Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra
Tapestry Koto & The Occident Country (3LP Coloured in Woodenbox, Totebag)
LabelCinedelicGenreJazz & Improvisation
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*3LP Coloured in Woodenbox, with Totebag. Edition of 99* Original masters licensed by Nippon Columbia for the first ever reissue. 3LP official bundle in a wooden box* 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable.
The performers on this fabulous album are:
Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound.
Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums.
An unmissable session for those seeking new sounds.
Release notes
99 Copies in Wooden Box. All LP comes with OBI. - CNLP72 Re of [r6596799] in clear blue vinyl - CNLP73 Re of [r7393134] in red vinyl - CNLP74 Re of [r8637475] in green vinyl Includes a tote bag with the the same logo of the front of wooden box.
| Tapestry Koto & The Occident Sea | |||
| A1 | 佐渡おけさ = Sado Okesa | ||
| A2 | 十三の砂山 = Tosa No Sunayama | ||
| A3 | 斉太郎節 = Saitaro-Bushi | ||
| A4 | ソーラン節 = Soran-Bushi | ||
| A5 | 三階節 = Sangai-Bushi | ||
| A6 | 島原の子守唄 = Shimabara No Komoriuta | ||
| B1 | 貝から節 = Kaigara-Bushi | ||
| B2 | 串本節 = Kushimoto-Bushi | ||
| B3 | 金比羅船々 = Konpira Fune Fune | ||
| B4 | 谷茶前 = Tanchame | ||
| B5 | 磯浜盆唄 = Isohama Bon-Uta | ||
| B6 | 大島節 = Oshima-Bushi | ||
| Tapestry Koto & The Occident Hillside | |||
| A1 | よさこい節 = Yosakoi-Bushi | ||
| A2 | 秋田おばこ = Akita Obako | ||
| A3 | 真室川音頭 = Mamuro-Gawa Ondo | ||
| A4 | 相馬盆唄 = Soma Bon-Uta | ||
| A5 | おてもやん = Otemoyan | ||
| A6 | 五木の子守唄 = Itsuki No Komori-Uta | ||
| B1 | 宇目の唄げんか = Ume No Uta-Genka | ||
| B2 | 西武門節 = Nishinjo-Bushi | ||
| B3 | 郡上節 = Gujo-Bushi | ||
| B4 | 八木節 = Yagi-Bushi | ||
| B5 | ぶらぶら節 = Bura Bura-Bushi | ||
| B6 | 黒田節 = Kuroda-Bushi | ||
| Tapestry Koto & The Occident Country | |||
| A1 | よさこい節 = Yosakoi-Bushi | ||
| A2 | 秋田おばこ = Akita Obako | ||
| A3 | 真室川音頭 = Mamuro-Gawa Ondo | ||
| A4 | 相馬盆唄 = Soma Bon-Uta | ||
| A5 | おてもやん = Otemoyan | ||
| A6 | 五木の子守唄 = Itsuki No Komori-Uta | ||
| B1 | 宇目の唄げんか = Ume No Uta-Genka | ||
| B2 | 西武門節 = Nishinjo-Bushi | ||
| B3 | 郡上節 = Gujo-Bushi | ||
| B4 | 八木節 = Yagi-Bushi | ||
| B5 | ぶらぶら節 = Bura Bura-Bushi | ||
| B6 | 黒田節 = Kuroda-Bushi | ||
- 山屋清
- Arranged By



















































