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Electronic /

Insubstantial As Ghosts
BArTc is London based experimental electronic audio visual artist Jason Barton, with his nom de plume comprising the symbols for three chemical elements - Boron (B), Argon (Ar) and Technetium (Tc) - while also giving nods to both Hungarian composer Béla Bartók and his own surname. 'Insubstantial As Ghosts' is Barton’s debut album and contains fourteen highly atmospheric soundscapes. Taking the title from a William Gibson novel that was also used in a citation about Sleeping Sickness (‘they neith…
Different Places
* 100 copies limited edition, orange vinyl, includes a one-sided insert + a hand numbered envelope containing four additional prints * Continuing the reissue campaign of legendary synthesizer artist Enno Velthuys, we are proud to offer the Different Places LP. The original tape from 1987 was the second tape Enno produced for Exart and it was his last work before he disappeared into obscurity. By this time, he became disillusioned by the cassette network and his mental condition sadly deteriorate…
Cavv
**2022 stock. 100 copies limited edition** Söll is Jorge Pandeirada, musician and composer from Portugal. Interested in the concepts of randomness and what many regard as musical error. Pandeirada has a degree in Music Production and Electronic Music at ESART, and right now he's a master student in Sound Design at FEUP. This album is Söll's debut in electronic music, a field which he ingeniously explores. In doing so he produces a sound that is rich, detailed, fine-grained, hypnotizing and well,…
Variations in A-moll for a Granular Synthesis
**2022 stock. 300 copies limited edition** 'Variations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS (moks.ee), Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds. Gintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and wo…
The New Backwards
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…
Echo Transformations
On "Echo Transformations", Banabila conceptualizes a virtual space and skates around ideas with freeform glee. He's been working as a composer for theater and TV for many years, and has an impressive catalogue of solo albums, as well as collaborations with Scanner and Machinefabriek - this album feels like an opportunity for him to flex his inter-dimensional muscle. The loose framework is hinged around the fourth world stylings of Jon Hassell, but Banabila has more in mind than reverberated mari…
Tracers
** 2021 stock ** In the early years of 21st century, vidnaObmana teamed up with US experimentalist David Lee Myers, of Arcane Device fame, for a collaborative album that showcases their shared fascination for processing and recycling sound. “Tracers” is the audio evidence of this meeting. A few years later this material was mastered by Dirk Serries and got the new design based on Martina Verhoeven’s artwork.
Magnetic Debris vol.1 & 2
“Magnetic Debris” is a collection of audio works mainly based on the editing of old archived tape loops and "found" magnetic sounds. This material as main reference was subjected to multi-channel treatments, re assembled and mixed along with audio generators, and various electronic devices. These processed debris explores drone territories as a concrete atmospheric soundtrack full of tension with a sense of mystery and a melancholic beauty.Recorded and assembled in 2018, this double album has be…
Meiosis
*2022 stock* Ferial Confine is an early Andrew Chalk experimental, somewhat noise-based project. Meiosis was originally released as a cassette on Broken Flag in 1985. You can certainly hear the influence of The New Blockaders and, to some extent, Whitehouse (no shouting, though), but Meiosis is a fine example of what was 'in the air' for a small amount of people scattered around the world at the time. I think the thing that keeps a lot of this music so relevant is the purity and uncompromising n…
Codex Astra - Hours Of Gold
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Hours of Gold is the second in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Codex Astra - Circles Of Silver
Steven Severin is one of the founding members and bass guitarist of UK’s influential and seminal, Bromley Contingent, punk group Siouxsie and the Banshees. His solo work as Codex Astra is a project exclusive to Erototox Decodings and Circles of Silver is the first in a set of four series EP’s. Each EP in this series is inspired by quotes from Magician, writer extraordinaire, the inimitable Aleister Crowley.
Joulupukki
"Joulupukki is a stunning electronic artwork by Xambuca, which is the moniker for American multimedia artist Chandra Shukla. Inspired by northern indigenous peoples, Xambuca is in the process of creating a trilogy dedicated to and stimulated by these unique cultures and geographies. The 2014 release Kamuy (Erototox) was inspired by the Ainu people of northern Japan, Sakhalin Island, and the Kuril Islands in the northern Pacific. Joulupukkiis about the Saami people living at the top of the Fenno-…
Phlogiston
Elliott Sharps's release on Erototox Decodings is no different in terms of his ongoing homage to science, entitled 'Phlogiston', aptly named after a substance supposed by 18th-century chemists to exist in all combustible bodies, and to be released in combustion. It’s also his first purely electronic and synthesized record to date.
Blendwerk
Blendwerk is all about smoke & mirrors.„Potpourri" - as a track - is new, its components are old. One element per existing album by Strotter Inst. has been intertwined. The parts are old, the entirety is new. "Quodlibet" represents an impossibility, 23 loops are cut next to each other. The simultaneity - as the title suggests - is only conceivable.
Barricades
The story is that Vigroux spent most of the time on his tour constructing what would subsequently evolve into Barricades. Working indefatigably on new tracks in the morning and performing them live in the evening - that is basically how this excellent work was assembled. Recording everything in stereo, using only two tracks, Vigroux aimed to incorporate “the rawness of a ‘live’ recording”. Consequently, the sound here became unmistakably pure and expressive, somewhat reminiscent of artists such …
RA
Schneider TM & Jochen Arbeit of Einstürzende Neubauten release an album of ‘urban cosmic freeform music’ on the US label Erototox Decodings in cooperation with MWM featuring musical contributions by Julia Kent (cello), Lucio Capece (bass clarinet) & Claas Großzeit (cymbal). The album, which almost became a lost treasure, was already recorded in winter 2011/12 and stretches out it’s harmonic dissonances between heavy drones, strange noises, industrial-like metal percussion, feedback-ish flutes, …
Incunabula
Incunabula, the debut full-length offering from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001.
Could Change
"Alvin Lucier’s I Am Sitting In A Room was written over 50 years ago, and it’s about time somebody figured out what to do with it. Sure, you could upload and re-upload the same video until it washes out into a gurgle, and people have. But the result is always just less video and not more of something else. There’s no space, no Room, inside a digital stream to come forth. Here’s why: Lucier’s piece famously provides more thrills and chills the more patience you bring to it. And it works that way …
Minus Modum
"Once again Gerard uses his guitar, low-key electronics, his own voice, and inanimate objects in the creation of a five-part work, this time using Greek letters to identify the separate parts of the structure. He also uses a lot of silence, as usual, and one has to strain quite hard to make out any perceptible markings on this blank stretch of time. Actually what may appear to be pure silence actually contains a very subtle and washed-out drone of some sort, produced by means we know not – it’s …
In Vivo
** Limited edition of 300 copies. Silkscreen printing on 350 gm paper, black inner ** In Vivo is a cross-media collaboration between clarinetist and composer Gareth Davis and Slovenian-born photographer Klavdij Sluban, released on IIKKI. It sets Sluban’s images from throughout his career, primarily of jailed teenagers in prisons around the world, to Davis’s contemporary classical music informed by post-rock and noise music.