of fear,' process them, and transform them into sound. It's 石头 in our ears."I said, "But 'for our purposes,' it seems to me that 'just a lonely voice' is needed."Onufr Gaptev said, "For those who take a vow of silence, any word is shit compared to the…
*100 copies limited edition* A successful example of a collaboration between critic/listener and musician, where existing artifacts acquire a new sound through their combination. This release is an essential tool in the musical arsenal of both a beginner, who is first diving into the depths of CON's structural electronics, and a mature fan of the patriarch of the Berlin school. Get your colorful entrance ticket to CON's Cosmos! Willkommen!
*100 copies limited edition* Like the entire series of 100 works showcasing the most notable viewpoints in CON's electronic space, 'Magie' is a unique facet that draws the listener into an unpredictable, sometimes frightening journey into the unknown that runs through rich, frequently changing soundscapes.
*150 copies limited edition* "[...]Ansgar Wilken uses an arsenal of sounds that is as simple as it is far-reaching, including objects and utensils whose inherent sounds sometimes sound almost computer-generated. Whether (or where and how what kind of) electronics are used is often difficult to determine, if only because the musician himself is somewhat electrified and can unexpectedly fall into machine rhythms while playing. Wilken's clapping opens up musical worlds in which, instead of virtuosi…
In collaboration with Edward R. Pressman Film Corporation, Music Box Records proudly follows their IFMCA award-winning release of Bernard Herrmann’s 1976 Oscar-nominated score for Obsession by now going back to his collaboration, one that relaunched his career as well as boldly announcing a new Master of Suspense. Almost forgotten when editor Paul Hirsch was inspired to use Psycho as temporary music, the resulting collaboration between him, filmmaker Brian De Palma and Herrmann showed just how m…
*2024 stock* The Wind (music by Scott Clark, lyrics by Laura Ann Singh/Scott Clark)Dawn & Dusk (music by Scott Clark, lyrics by Laura Ann Singh)Silent Singing (music and lyrics by Scott Clark)Above The Gray (music by Scott Clark)
Tracks 1-4 recorded August 16, 2021 and mixed at Minimum Wage Recording by Lance Koehler.Tracks 5-8 recorded live March 28, 2022 and mixed at Spacebomb Studio by Curtis Fye.Tracks 1-8 mastered at Minimum Wage Recording by Lance Koehler.Album art + design by TJ Huff (huf…
*2024 stock* Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender norms limit agency. Clamor utilizes a collective, improvisational vision that prioritizes an intentionally fluid style by employing indeterminacy, navigated by the performers via time-based scores. These principles are balanced with metered notation to shape the overall f…
** Edition of 300 copies, gold foil printed sleeve, includes 12-page booklet and 2 leporello inserts printed on translucent paper ** Since their founding during the early years of the new millennium, the Italian imprint, Holidays Records, has stood at the vanguard of forward-thinking sound, building a carefully curated catalog of releases that collectively build context and conversation across numerous avenues of exploration - contemporary and historical sitting side by side - within the wider f…
After quite a numerous series of reissues of classic albums, it's time for another real treat for fans of the Vidna Obmana. The compilation "Twilight Of Perception Redux Volume One 1990-1998" opens a collection of rare recordings, often unreleased before or scattered on various types of samplers, small formats, which are practically impossible to obtain today. Now these tracks have been collected in one place, rearranged, remastered and provided with a proper commentary by Dirk Serries. This col…
Andrew Barker - drums, percussion William Parker - bass, b flat pocket tuba, gralla Jon Irabagon - tenor saxophone, sopranino saxophone
Recorded by Andrew Barker January 3rd, 2022 at Phantom Ear Studio, Brooklyn, NY.Mixed by Andrew Barker.Mastered by Steve Silverstein.
Sweet World was recorded in the summer of 2023 in Brooklyn. It features a book of songs that my trio with drummer Nathan Ellman-Bell, and cellist Christopher Hoffman performed for a year or so leading up to the recording. I wrote most of these songs with Nathan and Chris in mind. I tried to bring my whole musical self to this project. I love so many kinds of music. Improvisation is central to everything I do. The written material for these pieces all fit on one or two pages and each of them crea…
What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…
The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…