Sunday Selection
Solaris Original Soundtrack
When Andrey Tarkovsky's Solaris premiered at Cannes in 1972, winning the Grand Prix Spécial du Jury, it announced a new cinematic language where sound was as essential as image. The collaboration between Tarkovsky and composer Edward Artemiev created what film critic Phillip Lopate would later call a work that belongs to that handful of filmmakers who created a universe. Roger Ebert described it as a thoughtful, deep, sensitive movie that uses the freedom of science fiction to examine human natu…
My Home is Your Home (Book)
Catalog published in conjunction with Construction in Process IV - The Artist Museum, Łódź, Poland and Stadsgalerij Heerlen, Netherlands, 1993/1994. This publication documents the fourth edition of the legendary international art project Construction in Process, organized under the evocative title My Home is Your Home. The exhibition brought together an extraordinary constellation of international artists working at the intersection of installation, sound art, and experimental music.
Featured ar…
Takamasa Kuniyasu (Postcards Set)
Set of 6 postcards by Takamasa Kuniyasu, published by Het Apollohuis in 1992. The Japanese artist, born in 1957, is internationally renowned for his monumental-scale wood and ceramic brick installations that explore the relationship between nature, construction, and traditional Japanese aesthetics. Kuniyasu has exhibited at prestigious institutions including Los Angeles County Museum of Art, National Gallery of Canada, and Museum of Contemporary Art Chicago. His work addresses the concept of "Re…
1995-2001 Exhibitions Concerts Performances Installations Lectures Publications
This book surveys the final six years of Het Apollohuis, the alternative art space founded by artists Paul and Hélène Panhuysen in 1980 in Eindhoven, Netherlands. The rarest volume in the series - printed in only 500 copies, compared to the 1000-1500 print runs of the previous volumes. Housed in a former cigarette factory, Het Apollohuis produced exhibitions, concerts, installations, lectures, and publications concerned with experimental, interdisciplinary, and interactive art. Much of the work …
Byzantium
Byzantium by Byzantium navigates the lush crossroads between British psychedelia, progressive folk, and classic rock. Released in 1972, the band’s sophomore LP intertwines ringing acoustic guitars, harmony-laden choruses, and searching, poetic lyricism—a cult artifact, shrouded in rich three-part singing and midnight-stained atmosphere.
First Meeting
British septet Trifle’s lone album, First Meeting, fuses jazz-rock complexity, strutting brass, and progressive soul. Recorded in 1971, this overlooked debut teems with inventive horn arrangements, funk-tinged grooves, and a touch of psychedelia, marking the group’s only but potent contribution to the early ‘70s brass-rock canon.
1990-1995 Exhibitions Concerts Performances Installations Lectures Publications
1990-1995 Exhibitions Concerts Performances Installations Lectures Publications Het Apollohuis. 152 page A4 size book with photos and comprehensive documentation of all exhibitions, concerts, performances, installations and lectures that took place between 1990 and 1995. Essential archive of one of Europe's most significant experimental venues. David Behrman, Merzbow, Keiji Haino, Terry Fox, Phill Niblock, Noise-Maker's Fifes, Joe Jones, Jim O'Rourke, Rhys Chatham and many more extraordinary art…
Commenti Musicali: Thrilling vol.2
Commenti Musicali: Thrilling Vol.2 presents a mosaic of Italian library music at its most eccentric: electronic soundscapes, krautrock inflections, and ambient dread. The compilation unearths rare, atmospheric pieces from the early 1980s, conjuring wired tension and spectral cinematic drama from the Contempo vaults.
Sound
Sound by Paolo Ferrara draws from the golden era of Italian library music, channeling bossa rhythms, acid funk, and pulsing psychedelia. This 1974 canvas is at once cinematic and percussive, prizing rare groove and inventive arrangements that ripple with time-warped energy.
The Enlightenment Machine
2025 stock A nun in Berlin seeking enlightenment. Khan as a male hustler on “1-900 Get-Khan” (Matador) including his own phone sex line. Khan the torch singer Gothic Bunny on “Who Never Rests” (Tomlab), as the “Last Standing Disco Band” with Captain Comatose (Playhouse), once around the planet and off into space, and now as the bearded big city nun on Album Label. The songs on “The Enlightenment Machine” tell small tales of ethics gone astray, interchanged sexes and cheap pearls of wisdom that s…
Dream Is Murder
2025 stock Some people say it’s the hope that kills you, but statistically dreams are responsible for a lot more casualties. The second album from the Icelandic supergroup not only acknowledges this, but celebrates it. To dream is to slowly digest oneself from the inside.
In January 2021 the team was reunited and have since been writing, recording and releasing a new song each last Friday of the month, much like they did in 2018. »Dream is Murder« is the result – a collection of all twelve song…
Holiday For Soul Dance
Holiday For Soul Dance finds Sun Ra Arkestra at its most approachable, trading cosmic chaos for spirited reinvention of jazz standards recorded in Chicago, 1960. Even as familiar melodies pulse through the session, Ra and his ensemble infuse each note with irrepressible eccentricity, blurring nostalgia and space-age wit.
Mingus Plays Piano
In Mingus Plays Piano, Charles Mingus swaps the thunder of his double bass for distilled lyricism at the keyboard. Recorded in 1964, this rare solo album uncovers a private Mingus, weaving spontaneous meditations and bittersweet standards into a living, breathing portrait of creative solitude.
Fate In A Pleasant Mood
Fate In A Pleasant Mood showcases Sun Ra and his Myth Science Arkestra at a turning point, merging big band swing with celestial avant-garde impulses. Recorded in 1960 Chicago and released in 1965, this concise, mystical set captures Ra’s fascination with outer space and metaphysical abstraction through poetic miniatures and crystalline ensemble interplay.
Condizione Umana
A long-lost gem of Italian library music, Condizione Umana by Rino De Filippi is a hypnotic journey through jazzy sketches, intimate atmospheres, and avant-garde experimentation. Reissued on vinyl after decades in obscurity, this visionary 1972 album invites listeners to explore deep grooves, primal percussion, and the boundless creativity of Italy’s golden age of soundtracks.
Black Saint
The Italian jazz label Black Saint was launched with Harper's 1975 album, Black Saint, making this not just a remarkable recording but a foundational document in European jazz history. Recorded July 21-22, 1975 at Barclay Studios, Paris, this album announced the arrival of one of the most powerful voices in post-Coltrane jazz. Billy Harper had already proven himself in the crucible of jazz's most demanding ensembles. He served with Art Blakey's Messengers for two years (1968-1970); played with t…
Deep Feeling
From the verdant landscapes of Gravesend, Kent, emerged one of British progressive rock's most enigmatic treasures. Deep Feeling's solitary 1971 statement on DJM Records represents a fascinating metamorphosis: the transformation of The Guy Darrell Syndicate, a soul-infused pop outfit, into something far more adventurous and sublime.
When John Swail (the artist formerly known as Guy Darrell) shed his stage persona and joined forces with Martin Jenner (guitar, vocals), David Green (bass, flute, vo…
America Amore Amaro
America Amore Amaro unites Remigio Ducros and Luciano Simoncini in a vibrant 1977 odyssey where Italian library-funk meets cinematic daydream. Through swirling flutes, scorching horns, and groove-heavy rhythms, their album refracts American culture with bold, experimental flair rooted in the golden age of Italian soundtrack artistry.
Ruba al prossimo tuo
With Ruba al prossimo tuo, Ennio Morricone conjures a monothematic soundtrack dazzling in orchestral nuance. Written for Francesco Maselli’s 1968 thriller, Morricone fuses sultry atmospherics, rhythmic intrigue, and shimmering melody, crafting a score that subverts and deepens the film’s playful duplicities.
Radio Experiment Rome, February 1981
In Radio Experiment Rome, February 1981, Robert Wyatt dismantles the barriers of song structure in a playful, vulnerable encounter with live radio. Captured in RAI’s studios, this session documents his real-time creative process as fragments of melody, vocal improvisation, and tape trickery mingle in a tapestry of radical intimacy.