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*200 copies limited edition* On October 10, Brussels-based accordionist Suzan Peeters releases her debut album 'Cassotto' on the Belgian label blickwinkel. With 'Cassotto', she opens a door into a hidden chamber of sound. The title refers to the “cassotto” — a small resonating chamber inside the accordion that warms, softens, and deepens its tone. Listening to this record feels as if you’ve stepped into that room yourself, enveloped in a world where intimacy and grandeur collide. Although this i…
2011 release **
"Shepard, in 2005, set himself the task of hiking 250 miles across Switzerland, composing a new piece each day (performing it as well, in some public setting). Six of these works are collected here, performed by various Wandelweiser-involved folk. The music has an aura of folk song to it, however attenuated, heard clearly in Christian Wolff's melodica rendition of "Crêt de la Neuve, le 20 juillet 2005" with it's gentle ups and downs, similarly the second brief track with Katie Po…
2014 release **
"Shepard walks around, often traveling impressive distances, and composes music, generally playing on route. I had previously heard the excellent documentation of his perambulation through Switzerland in 2005, "On Foot", but in 2012, he chose to navigate far more dangerous territory, namely Brooklyn, doing so for thirteen weeks, penning a composition per week and organizing on-site performances of same by varied musicians which are heard here, usually along with the environmental…
One night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Loui…
This album presents Annea Lockwood’s complete concert piano works, born from a deep collaborative journey. It culminates in a new version of Ceci N’est Pas Un Piano, where voice and memory resonate through the piano’s frame via transducer speaker.
Limbo, by Viktoriia Vitrenko, is a vocal journey exploring liminality through music, inspired by Maria Kalesnikava and composed amid pandemic and war. It blends diverse vocal styles, bridging personal and universal experiences of waiting and uncertainty.
In his album Tarió, Manuel Contreras Vázquez presents a profound engagement with Latin American history, sound exploration, and experimental notation. Through intricate timbral textures and an architectural approach to composition, his works navigate themes of memory, resistance, and human experience. From intimate solo pieces to collective vocal and instrumental forces, Contreras Vázquez challenges conventional musical boundaries, blending silence, phonetics, and social narratives. This album o…
2015 release (RARE) ** "World premieres of new compositions by Iancu Dumitrescu and Ana-Maria Avram performed live with the Hyperion International Ensemble under the batton of Ilan Volkov at the 15th George Enescu Festival in 2015."
2018 release ** "All the themes from all of Beethoven’s symphonies, played live by an orchestra, concentrated into one hour and supplemented with electronics – that’s “Nine in One”. Or: a wild rollercoaster ride through the twists and turns of Ludwig van Beethoven’s brain. In the front carriage: Wolfgang Mitterer. He has a reputation, as a musician many’s the time he’s tormented the big concert organs of the continent, as well as composing for important orchestras, ensembles and opera houses, ro…
*250 copies limited edition* "Play" is a work by Berlin-based composer Hannes Lingens. The score consists of 100 cards on which brief instructions to the musicians are written. The CD "Play" (hitorri-963), which contains two performances of this work, was released on the Hitorri label in October 2023. Tom Soloveitzik, a musician from Israel who was living in Tokyo at the time of that release, had participated in one of the performances on the CD. As a result, a performance, produced by Soloveitz…
1992 release ** "'Rebonds' (I. Xenakis), 'Akea' (I. Xenakis), 'Epicycles' (I. Xenakis), 'Mania' (C. Tsoupaki), 'Concerto For Oboe And Chamber Ensemble' (D. del Puerto) - Machiko Takahasi (fl.), Ernest Rombout (ob.), Mark Dijcks, Ria Kleinjan (cl.), Jonathan Reeder, Stefanie Liedtke (bsn.), Fokke van Heel, Guillermo Zarzo (h.), Peter van Dinther (tp.), Willie Verdievel (tb.), Jan van der Sanden (tu.), Mifune Tsuji, Izumi Okubo, Paul Hendriks (vl), Susan Bierre (vla), Tadashi Tanaka (cel.), Thom d…
Jerome Kitzke (b. 1955) has described himself as being as much a storyteller as a composer, and that description makes sense. Throughout his music there is a strong dramatic, narrative, theatrical component. Performers shout, sing, move and dance, often as though possessed by the music. An obvious ancestor here is Harry Partch, and though Kitzke’s music does not use just intonation, it projects that “corporeal“ quality that this predecessor valued as essential.The pieces on this disc make for in…
There is in American painting a dynamic movement known as abstract expressionism, led by such well-known artists as Jackson Pollack, Franz Kline, and Willem de Kooning.
In Music there is an equivalent--and equally important--development, which we call atonal expressionism. Its lineage stretches from Carl Ruggles and Roger Sessions to Stefan Wolpe and Elliott Carter. The work of Miriam Gideon stands out as a major and individualistic realization of this style.
One of the characteristics of abstra…
Before spectral music had a name, Romanian polymath Corneliu Cezar was crafting electro-acoustic revelations. Ziua fără sfârșit collects his 1967-75 recordings - radical explorations of natural resonance that predate Western spectralism by a decade.
"Composer-performer & visual artist Charlotte Hug: Shaman of contemporary music. Reflections on her solo-album «In Resonance with Elsewhere». This fourth solo album by Charlotte Hug presents the distilled version of a composition commissioned by the Ruhrtriennale in 2022. On that occasion, Hug performed in a huge former machine hall and created various acoustic-imaginary spaces with Son-Icons (expansive Visual-Music on semi-transparent paper, usually painted on both sides with both hands and lon…
This 2CD is a reissue of the holy grail of Norwegian free-jazz and electronic music, Popofoni, released by Sonet in 1973. It features compositions by Arne Nordheim, Terje Rypdal, Kåre Kolberg, Gunnar Sønstevold and Alfred Janson played by an extended Jan Garbarek Quintet.
The Popofoni-project was initiated after a heated debate on Haagen Ringnes’ TV-show Åpen Post in autumn 1969, which dealt with the subject popmusic. Standing on one side you found the defenders of pop, actress and singer Eli…
Ziúr lines up with The Tapeworm for an exclusive cassette-only release featuring Kenichi Iwasa, exploring the electroacoustic realms. Invited to perform solo at Tarek Atoui's performance series at Kunsthaus Bregenz in October 2024, Ziúr decided to write a new piece for the occasion. This composition, 'Turn Liquid Into Dust', was then performed within the framework of Tarek Atoui's 'Waters' Witness' exhibition as an 8-channel spacial audio piece, transmitting sounds through the installation's str…
*200 copies limited edition* Sullivan Johns is a composer and musician from the UK. He studied at Leeds Conservatoire and Leeds Arts University. His previous release, Assembled Parts (Rusted Tone Recordings - 2022), constructs a narrative on themes of loss, grief and memory using minimal drones and field recordings. Described by Bandcamp New and Notable as "Striking experimental compositions that conjure both childhood joy and icy terror”, pieces from Assembled Parts were Broadcast on BBC Radio …
1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which limits and defines the contrasted music assigned to each performing group, takes as its point of departure the ideas of Charles Ives. Brant's principal works since 1950 are all spatial; his catalogue now comprises nearly 100 such works, each for a di…