Porest
Cancer in the Soft Breeze (LP)
LabelDiscrepantGenreExperimental
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Contemporary and historical Porest recordings channelled from behind the somnambulistic event horizon. The now sound... The bleak oblique. The minimal and the maximal. Filmic chamber drones, meditative radio massage and forged spiritual violence bury pop ephemera into the swirling murk of de facto instrumental nihilism and orchestral context-free drama. Layered field and radio recordings back electro-acoustic experiments via electric saz, strings, balypso, reeds & synths. Big drones, small ensembles and mood-anthems recorded by Porest and friends between 1995 and 2020 in West Oakland, Germany, Sumatra, Syria, Hanoi and London.
Release notes
Layered field and radio recordings back electro-acoustic experiments via electric saz, strings, balypso, reeds & synths. Big drones, small ensembles and mood-anthems. Recorded by Porest and friends between 1991–2020 in West Oakland, San Francisco; Germany; Sumatra; Medan, Damascus, Syria; Hanoi, and London.
| A1 | Time Of The Lesion | ||
| A2 | Debis | ||
| A3 | No Terracotta Relief | ||
| A4 | Ludent | ||
| A5 | Us Against Me | ||
| A6 | Ioboll | ||
| A7 | One Million Dollars | ||
| A8 | Tumoré | ||
| A9 | Permanently Imminent | ||
| A10 | (Terlok) | ||
| B1 | Final Repose | ||
| B2 | Wings Of Deception | ||
| B3 | Cancer In The Soft Breeze | ||
| B4 | Plebian Crawl | ||
| B5 | Liminal Treason | ||
| B6 | The Grat Indoor |
- Erik Gergis
- Accordion (B5), Synth (A10), Washtub Bass, Percussion [Brushes] (A7)
- Peter Valsamis
- Arranged By [Co-arrangement], Producer [Pre-production], Percussion (A10)
- Mark Gergis
- Baglama [Baǧlama Drama], Keyboards [Balypso], Bass, Sounds [Breath Density, Hot Volume, Pulse Wash], Electronics [Reverb], Horn, Effects [Foley, Radio], Percussion [Glass], Fiddle [Little Fiddle], Field Recording [Site-recordings], Organ, Recorder, Synthesizer, Tape, Edited By
- Heco Davis
- Clarinet (B5), Saxophone (A7)
- Jerry Blue
- Electric Guitar (A3)
- Jeremy Wilson
- Marimba (A7)
