condition (record/cover): NM / EX (minimal seam wear) - Maison Rouge pushes Jean Schwarz further into liminal territory between concert music and something stranger: environmental portraiture, perhaps, or acoustic psychogeography. The "red house" of the title becomes a resonating chamber for transformations both subtle and violent, architecture rendered as sound event.

Where the previous LP worked through contrast and juxtaposition, Maison Rouge operates through accumulation, building its architecture brick by sonic brick. The influence of Luc Ferrari's anecdotal music hovers nearby, that willingness to let recognizable sounds retain their documentary weight even as they're woven into compositional structures. But Schwarz is finally his own creature: more theatrical than Ferrari, less austere than François Bayle, occupying a middle ground that shouldn't work but absolutely does.

Celia Records gave this album modest pressing too; both Schwarz LPs have become collector's pieces, which is appropriate for music that rewards obsessive attention but unfortunate for a composer who deserves wider ears. In a just world, Maison Rouge would be cited alongside the GRM's canonical releases. In this world, it waits for rediscovery, patient as the house it describes.