Various
Selected Signs III - VIII (6CD)
Format6CDLabelECM RecordsGenreComposition
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Selected Signs III-VIII is a six-CD anthology that Manfred Eicher and Steve Lake assembled for ECM: A Cultural Archaeology, the exhibition curated by Okwui Enwezor and Markus Müller at the Haus der Kunst in Munich from November 2012. Each disc was a listening programme for the show, and together they cross five decades of the catalogue, from new music to jazz, folk and film scores, in about seven hours.
The discs carry on the numbering of ECM's earlier Selected Signs samplers, a series that began in 1997, but here each disc was programmed as one continuous playlist. A note in the box states that the set is not the soundtrack of the exhibition but an extension of it and an alternative. Most of the music comes from ECM albums, from 1961 to 2012, with one track licensed from Harmonia Mundi. According to a review in Stereo, the first three discs lean towards composed music and the last three towards improvisation.
Disc III moves from Heiner Goebbels' Der Mann im Fahrstuhl to Steve Reich's Music for 18 Musicians, Arvo Pärt's Fratres with Gidon Kremer and Keith Jarrett, and György and Márta Kurtág at the piano. Disc V draws on Eleni Karaindrou's Concert in Athens and on Jon Balke's Siwan, while disc VI opens with Andrey Dergatchev's film music from The Return and runs into Nils Petter Molvær's Khmer. Disc VIII is the most jazz-centred, from Jimmy Giuffre's Jesus Maria of 1961 through John Surman and Barre Phillips to Lonely Woman played by Old and New Dreams, and it closes with Robin Williamson.
Reviewers took the box as a work of sequencing in its own right. In The Guardian John Fordham gave it five stars and wrote that the way the set was assembled "creates transporting new narratives" out of sequences never meant to coexist. Phil Johnson in The Independent on Sunday found it "austere even by the label's own standards, but no less beautiful." John Kelman, in All About Jazz, linked it directly to the exhibition's listening stations.
The set (ECM 2350-55) was released by ECM Records in June 2013, six CDs in a plain white box designed by Bernd Kuchenbeiser.
Release notes
Music selected for the exhibition ECM – A Cultural Archaeology at Haus der Kunst, Munich Tracks 1-1, 1-13 from: Der Mann im Fahrstuhl, ECM 1369 Track 1-2 from: Music for 18 Musicians, ECM 1129 Tracks 1-3, 1-4 from: Tabula Rasa, ECM 1275 Tracks 1-5, 1-6 from: Játékok, ECM 1619 Track 1-7 from: Tigran Mansurian – String Quartets, ECM 1905 Track 1-8 from: Neharót, ECM 2065 Track 1-9 from: Der Bote, ECM 1771 Track 1-10 from: The Seven Words, ECM 1756 Track 1-12 from: Do You Be, ECM…
| Selected Signs III | |||
| 1-1 | In Einem Alten Fahrstuhl | 2:12 | |
| 1-2 | Music For 18 Musicians (Excerpt) | 11:30 | |
| 1-3 | Fratres | 11:24 | |
| 1-4 | Tabula Rasa - I. Ludus | 9:36 | |
| 1-5 | Aus Der Ferne | 1:54 | |
| 1-6 | Gottes Zeit Ist Die Allerbeste Zeit - Sonatina From 'Actus Tragicus', BWV 106 | 2:18 | |
| 1-7 | Testament | 4:56 | |
| 1-8 | Neharót Neharót (Excerpt) | 2:55 | |
| 1-9 | Fantasie Für Klavier fis-Moll | 11:32 | |
| 1-10 | The Seven Last Words Of Our Saviour On The Cross - IV. Largo | 8:18 | |
| 1-11 | River | 0:26 | |
| 1-12 | Scared Song | 6:06 | |
| 1-13 | Der Chef | 1:37 | |
| Selected Signs IV | |||
| 2-1 | Hörstück II ("Ich Möchte Ihnen Einen Vorschlag Machen...") / Kleine Passacaglia / Über den Selbstmord | 7:25 | |
| 2-2 | Vom Winde Beweint - I. Largo Molto | 9:44 | |
| 2-3 | Funeral Canticle (Excerpt) | 5:13 | |
| 2-4 | String Quartet No. 15 - I. Elegy | 11:44 | |
| 2-5 | Most Holy Mother Of God | 4:34 | |
| 2-6 | Tres Morillas M'Enamoran | 3:32 | |
| 2-7 | Chamber Symphony Op. 110 bis - I. Largo | 6:17 | |
| 2-8 | I. Postludium 'DSCH' | 6:52 | |
| 2-9 | III. Postludium | 4:15 | |
| Selected Signs V | |||
| 3-1 | Voyage | 2:10 | |
| 3-2 | Closed Roads | 5:36 | |
| 3-3 | Invocation | 2:26 | |
| 3-4 | Tango Of Love | 1:41 | |
| 3-5 | Tom's Theme | 1:35 | |
| 3-6 | Laura's Waltz | 3:22 | |
| 3-7 | Adagio | 3:49 | |
| 3-8 | After Memory | 2:45 | |
| 3-9 | Farewell Theme | 4:27 | |
| 3-10 | Seeking Theme | 2:18 | |
| 3-11 | Nostalgia Song | 2:26 | |
| 3-12 | Requiem For Willy Loman, Var. | 4:14 | |
| 3-13 | The Weeping Meadow | 3:28 | |
| 3-14 | Memories | 2:43 | |
| 3-15 | Dis | 7:52 | |
| 3-16 | O Andalusin | 2:26 | |
| 3-17 | Ashiyin Raïqin | 4:13 | |
| 3-18 | Passacaglia Andaluz | 2:15 | |
| 3-19 | Toccata | 2:38 | |
| 3-20 | Passacaglia Cromatica | 1:52 | |
| 3-21 | Arpeggiata Addio | 7:17 | |
| Selected Signs VI | |||
| 4-1 | Underwater | 2:03 | |
| 4-2 | In The Bedroom | 4:35 | |
| 4-3 | The Road | 2:14 | |
| 4-4 | Mugam | 2:14 | |
| 4-5 | Japan | 2:51 | |
| 4-6 | Port | 2:51 | |
| 4-7 | Rehearsal | 3:28 | |
| 4-8 | Piano | 2:59 | |
| 4-9 | Georgians | 3:18 | |
| 4-10 | Final Titles | 2:05 | |
| 4-11 | Wolf | 2:34 | |
| 4-12 | Khmer | 4:54 | |
| 4-13 | Tløn | 7:52 | |
| 4-14 | Access / Song Of Sand I | 5:51 | |
| 4-15 | On Stream | 5:01 | |
| 4-16 | Platonic Years | 6:33 | |
| 4-17 | Plum | 3:39 | |
| 4-18 | Song Of Sand II | 6:11 | |
| 4-19 | Close (For Comfort) | 6:30 | |
| Selected Signs VII | |||
| 5-1 | Euphonia Elegy | 12:11 | |
| 5-2 | Celestial Food | 4:24 | |
| 5-3 | Prelude | 2:48 | |
| 5-4 | Memoria E Fado (Marrom) | 3:23 | |
| 5-5 | Like A Lover | 4:10 | |
| 5-6 | Cradle Song (Hoy Nazan) | 4:33 | |
| 5-7 | Carta De Amor | 7:25 | |
| 5-8 | Zone | 5:29 | |
| 5-9 | Trois Morceaux Après Des Hymnes Byzantins: I | 5:00 | |
| 5-10 | Trois Morceaux Après Des Hymnes Byzantins: II | 4:52 | |
| 5-11 | Telepathy | 5:05 | |
| 5-12 | Solemn Mosquitoes | 5:10 | |
| 5-13 | Blop | 4:07 | |
| 5-14 | Song For Ania | 7:43 | |
| Selected Signs VIII | |||
| 6-1 | Jesus Maria | 6:13 | |
| 6-2 | Time Will Tell | 4:25 | |
| 6-3 | Mountainscapes V | 4:50 | |
| 6-4 | Lonely Woman | 12:18 | |
| 6-5 | The Four Points Are Thus Beheld | 6:20 | |
| 6-6 | Langt Innpå Skoga | 8:08 | |
| 6-7 | Psalm | 8:22 | |
| 6-8 | Voice From The Past | 11:05 | |
| 6-9 | Spiritual | 8:15 | |
| 6-10 | Kulture Of Jazz | 5:33 | |
| 6-11 | The World | 2:45 | |
- Bernd Kuchenbeiser
- Design
- Steve Lake
- Producer










































































