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Arild Andersen

Landloper

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Arild Andersen's first solo album: double bass with loops created live through effect pedals. Recorded in concert on 18 June 2020 at Victoria Nasjonal Jazzscene, Oslo, with one piece recorded at home; mixed at Rainbow Studio in 2024.

Landloper is the first solo album by the Norwegian bassist Arild Andersen, one of the most widely acclaimed bassists in jazz, recorded here after decades of band projects. Alone with double bass and effect pedals, he builds every loop live during the performance, with no pre-recorded tracks. The programme traces his own path, from free jazz and Norwegian folk music to a romantic standard and several of his own themes.

Most of the album was recorded in concert on 18 June 2020 at Victoria Nasjonal Jazzscene in Oslo, with Espen Høydalsvik as engineer. Andersen mixed it himself with Martin Abrahamsen at Rainbow Studio in June 2024, and Manfred Eicher was executive producer. The opener, Peace Universal by Ra-Kalam Bob Moses, was recorded at home. Andersen's interest in electronics goes back to the early 1970s, when Paul Bley encouraged him to use an echo machine. Today he plays through a Gibson Echoplex Pro Plus loop machine and a TC Electronic M 2000 processor. "In the live improvised context it's very much like playing with someone," he says.

Dreamhorse grew out of a solo improvisation at the 1994 Kongsberg Festival. Andersen stacks three loops, first a rhythm tapped on the strings, then harmonics, then deep bass notes, and solos over them. The central medley opens with Albert Ayler's Ghosts, a reminder of his early-1970s trio Triptykon. It moves on to Old Stev, a folk tune from his Sagn project, and ends with the title piece, first heard on Lifelines. A Nightingale Sang in Berkeley Square becomes a chordal arrangement in double stops. The album closes with Ornette Coleman's Lonely Woman, given an extended bridge, flowing into Charlie Haden's Song for Che.

For Nick Lea in Jazz Views the album was "totally enthralling with wonderful melodies in plentiful supply", and proof that loops and pedals can be a valid musical tool. In UK Jazz News Phil Johnson noted the almost orchestral washes behind fast, well-tuned pizzicato, and arco samples that can recall a saxophone or a seal. Michael Tucker in Jazz Journal praised his singing sound and intonation, and a programme that invites an immediate replay.

This is the CD edition, ECM 2826, released on 29 November 2024.

Details
Cat. number: ECM 2826
Year: 2024

Release notes

Double bass and effect pedals are the only instruments played on this recording. Not reverting to pre-recorded tracks, all of the loops were produced live, during the performance. Recorded live June 18, 2020 Victoria National Jazzscene, Oslo Engineer: [...] Mixed June 2024 Rainbow Studio, Oslo "Peace Universal" recorded at home An ECM Production ℗ © 2024 ECM Records GmbH, München [on O-card back; on tray card] ℗ © 2024 ECM Records GmbH [in booklet] ℗ 2024 ECM Records GmbH [on disc] Printed…

Tracklist
1Peace Universal6:40
2Dreamhorse4:24
Ghosts / Old Stev / Landloper
3.1Ghosts
3.2Old Stev
3.3Landloper
4A Nightingale Sang In Berkeley Square4:43
5Mira4:32
Lonely Woman / Song For Che
6.1Lonely Woman
6.2Song For Che
Credits
Sascha Kleis
Design
Arild Andersen
Double Bass, Electronics, Mixed By [Mixed]
Espen Høydalsvik
Engineer [Recording] (2 to 6.2)
Manfred Eicher
Executive-Producer
Martin Abrahamsen
Mixed By [Mixed (Engineer)], Engineer [Mixed (Engineer)]
Jean-Guy Lathuilière
Photography By [Cover Photo]
Kerstin Siemonsen
Photography By [Liner Photos]
Tore Sætre
Photography By [Liner Photos]

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