Sunday Selection
Live At Kongsberg Jazz 1971
Edition of 250 * Following up on the legendary Club7 album from 1971 by this same group, here is a Webster Lewis Quintet's live recording made in August that same year at Kongsberg jazz festival in Norway. This Quintet from Boston plays a strong sense of seventies American groove-laden jazz but with a raw soulful rhythm and blues approach that is completely unique! Captured on tape in Norway at the time the band was there with George Russel, a few months after the legendary Club7 recordings. Her…
The Archives Part 1 (1968-1980) - 11xCd Box
Founded in 1968, The Maciunas Ensemble took Fluxus founder George Maciunas (1931-1978) score Music for everyman (1961) as an invitation to explore the infinite space of sound patterns and musical structures. This exploration still continues after more than forty years. With Paul Panhuysen, Remko Scha, Jan van Riet, Leon van Noorden, Hans Schuurman, Helena Koning, Vincent Panhuysen. Since its foundation in 1968 the musicians of the Maciunas Ensemble always recorded their music with tape recorder,…
Wayfinding
Wayfinding is Christopher Bissonnette's sixth solo studio release and his first, of hopefully many, for 12k. The album embodies an evolution of Bissonnette's work, moving from an exclusively synth-based series of explorations to an amalgam of electronics and acoustic methods. Each track seeks to find grandeur on a diminutive scale. Bissonnette's focus has shifted from sweeping pastoral drones to introspective passages with delicate melody and elusive harmonies interlaced with studio and field re…
Black Mass
The year is 1971 and Mort Garson - already prolific in the emerging world of Moog synthesis through his zodiac series and the gentler Mother Earth's Plantasia - decides to peer into darker territories. Under the singular moniker Lucifer, he releases Black Mass, an album that remains his most unsettling and focused work.
This is occult electronics before the term had any real meaning. Ten pieces exploring supernatural phenomena through purely synthetic means - the Moog interpreting exorcism, witc…
Music from Patch Cord Productions
Mort Garson's road to the sublimity of Plantasia meant a decades-long journey through an underworld of sophisticated, international, string-laced arrangements - over a thousand writing, conducting, and arranging credits - to arrive at this set of queasy-listening revelations. A Canadian-born composer, arranger, songwriter, and pioneer of electronic music who worked until his death in 2008, Garson's knack was to exist in both worlds: super-commercial and way out. Via his wizardry, the synthesizer…
Didn't You Hear?
Six years before the release of his landmark Mother Earth's Plantasia, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. This stands as one of the first-ever all-electronic movie score…
Wounds
Wounds captures David Toop and Paul Burwell at their most relentlessly inventive, distilling the London Musicians Collective’s radical energy into tactile, improvised sound rituals. Edited from a single 1979 performance, it’s a landmark of British experimental music: two artists in conversation with objects, timbre, and the primal roots of musical creation.
Strategic Structures
Strategic Structures unites Kat Epple, Bob Stohl, and Robert Rauschenberg in a 1989 suite where metallic sculptures and lush electronics intertwine. The album’s twenty-nine-minute arc traverses foreboding and angelic timbres, forging a resonant dialogue between new age ambience and avant-garde architectural sound.
Kenosis
300 copies. The result of a long period of study and retirement in a house in the Bologna countryside in the first three months of 2018, Kenosis renews the meeting between Stefano Pilia and Massimo Pupillo (already together on several tours of ZU and in the Zu93 project, together with David Tibet). A Greek word of Gnostic derivation (literally meaning "emptying"), Kenosis is the result of a process of composition that saw the two musicians move away from their usual writing methods and from the …
Textum Web
**rare original** Terry Fox’s Textum Web artist book of mixed-media drawings and constructions about phrases taken from the folk poetry of tabloid headlines with messages in braille and morse code. 54 p.: ill.; 30 cm.
Commenti Musicali: Spaziali vol.2
In Commenti Musicali: Spaziali 2, Alfaluna heightens the cosmic drama of analog Italian library music, transforming outer-space reverie into nervy synth odysseys. Celestial themes entwine with robotic dialogues and shimmering sequencers, extending the sonic frontiers of its predecessor into more daring, unpredictable realms.
Commenti Musicali: Spaziali vol.1
A lost artifact of Italian electronic libraries, Commenti Musicali: Spaziali 1 by Alfaluna bridges early-80s analog experimentation and TV sci-fi intrigue. Remastered from original tapes, its soundworld weaves Krautrock pulses with enigmatic ambient suites, conjuring both cosmic wonder and subliminal tension for adventurous listeners.
Seddok, L'Erede di Satana
In 1960, when Armando Trovajoli composed the soundtrack for Anton Giulio Majano's horror film Seddok, L'Erede Di Satana (known internationally as Atom Age Vampire and Lycanthropus), the landscape of electronic music was still in its infancy. The Moog synthesizer wouldn't reach commercial availability until 1964. Wendy Carlos' groundbreaking Switched-On Bach was still eight years away. Kraftwerk, Tangerine Dream, and the entire krautrock movement lay a decade in the future. Yet here was Trovajoli…
And The Mexican Jumping Beans
Packaged in a Digipak with a 12-panel insert. Following a trip to Mexico City, Paul Panhuysen returned to Eindhoven with 200 jumping beans - those curious larvae-inhabited seed pods sold as toys in local markets. At Het Apollohuis, he began a series of experiments that would result in this remarkable recording. Panhuysen's practice has long incorporated living creatures alongside electronic devices: "I've worked often with animals, with birds, crickets and goats. I also use sensors, timers, sole…
The Edison Effect: A Listener's Companion
Comes with a 22-page booklet in a two-panel Digipak sleeve. Paul DeMarinis presents a companion work to his acclaimed sound installation The Edison Effect, where ancient phonograph records, wax cylinders, and even holograms of records are played with laser beams instead of needles. This recording explores the archaeology of sound reproduction technologies, creating a dialogue between Edison's mechanical cylinders and contemporary digital audio. In the original installation, one of the most poeti…
Live With The Birds
What happens when experimental musicians share their studio with an aviary of canaries? The answer lies in Live With The Birds, one of the most unexpected and joyful documents in the Maciunas Ensemble's discography. Released by Het Apollohuis in 1997, this recording captures a remarkable interspecies collaboration where Paul Panhuysen and his ensemble discover their most enthusiastic improvisers have wings.
The setup was deceptively simple: aluminum strips suspended from rubber bands, allowing f…
Number Made Audible
Named in tribute to Fluxus-founder George Maciunas, the Maciunas Ensemble's Number Made Audible stands as one of the most radical documents of sound art to emerge from the Netherlands in the 1990s. Originally released by Het Apollohuis in 1993, this CD captures eleven pieces that transform numerical relationships into living sound through invented instruments: Duochords, Spring Strings, Musical Bows, Guitars with Tails, Tubular Aluminum Monochords.
Founded in 1968 by Paul Panhuysen, Remko Scha a…
1985-1990
Five Years 1985-1990 Exhibitions Concerts Performances Installations Lectures Publications Het Apollohuis 148-page A4 book documenting 102 exhibitions and 163 concerts. In a former nineteenth-century cigar factory in Eindhoven, something remarkable happened between 1985 and 1990. Het Apollohuis became one of Europe's most vital platforms for experimental music, sound art, and performance - a place where boundaries between disciplines dissolved and artists from across the world gathered to presen…