We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
* Edition of 500 * ‘Infoldings’ combines synthesis and sinew in unpredictable, pointillist arrangements where Will Guthrie plays against patterns derived from Max MSP patches by Mark Fell. The album’s two tracks are in this sense different to the man-machine concept of Fell’s acclaimed ‘Intra’ album, where he triggered performances by Portugal’s Drumming Grupo De Percussão to play a metallophone designed by Iannis Xenakis. Here, the pair find common/contrasting purpose in a probing of rhythmic s…
* 22nd Anniversay Re-Mastered Reissue. Includes a bonus 7" and a download of the album * When you make a record that doesn’t conform, expect to divide opinion. ‘Like Weather’ was released in 1998, on Rephlex - run by Grant Wilson Claridge and Richard D James - an often great label that had a following that couldn't quite deal with electronic music made by a girl - let alone one that used vocals. Everything those lads couldn’t fathom about ‘Like Weather’ is essentially what makes it untouchable; …
In astounding gatefold sleeve, tip! Dick Hyman’s 1969 opus, The Age of Electronicus - a visionary, funky excursion into the vast potential presented by the newly developed Moog synthesizer - stands as a shining example of the post-war avant-garde’s infiltration of the popular realm. Awash with creative optimism about the role of progress, change, and technology in society at large, it’s one of those obscurities that’s long been championed by diggers across the world, but has never fully gotten i…
Born and rooted in the Newark Gospel scene, Linda Jones was a true and splendid soul sister active between 1963 and 1972 when she suddenly died too young of diabetes complications. Her strong gospel-influenced vocal style shines through the magnificent songs contained in Let It Be Me, her classic album originally released on Turbo Records in 1972. A powerful work full of love and deep soul vibrations.
Here's another unearthed gem from the late sixties American Jazzy Pop scene. Terri Rae was a quiet and yet creative girl from Ohio, and this is her first and definitive classic album. Backed from a fine orchestra arranged and directed by pianist Sammy Beskin, Rae's fresh voice interprets a superb selection of little known but excellent songs. The perfect record to bring the sunshine on a rainy day.
In continuing to expand our catalog of seminal reissues, Third Man Records is extremely proud to present the first authorized North American vinyl issue of Brazilian artist Caetano Veloso's iconic 1968 debut solo album. Caetano Veloso’s self-titled debut solo album is one of the most important and influential Brazilian (and, dare we say, South American) albums of all time. With the release of this seminal album, Veloso would become the leading voice of the Tropicália art movement, which took pl…
* 2020 stock * The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist. Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums.
His interes…
Lucky restock, few copies in. ** Edition of 80. Dead stock of some ultrarare original editions of four jazz/easy listening Piero Umiliani albums. Nearly impossible to find at reasonable prices, with this boxset you can get them all in a special and beautiful hand-screened box made especially for this occasion.** After the four previous sold-out volumes, we are glad to announce the “Piero Umiliani - Lost & Found Volume V: The Jazz Library Records”. Some gorgeous Jazzy tunes from the mighty Piero …
* Comes (randomly) in two different covers, one with Alan Vega, the other with Genesis Breyer P-Orridge * The first issue of Heartworm Press' (Cold Cave) new literary journal. Heartworm Press have invited 25 cultural figures from the 1960s to the present to each contribute four poems, from awarded poets who have been featured in The New Yorker and Paris Review, to works from lyricists of bands such as Throbbing Gristle, Suicide, Black Rebel Motorcycle Club, Cold Cave, Deafheaven, Daughters, Cer…
Low-frequency, high-impact events such as earthquakes and tsunamis are not preventable, three bodies in a room sonically engaging are even less so. Beresford’s architectural narrative drives Magaletti and Martino’s rhythmic interventions into compelling short stories about dancing, dressing in rags, dreaming, swallowing, flight, famine, transformation, and dystopias/utopias. Frequency Disasters are pianist, improviser and composer Steve Beresford, percussionist Valentina Magaletti and bass playe…
Four pieces for cello & electronics by Judith Hamann. The second of Another Timbre’s ‘quarantine commissions’, this was produced in lockdown from Covid-19 in spring 2020 on the island of Suomenlinna in Finland. "Since I started the project I have been thinking a lot about collapse as an idea, and it’s become a really important means of thinking with and through certain ideas and experiences. Collapse in the sense of this album refers to a buckling of structure, of multiple layers suddenly witho…
**Housed in top-lifting boxes with gold foil, poster and booklet** Robbie Basho (1940-1986) is widely regarded as one of the progenitors of what’s commonly known today as American Primitive guitar. Growing up in Maryland alongside neo-traditional guitar explorers John Fahey and Max Ochs, Basho’s path would take a decidedly different turn, bringing Hindi, Indian, Japanese and Native American musical traditions into his work. His albums for Takoma and Vanguard have left an indelible trail of influ…
* 2020 Repress * Flute, congas, bass, drums, guitar and clavinet; this unconventional arrangement of instruments intertwine to form the debut album by Badge Époque Ensemble - a group of creative improvisers assembled to perform new, largely instrumental compositions by Maximilian ‘Twig’ Turnbull (formerly Slim Twig). Badge employs an eclectic cast of characters from the Toronto underground music scene, whose combined experience would take pages to spell out. It includes stints accompanying songw…
NoBusiness presents Suite 10 Years Anniversary, a new set of recordings by Red Trio and Celebration Band recorded by Filipe Silva at Teatro Maria Matos on February 10th, 2018. Mixed by Rodrigo Pinheiro. Mastered by Arūnas Zujus at MAMAstudios. Booklet photos by Lais Pereira.
Red Trio:Rodrigo Pinheiro - pianoHernani Faustino - double bassGabriel Ferrandini - drums and percussion
Celebration Band:Sei Miguel - trumpet, Luís Vicente - trumpet, Fala Mariam - trombone, John Butcher - tenor and soprano…
NoBusiness presents Hokusai, a new set of recordings by Sabu Toyozumi and Mats Gustafsson, recorded live on 11th and 12th June, 2018 at Jazz Spot Candy, Chiba, Japan by Kunimitsu Tsuburai / 粒来国充. Concert produced by Miyoko Hayashi / 林美葉子Jazz Spot Candy. Mastered by Arūnas Zujus at MAMAstudios.
Sabu Toyozumi 豊住芳三郎 - drumsMats Gustafsson - baritone saxophone, fluteophone, flute
* 2020 Stock * "I am not investigating in the objective world, I am investigating sensitivity." This quotation of sound artist Felix Hess reveals a lot about his works of art: In his fragile-looking objects and installations he constructs detectors to register sound waves which we cannot perceive because they lie outside our range of hearing. How light changes into sound is just one of the questions the artist deals with in his art works. In another case, the calls of frogs in Australia, Mexico …
* Edition of 100. Housed in high quality folded card stock Silk Screened. * Spit-tested veterans of frontal-lobe extermination, Key of Shame’s Pat Murano (Decimus, NNCK) and Mark Morgan (Sightings) discharge focused algorithms of unease and decay in split-second intervals on their third LP, Threnody for Judas Iscariot. A sly codicil of dim textures and gestalt arpeggios, Judas Iscariot shudders itself open and stays gaping, bum notes skittering and splitting out of the electronic backwash like e…
The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity.
The publication brings together participating artists Tatiana Fiodorova, Octavio Camargo / Brandon LaBelle, the Sala-Manca Group, and Joulia Strauss, whose prac…
Drawing upon traditions of socially engaged poetics, Brandon LaBelle's The Other Citizen presents narratives of contemporary crisis and exclusionary politics—from American teenagers in the maze of neoliberal privatization to those caught between borders of nation-states—outlining the force of a planetary citizenry.
Brandon LaBelle is a musician, artist, writer, theorist, curator and editor (founder of Errant Bodies). His work is based on performance, sound installation, recording and use of foun…
Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.
Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What s…