This is the second release in Edition Omega Point's Experimental Music of Japan series, featuring the work of Tokyo composer Haruyuki Suzuki (b. 1962). This CD includes four of Suzuki's electronic works -- the oldest piece, "Concret II," was composed in 1985, and is an experiment in sound and noise. The triptych "Go And Back" series composed in 1996, are like versions of the same screenprinting, but made in different colors. While the MIDI data that comprises the structure of the pieces is the same, the varying sound materials used to augment the versions are different. Influenced by Luc Ferrari, Suzuki began composing electronic music using CD-J players in 2005, and "Circuit II," composed in 2006, uses two CD-J players. "Bustling For Luc," composed in 2007 was also inspired by Ferrari, and heavily influenced by the work of American experimental musicians, most particularly James Tenney. The only sounds used here are systematically transformed tidbits of environmental sound recordings of the busy quarters of Tokyo. Haruyuki Suzuki is a mostly self-taught composer. He helped establish the composer's group Tempus Novum in 1991, along with, among others, Hiroyuki Yamamoto, Yoshifumi Tanaka and Hiroshi Yokoshima. He has collaborated with visual and film artists, and has organized lectures and concerts by James Tenney (2001) and Luc Ferrari (2002/2003). Housed in a specially-designed cardboard paper gatefold sleeve, with newly-written liner notes in Japanese & English by Haruyuki Suzuki himself. Limited edition of 300 copies.