BLK+LND / K&L for KL
Big tip! K&L for KL and BLK+LND bring together two of Phill Niblock's final compositions, conceived by Niblock as companion works and intended to travel together. Released by Sub Rosa, the record preserves a pairing that Niblock himself wanted heard as a whole. In 2022, Niblock asked bass clarinetists Katie Porter, based in New York, and Lucio Capece, based in Berlin, to record K&L for KL, a work for two bass clarinets and electronic playback. Porter and Capece perform together as Phase to Phase…
Avant-Garde Organ
*2026 stock* The connection between these works is subtle. Nevertheless, there is an incessant search for a new sonic language, breaking an imposed norm of a secular legacy. The organ, an apparatus that is the sum total of wind, pipes and keys, becomes bigger with the imagination of those who operate it. It is a device that incites the audacity of its operator, rivalling the sonic potential of any modern instrument. This is my contribution: using a Portuguese organ that is over 200 years old in …
Almost Starlight
Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a Medieval Church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space.
The album defies categorisation; forced to pigeon hole it the nearest approximation would be ‘modern-classical’ but this ignores its myriad influences and explorations which encompass inspiration from Arvo …
Scintillae
For fifty years, the piano has been the backbone of Raymond Deane’s creative output. This journey began at age sixteen with the first Orphic Piece, a work that set the stage for a career defined by breaking contemporary taboos. Rejecting both the strict rules of traditional keys and the lawlessness of atonality, Deane creates his own temporary musical structures, constantly building them up and dismantling them again. For him, composition is a process of conflict and negotiation, allowing for th…
Crow on the Dark Side of Gloss
Forty-five minutes for an orchestra of brass and woodwind built or adapted for the purpose, tuned to Erv Wilson's Meta-Slendro. The diamonds of the title are shapes that turn up inside the tuning when the intervals are drawn as a lattice.
Songs of Erosion
*200 copies limited edition* “Songs of Erosion” is a project by Clara Levy & Victor Guaita Igual revisiting the 13th-century Spanish songbook “Cantigas de Santa María” through the lens of erosion.
Rejecting a historicist interpretation, Clara Levy and Victor Guaita Igual develop a set of instructions inspired by geological processes. These serve as a basis for approaching pitch and rhythmic material, shaping it into new compositions. Among the cantigas explored by the duo, this record focuses on…
Godspeed In 4/4 Time
This double LP with 16-page booklet is the extensive documentation of the exhibition "Godspeed in 4/4 Time" at the church St. Matthäus in Berlin, where artist William Engelen installed an instrument consisting of 366 metal tubes that was on display from May to September 2025. The tubes were mounted next to each other surrounding the nave of the church. Each tube was unique and differed from the others in length, diameter, thickness and/or material (copper, brass, stainless steel, aluminium), and…
Clock In, Clock Out
"Musica Mosaica undertakes an experimental exploration of sounds, viewed not merely as simple acoustic phenomena, but as truly living realities. From this perspective, experimentation is by no means a convenient metaphor used to illustrate an intuitive or informal approach. On the contrary, it is meant literally — deliberate, almost scientific: each musical piece becomes a small laboratory where sounds are observed as animated entities, with their own morphology, with impulses that bring them cl…
Midmeste
Australian composer-performers Judith Hamann and James Rushford have worked together in countless projects for two decades, perhaps most notably in Golden Fur, their trio with Sam Dunscombe. Black Truffle is pleased to announce Midmeste, their first work as a duo. Its title is Middle English for ‘the middlemost point’, alluding to how the piece builds on the points of overlap between the highly personalised musical languages Hamann and Rushford have developed in recent years.
Performed on cello …
Press
“It’s hard not to figure Jack Sheen’s compositions primordially; they lurch and rock with an abortive conviction, as if heralding culture’s approach—still half-submerged, slouched and red, ages ago. His work is somehow determinedly before almost everything; it feels like a dialectical twin to Beckett’s afterwards. Press moves with grossly impoverished intent—almost as if composed—while trembling and stumbling on the cusp of accident. This projected bodily timidity corresponds with a situation ri…
Incommunicable
*2026 stock* "I had in mind recording a monographic disc of Yair Klartag’s music many years ago. After a long period of artistic and practical anticipation, I am pleased to present the recording as the final result of our collective work. In my personal artistic universe, contemporary music represents a moment of aggregation of artists. I believe that this album is the concrete result of this desire and vision of mine: collective energies combined for a single artistic purpose. Not even a minute…
Travessia
*2026 stock* It is an unusually bright afternoon in early March when I am writing these lines, while listening to the debut album by Oksana Shymanska. Joan Arnau Pàmies from Protomaterial Records just sent it to me; it was recorded not long ago at the Auditori Municipal Enric Granados in Lleida. I celebrate it because it represents the culmination of a process that began when Oksana arrived in Catalonia from her native Ukraine. It is also the result of a professional wish: to record an album tha…
Avantgarde (4LP Bundle)
Special discounted Bundle. Audiophile edition. Pure analogue mastering & cutting from the original master tapes. Representing three of the most essential and sought-after works within the canon of 20th Century avant-garde composition, this bundle brings together Luc Ferrari's Presque Rien No.1 / Société II, Mauricio Kagel's Acustica, and Tōru Takemitsu's Quatrain / A Flock Descends Into The Pentagonal Garden in a single offering. Originally issued by Deutsche Grammophon between 1970 and 1980, ou…
The Garden Of A Former House Turned Museum
*2025 stock* In „The Garden of a Former House Turned Museum”, Chloë Lum and Yannick Desranleau feature a sung correspondence between an anonymous contemporary interlocutor and the Brazilian author Clarice Lispector (1920–77), an important 20th-century literary figure. Epistolary “Dear Clarice” prose poems guide us through Rio de Janeiro, here covered with lush nature as if human activity had simply ceased. Played by four different performers (all sung by Sarah Albu), the protagonist addresses Li…
Given
"The piece given may be characterized as a certain activity, a special kind of practice. We practice as a trio (two players and one producer), hoping that anything might emerge: we gather to share a beautiful time together, exchanging our hopes and longings, our suffering, and our pain. Why should there be music at all? Faced with this question and considering the state of our world, artists could often find themselves drawn toward a sense of meaninglessness. But this is not the end. In the face…
Object, Monochord, Circle
*200 copies limited edition* Philadelphia-based artist Morgan Evans-Weiler performs on violin and is known as a member of the contemporary classical music ensemble Ordinary Affects. Percussionist Carlo Costa, who was born in Rome, has lived in New York since 2005.
"Object, Monochord, Circle," a collection of works composed by Evans-Weiler for violin and percussion, is made up of 12 pieces under 10 minutes long (almost all are between 1 and 5 minutes). Sustained violin and percussion sounds flow …
Made Of Colors
A.G unveils Made Of Colors, a vibrant and captivating new album. This collection of tracks invites listeners on a journey through rich sonic landscapes, blending evocative melodies with dynamic production that showcases A.G’s unique artistic vision.
Made Of Colors explores themes of emotion, identity, and transformation through a kaleidoscope of sounds—each song painted with intricate textures and thoughtful lyrics. The album highlights A.G’s skillful musicianship and creative depth, offering a …
Icarus Tapes #1
*2025 stock* Icarus Records proudly presents Icarus Tapes #1: Bow, Icarus Live Session #59, a live performance recorded for the Icarus Radio Show, a weekly radioshow broadcast at Belgian radiostation Urgent.fm.
One afternoon in March 2019, a Ghent studio at the edge of an arm of the Scheldt river, the 5 musicians of Bow settled down and got ready. After a glance and a deep breath, the 5 fellows leap into the void.
Bow takes the gamble for this recorded radio session to improvise its music en…
Cassotto
*200 copies limited edition* On October 10, Brussels-based accordionist Suzan Peeters releases her debut album 'Cassotto' on the Belgian label blickwinkel. With 'Cassotto', she opens a door into a hidden chamber of sound. The title refers to the “cassotto” — a small resonating chamber inside the accordion that warms, softens, and deepens its tone. Listening to this record feels as if you’ve stepped into that room yourself, enveloped in a world where intimacy and grandeur collide. Although this i…
Paysages Avec Figures Absentes - Nachlese IV, Nachlese Vb (Liederzyklus)
Paysages avec figures absentes - Nachlese IV “...Paysages avec figures absentes... was written for the violinist Isabelle Faust and dedicated to her. In this piece, I wanted to approach writing for violin and ensemble differently, and not reproduce the same relationship present in “...prisme-incidences...”. Here, it is more a question of a sort of antiphony, of responses. Often while writing the piece, in order to remain within this framework, I restrained myself from developing the solo violin …