Electronic / Acousmatic Music

Split LP in the Portraits GRM series: Jules Négrier’s two-movement electronic piece An Iris Crackled Like Eyelids meets Maria W Horn’s All Solids Melt Into Aether, organ chords pushed to their limits against computer-generated tones.

A cornerstone of the acousmatic tradition, finally on vinyl. François Bayle's Jeîta ou Murmure des Eaux arrives as a limited LP via Recollection GRM and Shelter Press - one of the composer's most singular and spatially ambitious works, composed in the wake of a concert given at the Jeita Grotto in Lebanon in 1969, where Bayle had traveled to mark the opening of the cave's newly discovered upper gallery. Bayle joined the Groupe de Recherches Musicales in 1960, studying under Pierre Schaeffer and …

3LP + 8 page booklet in offset printed slipcase sleeve. Regular edition of 250 copies. Metaphon is pleased to present this première edition, which brings together a near-complete collection of the acousmatic works of Liliane Donskoy, recorded in the 1970s and 1980s. Liliane Donskoy (*1933) is a French, classically trained pianist, music teacher, and composer of both instrumental and acousmatic music. She began her musical training at an early age, undertaking private piano studies with Yves Nat …

Fifteen titles on twenty-nine discs: every CD Roland Kayn issued on his own Reiger Records Reeks between 1995 and 2006, from the three Kybernetische Musik volumes and the ten Electronic Symphonies to the late Multiplex Sound-Art sets and the orchestral and keyboard works. Specially priced.

Four electroacoustic works by Ivo Malec composed between 1961 and 1982, from the early Dahovi to Week-end, gathered by Recollection GRM and reissued on vinyl for the very first time.

Also under Kayn's Multiplex Sound-Art heading: Ultra (2001) and Redundancy TR (2003) on the first disc, the three-section Megaphonie (2001) on the second. Three of the last pieces Roland Kayn completed and released on his own label.

Issued under Kayn's Multiplex Sound-Art heading: Requiem pour Patrice Lumumba (2002) and Interations (2003) on the first disc, the four-section Composizione AD (2002) and Prismes Reflectes (2002) on the second. Among the most recent pieces the composer completed.

Two long pieces from 2004: Etoile du Nord in two parts on the first disc, Ghyress für Ilse-Emily Kayn on the second, named for the daughter who would later reawaken her father's label. Among the last titles Kayn issued on Reiger Records Reeks himself.

Invisible Music (2003) spread over three parts across two discs, followed by Hommage a K. R. H. Sonderborg from the same year. Late Kayn, sound with no visible source, left to a self-regulating electronic system to unfold at its own pace.

Two long pieces from the turn of the millennium, Gärten Der Lüste (1999-2000) and L'Innominata (2000), each in two sections, with the early Cybernetics II (1969) set between them on the first disc. Thirty years of Kayn's electronic practice in a single pairing.

2022 Repress "Fractals" (1981): Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac. Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. "Fractals" is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself. "Fractals", music p…

Huge Tip! The Circus is a place of lights and colors, but also of shadows, even darkness. Admittedly, it delights children and makes adults laugh. But you only need one rainy autumn evening near a circus tent and the smell of fodder to think of the sadness of the clowns, the endless training of the animals and the freaks who are hidden in some caravan... cinema, the essence of the circus – movement, light, danger and burlesque – will have been admirably rendered in Notes on the circus by Jonas M…

**A 4+ hours labyrinthine work, previously unreleased** Jim O’Rourke is among the great voices of his generation - a true musical polymath, whose diverse efforts, since his emergence within the Chicago scene during the late 1980s, have continuously altered the creative landscape. Without him - from his relentless support of the careers of neglected artists, to contributions made within the vast and radical diversity of his output - now tracing across hundreds of releases - so much of what is, co…

“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…

Epic box set containing 16 CDs, presenting more than 40 works and 18 hours of listening, including never released before music by Denis Dufour and texts in a detailed booklet. There is a title buried in this collection that serves as its unspoken manifesto: Notre besoin de consolation est impossible à rassasier - Our Need for Consolation is Insatiable. Borrowed from Stig Dagerman, it names a 67-minute work from 1989, but it might equally describe the impulse behind this unprecedented undertaking…

Second monumental box set of Denis Dufour's complete acousmatic works: 16 CDs, 17 hours of listening. Direct heir to Pierre Schaeffer at the GRM, Dufour redefined acousmatic art by reintroducing theatricality, voice and narrative into a sonic universe of unprecedented rigor and freedom.

This 32CD bundle includes the following items: Denis Dufour "Complete Acousmatic Works — Vol 1" (16CD Box, 2021). and Denis Dufour "Complete Acousmatic Works — Vol 2" (16CD Box, 2026)Denis Dufour "Complete Acousmatic Works — Vol 1" (16CD Box, 2021)Epic box set containing 16 CDs, presenting more than 40 works and 18 hours of listening, including never released before music by Denis Dufour and texts in a detailed booklet. There is a title buried in this collection that serves as its unspoken manif…

**Finally repressed, absolutely recommended!** An incredible box-set with 33 compositions from 1964 to 2007 that includes a 92-page booklet in French and English. The best way to enter the world of Bernard Parmegiani, French composer of musique concrète, member of the GRM group.

Subtitled: Acousmatic Electronic Works. This is the fifth volume in Edition Omega Point's Experimental Music Of Japan series. Sound performer, composer and sound engineer Kazuya Ishigami was born in 1972, in Osaka. He graduated from Osaka University Of Arts in 1994. He composed his pieces for INA-GRM in August 1997. His Radiophonic work "Sonic Escapism," "2nd 49" and "Whisper Of Sound God" were broadcast from Deutschlandradio in 2005-2008. Ishigami studied at music academies in Japan and …

Another remarkable reissue from the hallowed GRM archive, three major works of ultra-vivid, immersive and inventive music by Bernard Parmegiani, one of the 20th century's most revered and important electro-acoustic composers

** 2025 CD Repress ** Beatriz Ferreyra has been at the forefront of electroacoustic music composition since 1963 when she joined the Groupe de Recherches Musicales as one of Pierre Schaeffer’s research assistants. She is one of very few composers still performing who was instrumental at the beginning of Schaeffer’s theories of sound objects and reduced listening techniques. She continues to compose commissioned works and perform around the world in a career that has spanned some sixty years.From…

Unreleased before collection from French electroacoustician Régis Renouard Larivière. Contrée is an LP of quizzical, sometimes eerie voyages into unknown noise. "Allégeance Volatile" and "Esquive" each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called "repetitive" music. These are types of high-end music. And it is more about insistence, the obstinacy of a…

Two computer works by Curtis Roads on one LP: Clang-Tint, a 1994 commission from Japan's Ministry of Culture and the Kunitachi College of Music, and Modulude, composed between 1998 and 2021. 250 copies.

*200 copies limited edition* Black Bamboo IV continues TeZ's series of electroacoustic and acousmatic performances, centered on the live transformation of acoustic sources and field recordings. Improvisations unfold through the interplay of hybrid DIY tools, traditional folk and ethnic instruments, environmental textures, and archival audio fragments. These elements are expanded and recombined through generative filters, delays, pitch shifters, and harmonizers—woven into evolving feedback loops …

On Mount Mansfield, Sam Boston and Shawn O’Sullivan turn a Vermont peak into both instrument and score, binding bent lapsteel and analog feedback into a slow‑growing, topographic drone where static contour becomes living, verdant resonance.

On Sanctioned Departures, William Selman lets two rainforests - Pacific Northwest and Costa Rica - compose themselves, braiding tidal lagoons, primates, saunas and street sweepers into humid, borderless environments where categories dissolve like shorelines under floodwater.

On Sumatra Method, Émile Zener (aka Gunnar Haslam) rebuilds 1950s–60s Indonesia as a haunted acoustic system, where Cold War proxy battles, propaganda and terror flicker through unstable drones, VHS detritus and spliced testimonies.

On Chandler and Dickow Play Fischer, David Chandler and Paul Dickow treat Marcus Fischer’s graphic scores as a lab problem rather than a script, using tracing paper, chalk, piezo styli, EEG data and a 1970s modular synth to probe what it means to “play” an image without simply projecting themselves onto it.

Three of the most essential new releases from Metaphon and La Scie Dorée, gathered in a single bundle. Liliane Donskoy's Intégrale Acousmatique - issued here in its deluxe hardboard linen screen printed box edition, including an 8 page booklet - brings together for the first time the near-complete acousmatic works recorded at Ghent's Institute of Psychoacoustics and Electronic Music between the 1970s and 1980s - a towering, previously inaccessible body of work by a French composer trained by Mil…

Continuing the fertile collaboration initiated in 2012 with Recollection GRM, Ina Grm and Editions Mego have decided to offer a complementary series, no longer focused on the "classic" GRM repertoire but towards recent creations commissioned by the GRM to artists from all horizons

Persistence of Sound presents a split LP from two leading voices in electroacoustic music. It would be hard to find a better-suited combination of contemporary acousmatica on one record.   Beatriz Ferreyra and Natasha Barrett are known for their intense exploration of the movement of sounds through space. Ferreyra has been at the cutting edge of developments in acousmatic music and sound morphology since she joined Pierre Schaeffer’s small team of researchers in his tape experiments at the GRM P…

Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that ev…

The Third release on GRM's new "Portraits GRM" series, an offshoot of "Recollection GRM" geared towards more recent commissions for the pioneering French experimental outfit

A 16-channel piece inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary.

Over the last decade, Kassel Jaeger, the moniker of the Paris-based composer, writer / theorist, producer, and director of the Groupe de Recherches Musicales (GRM), François Bonnet, has meticulously sculpted a body of multidisciplinary work that rests at the forefront contemporary electronic and electroacoustic practice. He will release his new album ‘Swamp/Things’ on Shelter-Press. Rigorously experimental without sacrificing the intimacies of self, his efforts as a composer and musician extend …

Eight works by Nikos Stavropoulos from 2003 to 2017 on intimate, close-up acoustic space, several conceived in 5.1 or ambisonics, among them Topophilia, Karst Grotto and Granicus, written for percussionist Alexander Pepelasis, who plays it here.

First ever CD pressing! Cd in 6 panel digisleeve. Shutting Down Here marks a pivotal moment in the career of Jim O’Rourke, a composer celebrated for his restless innovation across experimental, electronic, and contemporary music. Originally commissioned by INA-GRM and first released in 2020, this 35-minute single-track album now returns in a long-awaited reissue, available for the first time on CD. Described by O’Rourke himself as the “most meaningful” work of his career, Shutting Down Here weav…

Molecule Plane, a project by Yuki Ohtsuka specializing in inducing the dissimilation of the acoustic space itself through sustained tonal layering and associated complex textural transformations, is pleased to announce the release of its new album on Shrine.jp.Yuki Ohtsuka is an electronic musician and mastering engineer living in Kyoto. He studied electroacoustic music composition, acousmonium performance, and sound technology at Osaka University of Arts, where he also completed his master's de…

In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…

A relentless explorer, composer, performer and theorist, David Dunn (b 1953) uses electro-acoustic resources, voice, non-human living systems, as well as traditional instruments. A creator of text-sound compositions, environmental installations, works for radio and video, he has also written and published extensively. Underlying all his work is a common regard for music as a communicative source with a living world.  Growing up in San Diego in the sixties and seventies, he encountered people lik…