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All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the underbelly of the epoch-defining sound of the synthesizer in '80s popular music. Compiled by curator Phil King, the music here connects the dots between DIY synth enthusiasts grappling with new, cheap synthesizers at the tail-end of punk and wannabe, jobbing songwriters enthrall to the new music pioneered by Gary Numan, Depeche Mode and Daniel Miller's Mute Records. Featuring rare tracks of auto-didactic prog…
Emerging from the depths of a private mindscape, Crystal by Stan Hubbs delivers epically torched psychedelia that transports listeners to a vivid sonic dream. Recorded in isolation within a remote cabin nestled among the majestic California redwoods, this 1982 brain-frying masterpiece captures a unique blend of vintage psychedelia and innovative homegrown sounds.
Crystal stands as the missing link between the iconic In-A-Gadda-Da-Vida era and the surreal charm of harpsichord-driven hallucinogens…
Dictaphone are back with their 6th full length called "Unstable". In the 25th year of the project Brussels born composer and mastermind Oliver Doerell is surrounded again by a lot of musicians & friends. Roger Döring is there, his clarinet and saxophone play has always been a trademark sound of the band - also Alexander Stolze's ghostly violins. The dark atmosphere and experimental sound of the new album is a reference to the 80s belgian art music scene, which Doerell had the luck to experience …
Reissue of "Mutations" - the second work of The Kilimanjaro Darkjazz Ensemble from 2009. On split since 2012 The Kilimanjaro Darkjazz Ensemble now finally makes all long-time sold out releases available again on all formats (cd | vinyl | digital). The series of reissues starts with their genre-determining second output "Mutations". An act combining profound musical sensibilities, deeply emotional harmonies and an acute ear for genre inter-breeding, The Kilimanjaro Darkjazz Ensemble placed itsel…
*250 copies limited edition* The Mad Laboratory Of Anti-Matter is a free and improvised music duo based in Beirut. Created in 2022 by multi-instrumentalist Nadia Daou (NÂR) and clarinettist Paed Conca, an iconic figure on the improvised music scene.
Raw and industrial, the dark soundscape of this laboratory is an exploration of the void and everything that can be found and emanate from it: a sensory, physical, timeless experience. The trance-like quality of repetitive music is combined here with…
Two Intersecting Loops of Silence marks a contemplative chapter in the trajectory of Katja Mater, where silence and the perception of time are intimately entwined. Mater translates the invisible dimensions of temporal experience and stillness into a tactile, rhythmic form, engaging the listener in a careful dance between what is absent and what is present. The work, emerging partly in response to the altered rhythms of the pandemic era, actively invites reflection on linearity and cyclical repet…
*100 copies limited edition* This Molar record was created in a few stages. First it was substantial to find creative means which would spark the new material. The Polyend Tracker was perfect for that as it is both simple and surprisingly fresh. Only after that I applied my favourite environment and comfortably sat in my digital domain. The next stage was to find kindred spirits who share the same mental and musical sensibility. Michał Fetler and Jacek Prościński seemed to fit like a custom-made…
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale details her third full-length release of the year, Changes In Air, out 21 November via Smalltown Supersound, and unveils its lead single ‘Curve Traces of Held Space’. Changes In Air is a work for electric organ, modular synthesis, and piano in five secti…
The Köln Concert (50th Anniversary Edition) by Keith Jarrett celebrates one of the most legendary solo piano performances in jazz history. The 2025 special release includes remastered audio on double LP, newly curated liner notes, archival and contemporary photos, and exclusive bonus materials. Marking half a century since its epochal live recording in Cologne, the edition underscores the enduring impact and emotional allure of Jarrett’s improvisatory genius.
Farewell to the Night by Ethan Syann is an immersive album released through the IIKKI label, offering a contemplative journey through ambient and cinematic textures. Spanning six tracks, it gently blurs the boundary between experimental soundscape and evocative minimalism, creating a space for reflection and nocturnal introspection. Its subtle layers and atmospheric depth exemplify Syann’s refined and measured approach to sound design.
Le Cri du Caire is a striking mosaic of Sufi poetry, jazz, and spoken word, led by the magnetic presence of Abdullah Miniawy alongside Peter Corser, Karsten Hochapfel, and Erik Truffaz. Fusing hypnotic loops with visceral strings and evocative brass, the album channels the hopes and struggles of Cairo’s youth into a transcendent musical ritual - challenging, inventive, and brimming with emotional intensity.
Get Out by Pita unfolds as a seminal work in laptop-based experimental sound, capturing the raw interplay between digital entropy and sonic melody. Rehberg’s compositions navigate between turbulence and clarity, aided by precise electronic manipulations and a single-minded commitment to his artistic vision, setting a benchmark for subsequent generations of experimental musicians.
Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…
Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.
Refracting beatifically through realities and mirages flickering along his aural parade route, Animal Collective’s Geologist rides the high country on a hurdy gurdy of many colours. Via the mystery science of musical engagement, we take his sonic kaleidoscope of encounters into our own experience as we listen. That’s the beauty of Can I Get a Pack of Camel Lights?, the debut solo transmission of the heart and soul and life and times of Geologist.
Ensemble 0 presents L'Étrange Femme des Neiges, a fresh addition to their exploratory discography and the official soundtrack to a new film featuring Blanche Gardin and Philippe Katerine. This release demonstrates Ensemble 0's knack for understated textures and melodic invention, crafting a sonic atmosphere that seamlessly blends cinematic intimacy with expressive minimalism.
Paulownia by Merzbow is a 2025 full-length statement comprising two lengthy compositions that fuse intense electronic manipulation with Merzbow’s enduring fascination for natural phenomena. Across both pieces, the album merges organic inspiration and harsh digital process, producing a hypnotic yet confrontational experience.
The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.
A REAL music magazine on printed paper. As always: substantial content delivered! Maggot Brain returns with issue #21 for Summer 2025. Underground music journalism the way we need it. The way we want it! No corporate sanitization, no algorithm-friendly content, no compromise. Just deep investigation into the music that matters - free jazz, experimental sounds, punk archaeology, and the radical fringes where creativity actually lives.
Issue #21 continues the Maggot Brain tradition of taking music…