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Fonstret is a project of Stockholm’s Edition Festival for Other Music focused on publishing new works and surfacing material from the festival’s archives.
Book sewn with open spine. 170 x 239mm. 192pp. 1+1 Pantone 546C, 120 gsm offset paper inside, 300 gsm offset paper covers.
Text by:
Johan Arrias, Elsa Bergman, Nadine Byrne, Erik Carlsson, Scott Cazan, Jon Collin, Mats Dimming,Niklas Fite, Marta Forsberg, Joel Grip, Mats Gustafsson, Carl Michael von Hausswolff, Isak Hedtjärn, Karin Hellqvist, …
This book, a comprehensive, annotated, discography, discusses the great British trumpeter Ian Carr’s recorded works and includes up to the minute additions to the Carr canon. It is the most complete discographical text on the works of Ian Carr. The discography is divided into 2 parts with archival releases being covered in the second part. Three appendices detail Carr’s appearances in the Melody Maker jazz polls, biographies either by or about him, and finally details of Ian’s miscellaneous medi…
Focus on the question of the economic and cultural value of music, which has re-emerged with the advent of streaming platforms.
Volume! The French journal of popular music studies is the only peer-reviewed academic journal dedicated to the study of contemporary popular music. It is published biannually by the Editions Mélanie Seteun, a publishing association specialized in popular music. The journal is in French with some non-translated articles in English. Volume! was established in 2002 under …
This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.When ethnomusicology tackles music that is produced in recording studios in both the North and the South, when queer performances venture into Asturian folklore, when bureaucracies produce world music, when raggadub and punk from Marseille are observed from the radios, restaurants and streets they have stemmed from, when Mandingo music is analyzed as a mai…
* 2024 stock * Dieter Roth & Dorothy Iannone – an unusual lovers’ and artists’ relationship that began in June 1967, when the couple first met in Iceland, and which remained a lifelong friendship even after their separation in 1974. This book presents a comprehensive overview of their artistic activities and brings the dialogue between their works to light.
In all those years, Dieter Roth wrote postcards to his lover and companion, his “Lioness”, which accompany their relationship with a voice …
*300 copies limited edition* Wolf Eyes presents "Droll Box," a 3CD box set accompanied by a booklet. This expansive collection resurrects a decaying wave of the Droll series on American Tapes, meticulously restored from the original cassettes recorded between winter and fall 2001. Experience the raw audio skeletons of Wolf Eyes' early basement maneuvers, showcasing their classic and intricately woven styles.
The set features a full-color box and a 16-page booklet, both vividly bringing to life t…
“He said ‘who the fuck are you?” so I said, “I’m the bass player”. And all he said was “Well, we’ll see about that, won’t we?” When Tubby Hayes arrived at the Hopbine, Wembley’s popular jazz pub, one evening in the spring of 1965, his career was in a state of flux; still topping polls and casting an impressive shadow over the British jazz scene, he nevertheless remained frustrated. The elongated free-flights of John Coltrane and Sonny Rollins now held his fascination and although actively search…
French filmmaker Agnès Varda was a trailblazer who broke new artistic and cinematic ground for nearly seven decades. Although closely associated with the French New Wave, Varda established her groundbreaking visual style in her 1955 debut film La Pointe Courte, well before other milestones such as François Truffaut’s The 400 Blows and Jean-Luc Godard’s Breathless. Varda impacted cinema from her first feature film through her final works, with an expansive oeuvre that includes Cleo from 5 to 7 (1…
A new piece by minimalist / experimental composer Phill Niblock (1933 - 2024), co-composed and performed by Anna Clementi & Thomas Stern. Intense, menacing layers of thick drones and alien sounds.
Sketchbook, September 1977 is an early journal by Greer Lankton written during her time as an art student at the School of the Art Institute of Chicago. It offers key insights into the artist’s mind before her move to New York in 1978, where she would go on to have a prolific career making lifelike dolls, theatrical sets, photographs, drawings, and paintings.
Containing drawings, behavioral diagrams, and occasionally confessional writing, the journal is a record of imagining the body and mind re…
*2024 stock* Pianist, composer and sound artist Hans Otte is still undervalued in Europe, and the Anglo-American cultural scene just starts to notice him. Ingo Ahmel's bilingual study of his biography and artistic work highlights Otte’s view of life and his aesthetical orientation, providing the fundamentals for an adequate reception. At the centre of the book are the solo piano cycles Das Buch der Klänge (The Book of Sounds, 1979-82) and Stundenbuch (Hours Book, 1991-98) as well as the related …
“It was only with Partch that a music began to take shape that could do equal justice to the physical desire for rhythmic pulse and a curiosity for new, unheard sounds; a music that enthralls us despite, or rather, precisely because of its unfamiliarity. A music for which we have no category, and which has no location, and yet in a strange way is grounded.” – Heiner Goebbels
The American composer Harry Partch (1901-1974) is considered a pioneer of the Just Intonation movement and was far ahead o…
*2024 stock* Recorded live at the Donaueschingen Music Festival on October 17, 1971, Actions features a truly mind-bending confluence of musicians of the avant-garde, in the broadest sense of the term. Don Cherry -- the brilliant American free jazz trumpeter -- had recently expatriated to Sweden and was finding his way not only among the emerging free-jazz scene of Europe but also within his own constantly expanding musical palette that had begun to incorporate elements of African rhythms, Turki…
*2024 stock* Produced in 1974 by Joachim-Ernst Berendt, this synthesis of Hermann Hesse’s writing with Peter Michael Hamel’s music, of spirituality and art, of sitar and church organ, of meditative sounds and jazz rhythms, of silence and passion remains unique today and in the meanwhile it has obtained a legendary reputation. Further releases of the formation Between from the 1970s are re-released as cds on the Intuition label: "Einstieg - Re-Entry", "And the Waters Opened", "Silence Beyond Time…
*2024 stock* At the end of the 1960s, a group of excellent musicians formed in Germany that soon attracted the attention of the music world. They all not only came from different countries of the world, but also had different musical backgrounds: musicians from the Berlin Philharmonic played with musicians from Africa, South America, Asia. They came together to compose and improvise together. What happened musically was (according to a German expression) "between all stools", hence the group cal…
*2024 stock* “Between stood and still stands for the simultaneity of things that are really mutually exclusive” (Peter Michael Hamel, 2005). “Originally we wanted to call the project B.A.C.H.,” Peter Michael Hamel re-calls, when, in 1970, they were looking for the most unusual name possible for a extremely unusual formation. “Naturally we chose in it in part in allusion to the immortal baroque composer of that name, but above all the letters stood for “Between All Chairs.” That’s exactly how we …
For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works.
Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
*2024 stock* Live recording of the piano recital for the eightieth birthday of composer Hans Otte that Philipp Vandré and Elmar Schrammel presented at the Akademie Schloss Solitude in Stuttgart. A selection of John Cage's "Sonatas and Interludes" for prepared piano was interwoven with selections from Hans Otte's piano cycles "Das Buch der Klänge" (The book of sounds) and "Stundenbuch" (Book of hours). This concert experiment, conceived by Ingo Ahmels, paid quiet homage to the "beautiful piano so…