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*2024 stock* The Brazilian composer, pianist and producer, Mário Castro Neves and his group, Samba S. A.'s self-titled album from 1967 is oozing with class. It possesses that archetypal 60's bossa nova, jazz, samba sound. We’d place it up there with Sergio Mendes at his finest, Tambo Trio or Milton Banana. It’s a breezy ride that touches on easy listening at times, but it holds it together with a cool swagger. Biba and Thaís Do Amaral's vocals are on point, with a relaxed delivery that complimen…
Prima traduzione integrale dell’originale tedesco, questo libro dal valore documentario e storico altissimo è uno dei testi più decisivi per comprendere le avanguardie artistiche del Secondo Novecento e in particolare la cosiddetta “Nuova musica”.Raccoglie i fondamentali testi scritti da Stockhausen sui suoi brani per strumenti tradizionali e per suoni elettronici tra il 1952 e il 1962. Sono gli articoli relativi al periodo di sua massima esplorazione musicale, legata in particolare a uno dei mo…
The Night Monitor deftly constructs an auditory labyrinth, intertwining layers of analog synthesis and spectral ambience. Drawing inspiration from the obscure landscapes of 1970s electronic experimentation and the spectral echoes of the BBC Radiophonic Workshop to create an immersive experience that resonates with the unknown. From the dissonant whispers to the pulsating rhythms, "Horror of the Hexham Heads" invites listeners to navigate the murky waters of the unexplained, delving deep into the…
Originally recorded and released in digital format only in 2020, It Would Be Giving Up is a set of ensemble pieces made with tape loops and analog instruments. Following a similar trajectory as that of Memory Repetitions and Future Predictions, this set pushes further beyond, continuing to utilize a wall-of-sound approach to mood construction, and reflections on complicated grief. Simultaneously, it is a further statement to intensify blurring of the lines between genres, with sound palettes def…
"New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of their seminal work Perspective in 1969, they've opened up new horizons in big band jazz with their cutting-edge sound. This work, Niou to Hato, is one such representative work of the new hard movement, which reached its zenith in 1972. Bandleader Kozaburo Yamaki was then in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: Japan, the nation in and of i…
*2024 repress* Since it's formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusion. This work i…
Having listened to this disk 20 or so times over the past week, I have been struck time and again by the gently naif quality of Dan Beckman-Moon's songwriting. I keep thinking of Neil Young's earliest solo tunes, particularly 'Sugar Mountain,' as a sort of spiritual touchstone, although truthfully the music doesn't really sound anything like that. Still, the emotional core of the material has a similar sweetness and simplicity, while managing to steer clear of mawkishness with a nimble delicacy …
Ashwin & Above is a collection of pieces composed and recorded between 2018 – 2022. For the most part it is a celebration of making music alone. Some of the pieces ended up celebrating friendship and took on new life in the context of group performances. I wouldn’t point to any unifying quality except to say I very much hope you enjoy the space, it is a lung full of turbulence and joy.’ - Adam Coney
‘I’ve been excited to get my hands on this LP and it hasn’t disappointed. I’ve played several tra…
** 180g opaque blue/pink vinyl record. Edition of 200. ** That liminal moment, when the phosphorescence behind the window shade first disrupts your eyelids, is a difficult one to pinpoint. Sometimes the earliest thought in your mind is a long-tail partial memory of those last few moments of a thousand-yard dream, sometimes it’s an irrepressible descending sigh as you anticipate what’s to follow, whether with apprehension or ardor. Centuries have passed in your unconscious absence; every frequenc…
Double LP version. Color vinyl. "Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band's story, Sonic Youth's The Walls Have Ears appeared/disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It's now issued for the first time officially under the band's auspices.""The '85 shows were the second time the band appeared on UK soil, Br…
Formed in 1992, Boris boldly explores their own vision of heavy music, where words like 'explosive' and 'thunderous' barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billowing smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. This is the highly-requested, unbelievably-anticipated official vinyl and streaming release of Boris's 2002 album and…
Ceremony ~ Buddha Meet Rock was originally released in 1971 by Japanese label Teichiku. This trippy album is a true meeting of East and West, combining Buddist chanting with psychedelic/progressive rock. Apparently even this re-issue is fast becoming scarce, get a copy while you can, you will certainly never hear anything like it.
"Hideo Shiraki, a key figure in Japanese jazz, left his mark with unique music and a strong presence. One of his standout works is Matsuri no Gensou, recorded in 1961. This incredible piece takes a Japanese melody and transforms it into a cool jazz style, making use of a special arrangement on the koto. The collection also features exciting tracks like 'Just One Or Eight' and the dynamic 'Cherokee, which proffers an amazing solo. Contributions from experts like Hidehiko Matsumoto and Yuzuru Sera…
"Okinawa-born tenor sax star Ryusei Tomoyose famously studied under Sadao Watanabe in Tokyo words the final part of the 190s. Once his studies were complete, he went home and decided to focus on teaching and nurturing young musicians, which he did for the rest of his life while also becoming a pioneer in the Okinawa jazz scene. This album which was originally released in 1979 is packed with his playing passion and is a legendary record into which he pours his whole heart and soul. It was recorde…
*2024 repress* Tsuyoshi Yamamoto Trio's new project is a reunion session with engineer Yoshihiko Kannari, who revolutionized the jazz sound as the exclusive engineer for the legendary Japanese jazz label Three Blind Mice in the 1970s!
*2024 repress* Tsuyoshi Yamamoto Trio's new project is a reunion session with engineer Yoshihiko Kannari, who revolutionized the jazz sound as the exclusive engineer for the legendary Japanese jazz label Three Blind Mice in the 1970s!
Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file. Through their individual practices, Taku Unami and Eric La Casa have contributed greatly to what we think about how we listen and practice sound and music, and often indirectly challenging where these two tightly linked categories might collide or overlap. Parazoan Mapping #2 continues their publ…
Full Spectrum welcomes the legendary guitarist and Japanese free improvisation heavyweight Taku Sugimoto into the fold for an album that we are absolutely honored to present as our first LP release of the new year – ’Since 2016.’