Clube Da Esquina
Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
Um Violão Em Primeiro Plano
Rosinha de Valença’s 1971 album "Um Violão Em Primeiro Plano" is a masterful showcase of Brazilian guitar, highlighting her exceptional talent and contribution to MPB (Música Popular Brasileira). This album features a rich blend of bossa nova, samba, and traditional Brazilian rhythms, all centered around Valença’s virtuosic guitar playing. Known for her intricate fingerpicking and emotive style, Valença creates a captivating soundscape that transports listeners into the heart of Brazilian music.…
Tim Maia 1973
An icon of Brazilian popular music, Tim Maia was a musical polymath and prolific recording artist best known for introducing American soul to the Brazilian music scene, pioneering the sambalanço style by blending elements of soul, funk, rock, and samba. Maia recorded four self-titled albums for Polydor Brazil, this fourth release from 1973 arguably the best, with its outstanding hits ‘Réu Confesso’ and ‘Gostava Tanto de Você’; ‘Do Your Thing, Behave Yourself’ shows how the soul form fitted him p…
Gravado Ao Vivo No Maracanãzinho
*2024 stock * Recorded live at the Maracanãzinho gymnasium in 1974 for a TV Globo special and released in 1980. Good quality considering the time and the precariousness of Brazilian technology. Lot for the improvisations and the totally Rock'n Roll feel. This phrase stolen from the band's Orkut community says it all: "If, at that time, a mother ship had landed, for example, in the Praça dos Três Poderes in Brasília and dumped some aliens through its doors, it wouldn't have caused such an impact,…
Na Terra A Mais De Mil
*2024 stock * Known throughout Brazil for his success with the group Novos Baianos, Pepeu Gomes launched his solo career with the album "Geração do Som" (1978). In 1979, after the end of the band and already considered one of the greatest guitarists in the country, Pepeu presented his first album also singing, "Na Terra a Mais de Mil" (1979). The album is now back on the shelves on 180 gram vinyl, in Polysom's "Clássicos em Vinil" collection.The album features 12 songs, all written by Pepeu with…
Cuban Soul - 18 Kilates
*2024 stock * Classic work from one of Brazil's greatest soul singers! Cassiano was one of Brazil's groundbreaking soul singers of the 70s – and although he's similar to Tim Maia, he's also got a smoother sound that approximates some of the best American soul vocalists of the time.
Raul Seixas
*2024 stock * Originally released in 1983 on the Eldorado label, the album "Raul Seixas", also known as "carimbador maluco" because of the success of this song, is a milestone in the artist's career. "O Carimbador Maluco" was the theme song for the children's special "Plunct Plact Zuuum", which aired on Rede Globo and was a huge success at the time. Raul Seixas himself took part in the special playing the crazy stamping man himself, a bureaucrat who demanded documents from a spaceship. In addit…
Secos & Molhados
*2024 stock * Vinyl LP-only repressing of this album from the Brazilian band. Formed in 1971 by Ney Matogrosso (vocalist), Gerson Conrad (vocalist/composer/violao) and Joao Ricardo (singer/composer/violao/harmonica), Secos & Molhados is inscribed in a privileged category of few bands and musicians who led Brazil from bossa nova through Tropicalia then to Brazilian rock, a style which only blossomed in the '80s. Much of the group's importance, apart from the huge success of it's first album, whic…
Chico Mello / Helinho Brandão
Black Truffle is thrilled to announce a reissue of Chico Mello and Helinho Brandão’s self-titled release from 1984, the first return to vinyl of this classic of Brazilian experimental music with its original cover art and complete track listing. An under-recognised figure whose work inhabits a singular terrain where radical new music techniques and music theatre meet musica popular brasileira, Mello has lived and worked in Berlin since the late 1980s. A student of Dieter Schnebel, Mello played i…
Caetano Veloso (Irene)
*2024 repress* Lilith Records present a reissue of Caetano Veloso's Caetano Veloso (Irene), originally issued in 1969. Although Veloso had already been thrown in jail once for his criticism of Brazil's military regime, he continued to speak out against it on Caetano Veloso (Irene), with tracks like Irene, (about a machine gun-toting outlaw celebrated by the left). No wonder he would soon find himself in political exile in the UK. The general tone of the album is in keeping with its dire message …
Os Afro Sambas
“The Afro-Sambas from Baden Powell and Vinícius de Moraes”… Many guitarists all over the world respectfully smile when they hear these words. The compositions are true masterpieces that never seem to loose their inspiring quality. The two legends in Brazilian Music recorded the album in 1966 as a conclusion of their mutual interest in the Afro-Brazilian culture.
As a witness of the rise of Bossa Nova, Baden Powell (1937, Varre-Sai (north of Rio de Janeiro)) got in contact with Tom Jobim in 1959.…
África Brasil
África Brasil is a 1976 release by Brazilian artist Jorge Ben. It was Ben's 14th studio album and a milestone in his career with a switch to electric guitar and funk music leaks. For África Brasil Ben reworked three of his earlier compositions: "A Princesa e o Plebeu" from Sacundin Ben Samba, "Taj Mahal" from Ben, and "Zumbi" from A Tábua de Esmeralda. The album's opening track "Ponta de Lança Africano (Umbabarauma)", a song about an African football striker, became a well known soccer-associate…
Som Imaginário
*2024 reissue* An essential psychedelic album and a must for fans of Tropicalia. Som Imaginário released a few albums during the progressive rock era which are also highly recommended but reissues are criminally unavailable.... The powerful grouping was a true academy of sound imagination: Wagner Tiso, Tavito, Luiz Alves, Robertinho Silva, Frederyko, Naná Vasconcelos and Zé Rodrix.Som Imaginário (Imaginary Music) is a Brazilian band from the 70s. They joined together to support Milton Nascimento…
Passarinho Urbano
In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reducti…
Todos Os Olhos
Reissue of this collectible avant madness LP from 1973 from one of the most influential artist in the Tropicália movement of 1960s Brazil. The joke with this album is that the album art -- which looks like an eyeball -- is actually a photo of a marble shoved up someone's anus... a little jab at the Brazilian dictatorship's office of censorship, which apparently didn't recognize a mirror when they saw one. Tom Ze's nutty side comes dancing to the fore here, with some of his more playful, delibera…
Brasileira
Maria Rita is a musical pioneer that was ahead of her time. On first hearing her song, 'Cântico Brasileiro No.3 (Kamaiurá)’, we thought it sounded like a contemporary remix that an artist such as Carl Craig could have produced. In fact, it came out in 1988 and was taken from Maria's 'Brasileira' album, released on the Brazilian, independent Acorde imprint. The song would go on to gain cult status with its inclusion on John Gomez's superb 'Outro Tempo' compilation, released on the Music From Memo…
Tempo Pra Tudo
Stunning private press album from 1981 by Minas Gerais singer-songwriter Fernando Oly. Fernando Oly is a musician who was part of Lô Borges' band and took part in the recording of the album "Via Láctea" in 1979. He placed one of his compositions among the album's tracks: "Chuva na Montanha," whose original version was also included on “Tempo Pra tudo.”
We And The Sea
Rich blend of Brazilian samba and Afro percussion, more like the jazz of Getz/Gilberto than the bossa nova of, say, Sergio Mendes and Brasil '66. An exquisite album, that stretches the boundaries of Bossa Nova.
Lo Borges
An incredible album from Lo Borges - one of the best singer/songwriters on the Brazilian scene of the 70s! Borges first burst into the spotlight for his work on the Club Da Esquina album by Milton Nascimento - and his work as part of Milton's "corner club" really helped shape the style of the more famous singer. Yet Borges is almost an equally great talent on his own - with a soaring, soulful approach that's every bit as great as the best Nascimento material from the period - and recorded in a w…
Cantiga De Longe
With a few more instrumental solos than regular Lobo albums, Cantiga De Longe takes advantage of the genius of the arranger / instrumentalist Hermeto Pascoal. The album has other stars, including percussionist Airto Moreira and drummer Cláudio Slom. There are several important songs on this album: "Casa Forte" (which would be recorded later by Flora Purim), "Mariana, Mariana," "Cantiga de Longe," "Zanzibar," and others. Not Lobo's biggest hits, but beautiful melodies and lyrics on an album with …