Reissues

On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.

On Jazz Flamenco, Pedro Iturralde forges a taut, singing dialogue between Andalusian cante and modal jazz, letting saxophone and flamenco guitar trade roles as soloist and accompanist in a music that sounds both inevitable and newly invented.

On Elis, Elis Regina crystallises everything that made her singular: a precision‑tooled voice riding the fault line between control and abandon, bringing samba, MPB and jazz‑tinged arrangements to a rolling boil of drama and nuance.

On Vida, Chico Buarque folds everyday scenes, political undercurrents and bruised intimacy into a suite of songs where conversational melodies and sly, shifting harmonies turn ordinary lives into quietly explosive dramas.

On Louvação, Gilberto Gil fuses Afro‑Bahian rhythms, Northeastern folk and sleek mid‑60s modernism into a luminous songbook where liturgical overtones, street poetry and swinging arrangements announce a new, restless MPB imagination.

Domingo is the groundbreaking debut album by legendary Brazilian singers Caetano Veloso and Gal Costa, released in 1967 by the renowned Polydor label. This album captures the essence of traditional bossa nova, presenting smooth melodies and sophisticated rhythms that define the genre's timeless appeal. Although Domingo predates the tropicalist movement that Caetano Veloso would later champion, it offers a captivating glimpse into the early artistry and vocal interplay between two of Brazil’s mos…

50th anniversary limited edition. First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered. His father was an American soldier from North Carolina who left Naples when James Senese was eighteen months old and never came back. What remained was a saxophone, a surname that didn't fit the neighbourhood, and two musical worlds that Italian society had no language to reconcile. Senese found that language himself - first in the soul and R&B of the Showmen in the 1960s, the…

** First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered, in a gatefold die-cut sleeve faithful to the 1973 original** Some records define an era. Io Sono Nato Libero is one of them - and perhaps, within the entire canon of Italian progressive rock, the one most resistant to any replica. December 1973. Banco del Mutuo Soccorso - the Rome-based group led by brothers Vittorio and Gianni Nocenzi, alongside vocalist Francesco Di Giacomo, guitarist Marcello Todaro, bass…

Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna's legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reiss…

In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…

Back in stock with a brand new edition the score for Emanuelle e gli ultimi cannibali (Emanuelle and the last cannibals), a movie featuring our beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences: we see the Maestro more funky oriented. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude us preparing a variation on the …

Why did so many of the world’s most forward-thinking musicians gravitate toward Conny Plank’s studio at that time? Released in 1981, Phew was recorded at the legendary Conny’s Studio—home to seminal works by Kraftwerk, Neu!, D.A.F., and Brian Eno—featuring Phew, formerly of Aunt Sally. The album brings together Can members Holger Czukay and Jaki Liebezeit, whose contributions, combined with Plank’s masterful engineering and Czukay’s innovative editing techniques, result in a strikingly original …

Deluxe edition, housed in a reverse board printed sleeve with printed inner sleeve. Three LPs came out on Jihad, the label Amiri Baraka ran out of his own house in Newark. Two of them - Sonny's Time Now and A Black Mass - entered the canon of the New Thing decades ago. The third stayed a rumour: a title traded between collectors, a track a radio DJ might drop once a year, a record far more people had heard about than heard. Original copies surface rarely and sell for three figures. Black and Bea…

To mark 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "Clarity / Circle / Triangle / Square", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. This album is like no other I know, a new world, finding a perfect balance between multiple genres. Moved-By- Sound is very excited and honored to be involved in releasing the first reissue authorized by Michael Gregory Jackson since the original release i…

In Sheep’s Clothing announces the long-awaited vinyl pressing of Marc Leclair’s beloved 2005 album Musique pour 3 femmes enceintes. The album will also be available on streaming for the first time via Community Music Group. For years after Marc Leclair released Musique pour 3 femmes enceintes, he heard from listeners who had lived with the record in an unusually intimate way. Many described how the music became part of the emotional landscape of the months leading to birth. “I never expected tha…

øjeRum is the moniker of Danish artist Paw Grabowski. Since 2007, his mostly tape-based works have unfolded like private diaries—intimate, textural, often centered around an vintage pump organ Paw found left abandoned in a dilapidated Danish home, and to which he would return, sometimes in the dead of winter, to play and record on. The works featured on this release are centered around this pivotal engagement and collect some of his earliest releases from around 2014 to 2017. These were then car…

Zamaan Ya Sukkar is a rich musical portrait from the time when Cairo was the vibrant cultural heart of the Middle East and the grandeur of the leading orchestras was incomparable. Unearthed Latin and jazz-tinged tracks will let your mind drift off to the glamorous nightlife of '60s Cairo. Meet some forgotten souls of the Egyptian music scene and cinema world. Sensual voices and Bollywood-like orchestra sounds inflame the senses of the body with an intangible exotic twist! All music is remastered…

Reissue of the belly dance holy-grail from the organ king of Cairo, combining traditional rhythms with spaced out modern sounds. Hany Mehanna, beloved musician and composer of the greatest artists from the Arab world such as Om Kalthoum and Abdel Halim Hafez, shows himself from a more experimental side on his solo albums. Originally released in 1973 on Cairo label Sout El Hob, Mehanna’s solo LP explored far more left-field terrain than on his other collaborations and film scores, ‘The Miracles o…

The rich and lengthy instrumental intro is just a precursor of the emotion present in this song. The talent of the composer is underlined by how he utilises the traditional style of singing poetry in a more open and creative way. Abdel Wahab’s infusing of long and groovy interludes with varied tonality, rhythmical patterns and an overall unique approach, carries Om Kalsoum’s powerful voice and brings the song to an incredible climax. In this way, he gives more colour and depth to the music and t…

“Enta Omri” is Om Kalsoum’s most famous song, composed by Mohamed Abdel Wahab, who is still rightly regarded as a prominent musician and composer in Egypt. The creation of this song was the first long expected collaboration of two musical giants, which came at the repeated urging of Egyptian President Gamal Abdul Nasser. There was talk in Egypt on the streets and in the media about what was believed to be a cold relationship between the two legends. Finally, after years of estrangement, Mohamed …

Om Kalsoum! They call her ’The Rose of the Nile’, ‘The Queen of the Nile’, ‘The Daughter of the Nile’ or even ‘The 4th Pyramid of Egypt’ since she’s known as the greatest Egyptian singer of all times. Om Kalsoum’s mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide. At the end of her overwhelming career she …

Om Kalsoum! They call her ’The Rose of the Nile’, ‘The Queen of the Nile’, ‘The Daughter of the Nile’ or even ‘The 4th Pyramid of Egypt’ since she’s known as the greatest Egyptian singer of all times. Om Kalsoum’s mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide.   At the end of her overwhelming career sh…

2026 Reissue. LP version. Originally issued in 1983, Midori Takada's debut LP Through The Looking Glass has long remained one of the most coveted artifacts to emerge from the fertile soil of 1980s Japanese experimental avant-garde. A near-perfect work - a window into the unquestionable singularity of its era and geography. For many record collectors, this is the great holy grail, the unobtainable gem. Its reemergence has been long awaited. For Japanese experimental avant-garde musicians, the 198…

Three of the most essential new releases from Metaphon and La Scie Dorée, gathered in a single bundle. Liliane Donskoy's Intégrale Acousmatique - issued here in its deluxe hardboard linen screen printed box edition, including an 8 page booklet - brings together for the first time the near-complete acousmatic works recorded at Ghent's Institute of Psychoacoustics and Electronic Music between the 1970s and 1980s - a towering, previously inaccessible body of work by a French composer trained by Mil…

50 copies. Comes with a A5 photo SIGNED by Liliane Donskoy. 3LP special edition in screen printed linen box + 8 page booklet + download code. Metaphon is pleased to present this première edition, which brings together a near-complete collection of the acousmatic works of Liliane Donskoy, recorded in the 1970s and 1980s. Liliane Donskoy (*1933) is a French, classically trained pianist, music teacher, and composer of both instrumental and acousmatic music. She began her musical training at an earl…

Nearly four decades after the fact, the full story of Coil's aborted commission for Clive Barker's Hellraiser can finally be heard - and it is every bit as extraordinary as the legend suggested. The Unreleased Themes for Hellraiser [expanded ritual], released by Mental Groove Records / Musique Pour La Danse, is the definitive edition of one of experimental music's most mythologised what-ifs: a lost soundtrack now restored, expanded, and assembled into a coherent and deeply unsettling whole. The …

Antonio Riccardo Luciani's 1976 Lupus LP for an anonymous quartet of bass, drums and two keyboards in constant dialogue: lean jazz-funk built for 70s crime films, with one guitar cameo on the title track.

Zuni (Benito Simoncini) in 1983: blues-soaked funk-rock guitar cues on side A, then bass, keyboards and percussion drift towards spacey, cosmic sketches. Eleven pieces named after flowers and shrubs.

Jason Black and his Group play Arawak's 1977 Wild Cat LP, an Italian dream of the American West Coast: blues-edged funk-rock, honking sax and one reggae detour named after San Francisco's Lombard Street.

Giuliano Sorgini as Raskovich in 1978: eleven tight jazz-funk cues where flute, Fender Rhodes, wah guitar and analog synth meet blaxploitation strings and brass, up to the full-blown chase of Limoni Verdi!

The 1973 jazz and experimentation volume of the Telemusica series: lounge cues, tense jazz-funk, a waltz warped by electronics and three closing pieces close to the free improvisation of Nuova Consonanza.

2026 repress * Grey-area LP reissue, perfect replica of the original * Ptah, the El Daoud, recorded and released in 1970, is the third solo album by Alice Coltrane. The album was recorded in the basement of her house in Dix Hills on Long Island, New York. This was Coltrane's first album with horns (aside from one track on A Monastic Trio – 1968 - on which Pharoah Sanders played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. Coltrane not…

The jazz-funk metamorphosis of harpist Dorothy Ashby completed on her 1968 album released on Chess records subsidiary Cadet. The cycle was literally completed when the album – recorded on February of the same year in Chicago – hit the stores. With arrangements by Richard Evans and a killer (unknown) line-up the record is full of samples galore, from "Soul Vibrations" and "Come Live With Me", plus a version of "Little Sunflower" by Freddie Hubbard.

Recorded November 15, 1966 at Van Gelder Studios, Englewood Cliffs - New Jersey, Tauhid is one of the most iconic album recorded by the tenor saxophonist Pharoah Sanders. On his debut for Impulse ! the leader assembled an extraordinary line-up, defining the boundaries of the so-called spiritual jazz movement. Henry Grimes (bass) Roger Blank (drums), Sonny Sharrock (guitar), Nat Bettis (percussion) and Dave Burrell (piano)Pharoah, (born Farrell Sanders of Little Rock, Arkansas on October 13, 1940…

Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…

A strange and beautiful artifact of late‑70s outsider music returns: Kit Ream’s lone 1978 album, All That I Am, has been reissued on vinyl and digital formats. Once a private-press secret treasured by psych‑folk collectors, this ultra‑rare record is now available again for listeners drawn to music that sits defiantly outside conventional boundaries. Weirdos, or so they said. A long‑term psychological state. All That I Am grew from that condition — music shaped by solitude, introspection and an u…

There are moments of silent depth in which the winter of the scalpel of meaning and the spring of the sound-born, unleashed body look upon the world fully present. When the notes at last are heard, the ordered world is their indistinguishable score. The ritual of process is that which carries. The process of ritual is that which brings moments both transitory and immortal, apprehended by musician, seer, clairvoyant, herald; the welling tones that emanate from the crystal salt of shattered primor…

*2026 stock. 50 copies limited edition* RMSS is a Finnish noise project that draws inspiration from the heavier side of mental heath issues. The Relapsi compositions navigate a raw and visceral soundworld - through the dimly lit, bleak & icy corridors of the furthest depths and darkest recesses of the mind ... - originally self-released in 2023 by Finland based noise composer - RMSS. Little known about this enigmatic Finnish artist - other than the fact that those highly sought after self releas…

On Panorama Vol. 2, Various Artists from the golden age of French cinema and library studios resurface in 11 lush, long‑buried cues, all moody strings, flanged funk drums and prowling basslines wrapped in a deluxe archival edition.

Exquisitely melancholy, pre-war Japanese Ryūkōka Recordings, 1929-1938, delving deeper into the style’s fusion of traditional and classical Japanese and western blues x jazz on Death Is Not The End.