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The second movement of 'Volume' by illogical harmonies (Johnny Chang - violin & Mike Majkowski - contrabass), a 55-minute piece from 2015, released on Another Timbre in June 2016 as part of the 'violin+1' series. A joint composition for violin and double bass, developed over six months in 2015 by violinist and Wandelweiser composer Johnny Chang with bassist Mike Majkowski, a fragile and beautifully revealing work in 5 parts that moves slowly through subtle harmonic changes.
Works from Italian composer Clara Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program
Alvin Lucier (b.1931) is the great American poet of acoustic phenomena. He has a keen sensitivity to the way objects vibrate, the way sound waves travel to our ears, and to the way our brain processes those vibrations. Trio Nexus is a Berlin based ensemble specializing in New Music. Carbon Copies seeks the recreation on musical instruments of sounds recorded in the environment. Here, the musicians prepare the piece by making their own 15-minute recordings 'of any indoor or outdoor environment.'…
The majestic beauty and savage turbulence that one often beholds while witnessing an awesome act of nature is also evident in Lois V Vierk's vigorous and delicate music. In her meticulously wrought works, she enfolds the rapture of opulent expression in the elegance of formal rigor, a combination that derives much of its power and grace from a sensitive integration of Western experimental practices with the traditional classical music of Japan. "I've always felt equally drawn to the West and to…
Re-release of ed. RZ LP Luigi Nono plus three remarkable recordings. All works by Luigi Nono: ("A Carlo Scarpa" for large orchestra), ("A Pierre" for contrabass flute, contrabass clarinet and live electronics), ("Guia Al Gelidi Mostri" for electronically treated winds, voices and strings). Plus an additional CD of compositions not on the original LP: "Caminantes" and "No hay caminos, hay que caminar." Regarding Nono's concept of "new listenings": "This no longer means revolutionizing the e…
'Palimpsest' (1979) for piano & ensemble. Cory Smythe, piano. 'Echange' (1989) for bass-clarinet & ensemble. Joshua Rubin, bass-clarinet. 'Akanthos' (1977) for soprano & ensemble. Tony Arnold, soprano. 'Thalleïn' (1984) for 16 instruments. 'O-Mega' (1997) for percussion & ensemble. Steven Schick, percussion & conductor. Steven Schick, conductor. 'Zythos' (1996) for trombone & 6 marimbas. Benny Sluchin, trombone.
An exhilarating Xenakis progran, built around works for soloist and ensemble. Most…
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set of seven CDs, the first truly comprehensive survey of Tudor's work as a composer, goes beyond any previous attempt to document that process of transformation. It captures his touch and sensitivity and offers an expansive, previously unavailable view…
Frederic Rzewski’s work “The People United Will Never Be Defeated” is based on the Chilean protest song, “¡El pueblo unido jamás será vencido!,” written by Sergio Ortega a few months before Pinochet’s military coup in September of 1973.Frederic Rzewski came to Europe as a young man, lived in Cologne and Rome, and created a sensation as an avant-garde pianist with his premiere of Karlheinz Stockhausen’s “Klavierstück X”. He worked with the leading composers of the time and was himself a composer.…
Beautiful new Jacob Ullman Organ composition of subtle gradations in sound performed very softly forcing the ear to notice the smallest variations. "Thus, Ullmann creates a quiet music in order to give himself and his listeners the opportunity to hear more, and better. This comes about because our ability to hear is augmented when listening to quiet music. We hear better because we make an effort to hear better. That is why Ullmann likes to locate his sound sources at the periphery, so as not to…
We know the mantra all too well: If I love it, what can I do but repeat it? If I repeat it, what can I do but get bored with it? One answer might be (must be): to make out of its repetition something infinitely variable. This Clementi has done for the last twenty years. He has found a technician's answer to the familiar question of what to do, musically, with the compulsive nature of memory, the obstinate tenacity of the Proustian 'petite phase'. Beethoven and Brahms exorcised this power, this c…
4CD Box edition. Ranked #4 in the the Wire's Rewind 2012 best-of list. Three CD box collection with a 16-page booklet. "Experimental German composer Jakob Ullmann creates quiet music in order to give himself and his listeners the opportunity to hear more, and better. This comes about because our ability to hear is augmented when listening to quiet music. We hear better because we make an effort to hear better. That is why Ullmann likes to locate his sound-sources at the periphery, so as not to m…
A portrait of Christian Wolff, documenting the composer's early activity through recordings made close to the time of their composition from artists including Cornelius Cardew, Frederic Rzewski, David Tudor
Six compositions for chamber ensembles performed the Ensemble 2e2m by Giuliano D’Angiolini, ethnomusicologist and composer who "is a positively unique figure in contemporary music. His profound, well-conceived and stubborn take on music has led him to what he calls »impersonal« music — music that has fully abandoned the idea of development or form. Through successive states of presentation, which aim to elucidate, d’Angiolini wanted to leave place in sound so that music could become less volunt…
3-CD Set. Recorded between 1960 and 1973, the original eighteen LPs that comprise Earle Brown's legendary Contemporary Sound Series have been highly sought after in the secondary market since 1978 when they were discontinued. These rare and historically important recordings of international avant-garde music have been carefully digitized and remastered by the Earle Brown Music Foundation. Volume two includes music by Nono (Polifonica-Monodia-Ritmica), Bruno Maderna (Serenata No. 2), Luciano Ber…
Just arrived, this is the newest edition RZ release focused on a radical electronic (+ Ensemble) music by Clara Maida "During the first years of my compositional research, my goal was to mark out, in my music, the flux of the psychic energy at work in the unconscious and its underlying structure. At the time, I was going through an analytical process favouring access to this unconscious activity, and my readings in the field of psychoanalysis were helping me in the effort to elaborate a musical …
I am particularly pleased, because the result is so different from the solo flute recording of Eberhard Blum and the solo clarinet recording of Roger Heaton. It is not just another interpretation, but a case where interpreters have added so much insight to the music that the music itself has grown. When I was composing this music around 1982, I really thought I was simply writing melodies, but now these little pieces, though remaining melodies, have become something much more, something I…
Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio
Edition RZ presents John McGuire's Works For Instruments. Performers: Ensemble Modern -- Julia Rempe (soprano); Pellegrini-Quartett: Antonio Pellegrini, Thomas Hofer (violin); Fabio Marano (viola); Helmut Menzler (violoncello); musikFabrik: Hermann Kretzschmar, Paulo Alvarez, Irmela Roelcke, Eun-Ju Kim, Ulrich Löffler, Jürgen Kruse (piano), Christine Chapman, Jodie Lawson, Charles Putnam, Rohan Richards (horns), Dirk Rothbrust, Carlos Tarcha (percussion). Each of the compositions of post-minimal…
*In process of stocking. 2022 stock.* Anthony Pateras is a composer/performer based in Melbourne who is as comfortable writing for full orchestra as he is performing in intimate improvisational groupings. Pateras represents the best in the new generation of musicians combining the spontaneity of improvisation with the formal logic of composition and for his second Tzadik CD, he has chosen an eclectic mix of ensemble pieces that blend instrumental virtuosity and electroacoustic sonorities in star…