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There is no figure in Italian music, nor within the country’s shimmering, expansive avant-garde, who demands the respect and awe offered to Franco Battiato. He is the beginning and the end. An artist whose output, stretching across six decades, is so diverse and singular, that it defies any concrete definition - darting from psychedelic Prog, definitive gestures in the history of Minimalism, to the heights of explicit Pop. Like many of his contemporaries, Battiato’s journey toward avant-garde an…
This book looks at the work of Austrian avant-garde artist Hermann Nitsch, particularly his ritualistic and existential “public aktionen” under the Orgies Mysterien Theater. Presented through the documentation of these events as they were recorded (scored, directed, written down, photographed, published, and reported), this archiving method explores Nitsch’s performative practice, both in terms of how the performance is organised and by what means the organisation is effected by the original and…
This year has been an incredible period for avant-garde, Minimalist, New Age, ambient, and electronic reissues. One after another, many of the most coveted and rare LPs from these movements have emerged from the shadows. While each of these movements had a tendency to avoid easy categorization, the reissue market has largely veered toward those whose location can be easily understood, offering less attention to those members whose work fell into the spaces between. With their fourth release sinc…
“Dream” is a musical journey through the sound of the electric guitar in American concert music, based on sonic research and on the simplicity and beauty of the electric guitar timbre and colors.Sorrentino’s transcription of Dream by John Cage opens the program. This version demonstrates the pure beauty of the electric guitar’s clean sound with only the addition of light reverb. This is the first CD release for the lost electric guitar composition by Morton Feldman, The Possibility of a New Work…
Incredible lost recordings by Philip Glass from 1975, released at ORTF Sextet at La Maison de la Radio, Paris. The sextet is comprised of a stellar cast of musicians with Philip Glass, Jon Gibson, Dickie Landry, Michael Riesman, Joan La Barbara and Richard Peck. Music in Twelve Parts is a set of twelve pieces written between 1971 and 1974. This performance in France includes part 1, 2, 3, 11 and 12 on a double LP.Also included a very rare Philip Glass interview from 1974 in his NYC loft during t…
Subtitled "Music for Native Peruvian Instruments and Magnetophonic Tape (1978)" this is a wonderful collection of pieces composed between 1976 & 1978 at the Royal College's EMS by Peruvian composer Arturo Ruiz del Pozo. Ranging from extended tape-loop meditations to application of mystical folk instrumentation & enharmonic percussion sonorities, this is an incredibly eye-opening survey of the work of a composer of whose work I was completely unfamiliar prior to this issue.Like many countries in …
For a label that wasn't around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn't know the names on the outside of the cover. "Don't Look Back" is an album led by American saxophonist Harold Vick recorded in 1974 and released in the wake of Harold Vick's recovery from a heart attack, which may partially explain the passion with which he …
Starting with an artist residency Tasos Stamou visited the Greek island over the course of three summers, collecting field recordings, performing with local musicians, producing electronic compositions and gathering old records and tapes of traditional music of the region. The project resulted in the assembling of a unique sound collage which reflects his personal experience as a music visitor to this part of the Mediterranean. Tasos Stamou is an electroacoustic music composer, performer, altern…
"By the time you read this Jerome Noetinger is no longer the boss/face/director of Metamkine, the French mail-order for all sorts of unusual music, music along the lines of what we write about, in case you might be wondering where to purchase any (http://www.metamkine.com/ and no we don’t get paid for this ad). After many years of making parcels Noetinger and his pals decided it was time for a new face (say hello to Franck Laplaine) and now Noetinger can work more on his music. His work has been…
Populäre Mechanik is an improvisational group from Berlin playing a unique amalgam of Fluxus-inspired garage rock, free jazz, and live electronics. It was originally founded in the early 1980s by Wolfgang Seidel who had previously been the original drummer for West-Berlin leftist rock band Ton Steine Scherben and after that became a long-time collaborator of Conrad Schnitzler with whom he played in Kluster and Eruption, as well as in duo recordings. Recently, Seidel emerged as an author and has …
** Edition of 300 copies ** Istanbul based multi-instrumentalist Umut Çağlar founded the Turkish free jazz band Konstrukt at the beginning of 2008. Since then the band went through many line-up changes and collaborated with with the likes of Peter Brötzmann, Joe McPhee, William Parker and Keiji Haino, continuosly evolving its sound. The band is currently formed by Çağlar, Korhan Futacı, Apostolos Sideris, Erdem Göymen and Berkan Tilavel and this EP - recorded at Hayyam Studio in Istanbul in 2017…
Few albums define a genre as succinctly as Simon Finn’s Pass The Distance does for psychedelic folk. Not even landmark recordings by Pearls Before Swine or Skip Spence can stand up to the sheer madness of Finn’s sole LP, originally released in 1970. After moving to London in 1967, Finn busked around town for a couple years before entering Camden’s Chalk Farm Studios, best known for producing a string of reggae hits. Pass The Distance, however, would become more than a solo-acoustic project. Back…
Souffle Continu presents a reissue of Nu Creative Methods' Nu Jungle Dances, originally released in 1978. When the second Nu Creative Methods album was released, New And Rediscovered Musical Instruments (1975) by Max Eastley and David Toop had already been available for almost three years. Without being able to say that there was a direct, real-time influence, the direction taken by the British and French duos was however the same, combining research and tradition in a quest for a new imaginary …
Last Copies ** Limited Edition of 200 copies. This is the first album in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** Working with his own, specially crafted electronic instruments, Hugh Davies generates soundscapes that are at times whimsical, ritualistic and profoundly playful. Shozyg, a performance and improvisational instrument, first created in 1968, consists of fretsa…
Though frequently overshadowed by his contemporary and Takoma Records labelmate John Fahey, the compositions and performances of Daniel R. Robinson Jr., best known by the stage name Robbie Basho, were integral in the development of the American primitive guitar style. Along with Fahey, and songwriter/composers such as Max Ochs, Leo Kottke, and others, Basho helped bring to the masses the distinct form of guitar finger-picking, which blended folk and country-blues with neo-classical composition t…
**Unreleased recordings: 2001 – 2004. Includes 8-page 9″x9″ booklet. Edition of 300** The Ivytree, as some may know, is the project of San Franciscan musician Glenn Donaldson. In the early 2000s Glenn was a founder of the Jewelled Antler Collective, forming such projects as The Blithe Sons, Thuja, and The Skygreen Leopards, among many others. The range of projects he is associated with all beautifully web together. Between 2001 and 2005 Donaldson published a handful of discs under the names The …
Edition of 200. An immersion into Classics. That kind of Classics which holds in his pantheon Pierre Henri and Pierre Schaeffer, even though I should maybe refer to Michel Chion, given the powerful dramatic intensity displayed by these two compositions.Mario De Vega has once again proved himself a master at mixing in his works all of the elements that make me love electro-acoustic music so much. The unpredictability of the sound sources, some sort of spectral musicality, and the sudden Moves; th…
Garrett List’s work for Opus One, in 1972, was a remarkable creative effort, conceived like a celebration of a higher self-consciousness. The context is avant-garde minimalism, but the music is enriched by a deep spiritualism; it echoes the most meditative jazz of the age, taking also advantage from the mystic lesson of La Monte Young. Everything is solved in a free, moderate and brilliant language, pure and elegant. It’s quintessential, in these rare moments of beauty, the instrumentation of th…
Esa Kotilainen’s Ajatuslapsi was a very moderate success at the time of its release in 1977 (on Love Records label, also responsible for the Sperm releases), but over the years its cult status has become immense. Svart Records presents the first ever vinyl reissue, with the mastering and cutting of the lathe supervised by Kotilainen himself. Ajatuslapsi is quite a magical record. One of the first ambient synthesizer records ever in Finland, it is quite unlike much of the similar stuff produced e…
CD Edition. A few months after the foundation of Can, Holger Czukay recorded his first solo album ‘Canaxis’, in conjunction with producer/engineer Rolf Dammers, this album was assembled from thousands of snippets recorded from short wave radio, a long standing obsession of Czukay's which he also incorporated into some of Can's later albums. A refugee during the Second World War, Holger Czukay famously studied with Karlheinz Stockhausen in the early ‘60s. That direct exposure to the challenging a…